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Louis Daniel Armstrong, nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist who is among the most influential figures in jazz. His career spanned five decades and different eras in the history of jazz.
Swing music is a form of jazz that developed in the United States in the 1930s and 1940s. The name came from the emphasis on the off–beat, or weaker pulse. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Notable musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller and Artie Shaw.
Wardell Gray was an American jazz tenor saxophonist who straddled the swing and bebop periods.
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles rapidly gained nationwide popularity in the United States. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of the diaspora, jazz played a significant part in wider cultural changes in this period, and its influence on popular culture continued long afterward. The Jazz Age is often referred to in conjunction with the Roaring Twenties, and in the United States, it overlapped in significant cross-cultural ways with the Prohibition Era. The movement was largely affected by the introduction of radios nationwide. During this time, the Jazz Age was intertwined with the developing cultures of young people. The movement also helped start the beginning of the European Jazz movement. American author F. Scott Fitzgerald is widely credited with coining the term, first using it in his 1922 short story collection titled Tales of the Jazz Age.
Bennett Lester Carter was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and '90s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award.
Earl Kenneth Hines, also known as Earl "Fatha" Hines, was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz".
The swing era was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianists Fats Waller and Teddy Wilson; the trumpeters Louis Armstrong, Roy Eldridge, Bunny Berigan, and Rex Stewart.
James Robert Forrest Jr. was an American jazz musician, who played tenor saxophone throughout his career.
Albert J. "Budd" Johnson III was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines.
Cora "Lovie" Austin was an American Chicago bandleader, session musician, composer, singer, and arranger during the 1920s classic blues era. She and Lil Hardin Armstrong are often ranked as two of the best female jazz blues piano players of the period.
Boyd Atkins was an American jazz and blues reed player. He played saxophone and violin professionally.
Herb Flemming or Fleming was an American jazz trombonist and vocalist who played extensively in Europe.
Charles Cyril Creath was an American jazz trumpeter, saxophonist, accordionist, and bandleader.
Edward Clifton Allen was an American jazz trumpeter and cornetist.
Lemuel Charles "Lem" Johnson was an American jazz saxophonist who played both tenor and soprano saxophones.
Albert W. "Happy" Caldwell was an American jazz clarinetist and tenor saxophonist.
Abram Lincoln was an American Dixieland jazz trombonist. He never led his own recording session, though he recorded copiously as a sideman.
Edgar "Puddinghead" Battle was an American jazz multi-instrumentalist, composer, and arranger. He performed on trumpet, trombone, saxophone, and keyboard.
Louis "King" Garcia was a Puerto Rican jazz trumpeter who spent most of his career in the United States.
Arville Shirley Harris (1904–1954) was an American jazz reedist. He was the brother of Leroy Harris, Sr..
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