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Skip jive is a British dance, descended from the jazz dances of the 1930s and 1940s jive and ultimately from the Lindy Hop. Danced to trad jazz music, it was popular in England in the 1950s and 1960s in jazz clubs in London; notably Jazzshows (now the 100 Club, 100 Oxford St) and the Ken Colyer Club (Studio 51 Gt Newport St., now closed).
Jazz club events were also held at most large towns, especially in the south of England (e.g. Guildford Surrey, Farnborough Hants, Bexley Kent). Trad jazz enthusiasts congregated in these venues and would "skip jive" all evening. It is still danced to a limited extent today.
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Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston, Balboa, Lindy Hop, and Collegiate Shag. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African-American communities as vernacular African-American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.
Jive may refer to:
The jive is a dance style that originated in the United States from African Americans in the early 1930s. The name of the dance comes from the name of a form of African-American vernacular slang, popularized in the 1930s by the publication of a dictionary by Cab Calloway, the famous jazz bandleader and singer. In competition ballroom dancing, the jive is often grouped with the Latin-inspired ballroom dances, though its roots are based on swing dancing and not Latin dancing.
The 100 Club is a music venue located at 100 Oxford Street, London, England, where it has been hosting live music since 24 October 1942. It was originally called the Feldman Swing Club, but changed its name when the father of the current owner took over in 1964.
The swing revival, also called retro swing and neo-swing, was a renewed interest in swing music and Lindy Hop dance, beginning around 1989 and reaching a peak from the early/mid to late 1990s. The music was generally rooted in the big bands of the swing era of the 1930s and 1940s, but it was also greatly influenced by rockabilly, boogie-woogie, the jump blues of artists such as Louis Prima and Louis Jordan, and the theatrics of Cab Calloway. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues with rock, punk rock, ska, and ska punk music or had roots in punk, ska, ska punk, and alternative rock music.
"Jive Talkin'" is a song by the Bee Gees, released as a single in May 1975 by RSO Records. This was the lead single from the album Main Course. It hit number one on the Billboard Hot 100 and top-five on the UK Singles Chart in the middle of 1975. Largely recognised as the group's comeback song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
1000 Years of Popular Music is a 2003 live album by Richard Thompson.
Victor Marlborough Silvester OBE was an English dancer, writer, musician and bandleader from the British dance band era. He was a significant figure in the development of ballroom dance during the first half of the 20th century, and his records sold 75 million copies from the 1930s through to the 1980s.
Monty Sunshine was an English jazz clarinettist, who is known for his clarinet solo on the track "Petite Fleur", a million seller for the Chris Barber Jazz Band in 1959. During his career, Sunshine worked with the Eager Beavers, the Crane River Jazz Band, Beryl Bryden, George Melly, Chris Barber, Johnny Parker, Diz Disley and Donegan's Dancing Sunshine Band.
The terms hipster or hepcat, as used in the 1940s, referred to aficionados of jump blues and jazz, in particular bebop, which became popular in the early 1940s. The hipster subculture adopted the lifestyle of the jazz musician, including some or all of the following features: Conk hairstyles, loose fitting or oversize suits with loud colors, jive talk slang, use of tobacco, cannabis, and other recreational drugs, relaxed attitude, love for Jazz or Jump blues music, and styles of swing dancing, especially Lindy hop.
Momma Don't Allow is a 1956 short British documentary film co-directed by Karel Reisz and Tony Richardson, and filmed by Walter Lassally. Produced by the British Film Institute Experimental Film Fund, it was first shown in February 1956, as part of the first Free Cinema programme at the National Film Theatre.
Eric Allandale was a trombonist, songwriter, and bandleader. During the 1960s, he was in number of bands in various genres which included jazz pop and soul.
Cyril Laurie was an English jazz clarinettist and bandleader.
Twinwood Festival is an annual vintage music and dance festival, held every August bank holiday weekend at Twinwood Arena in Clapham, Bedfordshire.
The Jive Aces are a six-piece UK-based, swing band that was formed in 1989. They were Britain's Got Talent semi-finalists in 2012. They have released 11 albums, as well as compilations, EPs and singles and have performed at numerous music festivals.
Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "jive" (jazz) was played and was adopted more widely in African-American society, peaking in the 1940s.
"Doin' the Jive" is a 1938 song composed by Glenn Miller and pianist Chummy MacGregor. The song was released as a 78 single by Glenn Miller and His Orchestra on Brunswick.
"Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart. The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation, though Otis always denied it. It has since been covered by numerous artists, including The Crickets, The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood, The Bunch, and in live performances by The Grateful Dead. Clapton's 1974 version was released as a single and reached the Billboard Hot 100, peaking at No. 26. Thorogood's 1985 version reached No. 25 on the Billboard Rock Tracks chart.