Sleeping Girl may refer to:
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A nymph in ancient Greek folklore is a supernatural being associated with many other minor female deities that are often associated with the air, seas, woods, water or particular locations or landforms. Different from Greek goddesses, nymphs are generally regarded as divine spirits who animate or maintain Nature for the environments where they live, and are usually depicted as beautiful, young, and graceful maidens. They were not necessarily immortal, but lived many years before they died.
Pierre-Auguste Renoir, commonly known as Auguste Renoir, was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
Henry Holiday was a British historical genre and landscape painter, stained-glass designer, illustrator and sculptor. He is considered to be a member of the Pre-Raphaelite school of art.
The thousand-yard stare or two-thousand-yard stare is a phrase often used to describe the blank, unfocused gaze of soldiers who have become emotionally detached from the horrors around them. It is also sometimes used more generally to describe the look of dissociation among victims of other types of trauma.
Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch square canvas, it is widely considered to be Leighton's magnum opus, showing his classicist nature. It is thought that the woman portrayed alludes to the figures of sleeping nymphs and naiads the Greeks often sculpted.
The Gemäldegalerie Alte Meister in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstanding works by German, French and Spanish painters of the period are also among the gallery's attractions.
The Sleeping Gypsy is an 1897 oil painting by French Naïve artist Henri Rousseau (1844–1910). It is a fantastical depiction of a lion musing over a sleeping woman on a moonlit night.
Girl with a Pearl Earring is an oil painting by Dutch Golden Age painter Johannes Vermeer, dated c. 1665. Going by various names over the centuries, it became known by its present title towards the end of the 20th century after the large pearl earring worn by the girl portrayed there. The work has been in the collection of the Mauritshuis in The Hague since 1902 and has been the subject of various literary treatments. In 2006, the Dutch public selected it as the most beautiful painting in the Netherlands.
We Love the City is the third album by British indie rock band Hefner. It was released by Too Pure in two formats in 2000, the standard version and a second version with a disc featuring videos for "I Took Her Love for Granted" and "Good Fruit," as well as a John Peel session. The entire John Peel session was later released as the album Maida Vale. The album was reissued in 2009.
The Legend of Briar Rose is the title of a series of paintings by the Pre-Raphaelite artist Edward Burne-Jones which were completed between 1885 and 1890. The four original paintings – The Briar Wood, The Council Chamber, The Garden Court and The Rose Bower – and an additional ten adjoining panels, are located at Buscot Park in Oxfordshire, England.
Napier Girls' High School is a state secondary school on Clyde Road, Napier, New Zealand. It has a current school roll of over 1000.
Théodore Jacques Ralli or Theodorus Rallis was a Greek painter, watercolourist and draughtsman, who spent most of his working life in France and Egypt.
The Railway, widely known as Gare Saint-Lazare, is an 1873 painting by Édouard Manet. It is the last painting by Manet of his favourite model, the fellow painter Victorine Meurent, who was also the model for his earlier works Olympia and the Luncheon on the Grass. It was exhibited at the Paris Salon in 1874, and donated to the National Gallery of Art in Washington, D.C. in 1956.
Girl Reading a Letter at an Open Window is an oil painting by Dutch Golden Age painter Johannes Vermeer. Completed in approximately 1657–59, the painting is on display at the Gemäldegalerie in Dresden. For many years, the attribution of the painting—which features a young Dutch woman reading a letter before an open window—was lost, with first Rembrandt and then Pieter de Hooch being credited for the work before it was properly identified in 1880. After World War II, the painting was briefly in possession of the Soviet Union. Apparently well-preserved, the painting may have been altered after the painter's death.
The Elder Sister is a painting by nineteenth-century French academic artist, William-Adolphe Bouguereau, in 1869. The painting was acquired in 1992 by the Museum of Fine Arts, Houston, as a gift. According to the museum website, the painting was the gift of an anonymous lady in memory of her father. Since then, The Elder Sister has been a part of the permanent collection of the museum and is placed in its "Arts of Europe" section. It has become one of the most notable highlights among the museum's collection of paintings.
Sleeping Girl is a 1964 oil and Magna on canvas pop art painting by Roy Lichtenstein. It held the record for the highest auction price for a Lichtenstein painting from May 2012 until May 2013.
Crying Girl is the name of two different works by Roy Lichtenstein: a 1963 offset lithograph on lightweight, off-white wove paper and a 1964 porcelain enamel on steel.
Cymon and Iphigenia is an oil on canvas painting by Frederic Leighton, 1st Baron Leighton. The painting does not bear a date but was first exhibited at the Royal Academy of Arts, London, in 1884. The Art Gallery of New South Wales in Sydney, Australia, purchased it at a Christie's auction in London in 1976.
The Lacemaker is an oil on canvas painting by the Dutch painter Nicolaes Maes. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art.
Sleeping Girl or Young Woman Sleeping is an oil on canvas painting by an unknown 17th century artist active in Rome, sometimes dated to c.1620 and previously attributed to Theodoor van Loon or Domenico Fetti. It is now in the Museum of Fine Arts, which acquired it from the Esterházy family collection. Its catalogue number is 609.