Smoke | |
---|---|
Artist | Tony Smith |
Year | 1967 | , fabricated 2005
Type | Painted aluminum |
Dimensions | 740 cm× 1,430 cm× 1,010 cm(290 in× 564 in× 396 in) |
Location | Los Angeles County Museum of Art, Los Angeles, California |
Owner | Los Angeles County Museum of Art |
Smoke is a large-scale sculpture conceived by American artist Tony Smith in 1967 that was fabricated posthumously in 2005 for the Los Angeles County Museum of Art (LACMA) where it was installed in 2008. This two-tier sculptures standing 24 foot tall is made of aluminum and painted black.
Smoke is unique in that it is Smith’s only large-scale work specifically intended for an interior space. The first iteration of the sculpture was a painted plywood version installed in the atrium of the Corcoran Gallery in Washington D.C. in 1967. This version, measuring 45 feet long, 33 feet wide, and 22 feet high, was based on Smith's small-scale cardboard model, and was built and painted by three to seven workmen over the course of two months, at a cost of $6,000. [1] LACMA’s painted aluminum version was installed in 2008 and the first in an edition of three; second in the edition is in a private collection. [2]
Art historian Joan Pachner described the artwork as one that does not have a single focal point or axis: "it looks like a complicated jungle gym. Interior views are dominated by the linear scaffold and the implied infinite expanse of the design." [3]
The sculpture has been on permanent view in the Ahmanson Building Room at LACMA since 2008.
Smoke was acquired by LACMA in 2010 (as accession number M.2010.49) through a gift from the Belldegrun Family in honor of Rebecka Belldegrun's birthday [2]
Christopher Lee Burden was an American artist working in performance art, sculpture, and installation art. Burden became known in the 1970s for his performance art works, including Shoot (1971), where he arranged for a friend to shoot him in the arm with a small-caliber rifle. A prolific artist, Burden created many well-known installations, public artworks, and sculptures before his death in 2015.
The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits.
Richard Serra was an American artist known for his large-scale abstract sculptures made for site-specific landscape, urban, and architectural settings, and whose work has been primarily associated with Postminimalism. Described as "one of his era's greatest sculptors", Serra became notable for emphasizing the material qualities of his works and exploration of the relationship between the viewer, the work, and the site.
Michael Heizer is an American land artist specializing in large-scale and site-specific sculptures. Working largely outside the confines of the traditional art spaces of galleries and museums, Heizer has redefined sculpture in terms of size, mass, gesture, and process. A pioneer of 20th-century land art or Earthworks movement, he is widely recognized for sculptures and environmental structures made with earth-moving equipment, which he began creating in the American West in 1967. He currently lives and works in Hiko, Nevada, and New York City.
John Anthony Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Anthony Peter Smith was an American sculptor, painter, architectural designer, and a noted art theorist. As a leading sculptor in the 1960s and 1970s, Smith is often associated with the Minimalist art movement.
Sterling Ruby is an American artist who works in a large variety of media including ceramics, painting, drawing, collage, sculpture, video, and textiles. Often, his work is presented in large and densely packed installations. The artist has cited a diverse range of sources and influences including aberrant psychologies, urban gangs and graffiti, hip-hop culture, craft, punk, masculinity, violence, public art, prisons, globalization, American domination and decline, waste and consumption. In opposition to the minimalist artistic tradition and influenced by the ubiquity of urban graffiti, the artist's works often appear scratched, defaced, camouflaged, dirty, or splattered. Proclaimed as one of the most interesting artists to emerge this century by New York Times art critic Roberta Smith, Ruby's work examines the psychological space where individual expression confronts social constraint. Sterling Ruby currently lives and works in Los Angeles. His studio is located in Vernon, south of downtown Los Angeles.
Peter Forakis was an American artist and professor. He was known as an abstract geometric sculptor.
Franz West was an Austrian artist.
Wrestlers is a name shared by three closely related 1899 paintings by American artist Thomas Eakins,. The Los Angeles County Museum of Art (LACMA) owns the finished painting (G-317), and the oil sketch (G-318). The Philadelphia Museum of Art (PMA) owns a slightly smaller unfinished version (G-319). All three works depict a pair of nearly naked men engaged in a wrestling match. The setting for the finished painting is the Quaker City Barge Club (defunct), which once stood on Philadelphia's Boathouse Row.
Throwback is a public artwork by American artist Tony Smith, located at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., United States. This version is the third of an edition of three in the series with one artist's proof.
Urban Light (2008) is a large-scale assemblage sculpture by Chris Burden located at the Wilshire Boulevard entrance to the Los Angeles County Museum of Art (LACMA). The 2008 installation consists of restored street lamps from the 1920s and 1930s. Most of them once lit the streets of Southern California.
Ronald Bladen was a Canadian-born American painter and sculptor. He is particularly known for his large-scale sculptures. His artistic stance, was influenced by European Constructivism, American Hard-Edge Painting, and sculptors such as Isamu Noguchi and David Smith. Bladen in turn had stimulating effect on a circle of younger artists including Carl Andre, Donald Judd, Sol LeWitt and others, who repeatedly referred to him as one of the 'father figures' of Minimal Art.
Levitated Mass is a 2012 large-scale public art sculpture by Michael Heizer at Resnick North Lawn at the Los Angeles County Museum of Art (LACMA). The installation consists of a 340-ton boulder sculpture placed above a 456-foot viewing pathway to accommodate 360-degree viewing. The nature, expense and scale of the installation attracted discussion within the public art world, and its notable 106-mile transit from the Jurupa Valley Quarry in Riverside County was widely covered by the media.
Smog is a public artwork by American artist Tony Smith located to the south east of McCardell Bicentennial Hall on the Middlebury College campus, in Middlebury, Vermont. An example of minimalist sculpture, the piece is a lattice of 45 octahedra, standing on 22 tetrahedra, and topped with 15 prisms. It is fabricated from aluminum, painted black. This work is first in an edition of three, with one artist's proof.
Moses (3/3) is a public sculpture of the prophet Moses by United States artist Tony Smith. It is on the grounds of the Toledo Museum of Art in Toledo, Ohio. The title of the work was inspired from readings of his own work that links this sculpture to the work of Michelangelo and Rembrandt.
Arie S. Belldegrun, FACS, is an Israeli-American urologic oncologist, billionaire businessman and investor.
Rebecka Belldegrun, is a Finnish-born Israeli-American ophthalmologist, billionaire businesswoman and investor.
Anthony Hanna Berlant is an American artist who was born in New York City. He attended the University of California, Los Angeles, where he received a BA (1961) and MA (1962) in painting and an MFA (1963) in sculpture. He has a large collection of Southwestern Native American art, especially Mimbres pottery and Navajo rugs. He lives and works in Santa Monica, California.
Norman Charles Zammitt was an American artist in Southern California who was at the leading edge of the Light and Space Movement, pioneering with his transparent sculptures in the early 1960s, followed in the 1970s by his large scale luminous color paintings.