Scratching the Surface may refer to:
Lee "Scratch" Perry was a Jamaican record producer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others.
Sick of It All is an American hardcore punk band, formed in 1986 in Queens, New York. The band's lineup consists of brothers Lou and Pete Koller on lead vocals and guitars respectively, Armand Majidi on drums, and Craig Setari on bass. Sick of It All is considered a major part of the New York hardcore scene, and by 2020, the band had sold at least half a million records worldwide.
Tear, Tears or Tearing may refer to:
An abrasive is a material, often a mineral, that is used to shape or finish a workpiece through rubbing which leads to part of the workpiece being worn away by friction. While finishing a material often means polishing it to gain a smooth, reflective surface, the process can also involve roughening as in satin, matte or beaded finishes. In short, the ceramics which are used to cut, grind and polish other softer materials are known as abrasives.
A scratch is a mark of abrasion on a surface.
A flare is a device that produces brilliant light and intense heat without explosion, used for lighting, signaling, decoration or as aerial defense countermeasure
Hipsway are a Scottish pop/new wave band.
Abrasion may refer to:
Scratch the Surface is the third studio album by American band Sick of It All, released in 1994. It was the band's first major label recording on East West Records, their first venture away from an indie label.
Vinyl may refer to:
Graffiti is writing or drawings scribbled, scratched, or sprayed on a wall or other surface in a public place.
Scratch and sniff technology generally refers to stickers or paperboard items that have been treated with a fragrant coating. When scratched, the coating releases an odor that is normally related to the image displayed under the coating. The technology has been used on a variety of surfaces from stickers to compact discs. 3M invented the technology in 1965, using a process originally developed for carbonless copy paper called microencapsulation.
Transform may refer to:
Tha Streetz Iz a Mutha is the second studio album by the American rapper Kurupt. It was released in 1999 through Antra Records with distribution from Artemis Records.
Our Impact Will Be Felt is a tribute album by various artists dedicated to Sick of It All, released on May 8, 2007. The album's title is a reference to a line of the song "Built to Last", which appeared on the band's album of the same title.
From scratch may refer to:
Scratch My Back is the eighth studio album by English musician Peter Gabriel, his first in eight years. It was released in February 2010. The album, recorded at Air Lyndhurst and Real World Studios during 2009, consists of cover versions of twelve songs by various artists, using only orchestra and voice. It is produced by Gabriel with Bob Ezrin.
"Buffalo Gals" is a 1982 hip-hop single released by Malcolm McLaren and the World's Famous Supreme Team, from McLaren's 1983 album Duck Rock. The song is composed of extensive scratching with calls from square dancing. The music video prominently features the Rock Steady Crew.
The Week That Was is the side-project of Peter Brewis, member of the Sunderland art-rock band Field Music. The group was created by Brewis during Field Music's 2007-2009 hiatus, during which the two Brewis brothers Peter & David Brewis went off to pursue wider musical interests not under the 'Field Music' umbrella. However, as both David Brewis and former Field Music member Andrew Moore feature on the self-titled album, it is labelled as an album by "The Week That Was & Field Music" on iTunes. The group also includes musicians frequently used in Field Music's album sessions, such as Emma Fisk and Peter Richardson on strings. Like Field Music, the songs are in a progressive, fractured style often operating outside of standard verse/chorus structures. However, there are some more radio-friendly songs on the album than Field Music's work, and The Week That Was also has wider and more elaborate use of instrumentation, particularly orchestral instruments.
Crackle or crackling may refer to: