A major contributor to this article appears to have a close connection with its subject.(November 2025) |
| Soch: A Perception | |
|---|---|
| Directed by | Ravi Gautam |
| Written by | Ravi Gautam; Pepino Pushpani |
| Produced by | Jennifer Pengel; Rahul Sharma |
| Starring | Anjali Patil; Mukti Ravi Das; Silpi Dutta; Muzammil Bhawani; Ritika Sharma; Gauri Webster; Dayal Prasad |
| Cinematography | Pepino Pushpani |
| Edited by | Ravi Gautam, Pepino Pushpani |
| Music by | Dipesh Varma |
Production company | |
| Distributed by | Webfilmland Productions |
Release date |
|
Running time | 100 minutes |
| Country | India / Germany |
| Language | Hindi |
Soch: A Perception is a 2024 Indo-German psychological thriller written and directed by Indian-German filmmaker Ravi Gautam. Produced by Webfilmland Productions, the film explores gender inequality, identity politics, and communal tensions in contemporary Indian society. [1] [2]
Set in the Himalayan village of Arkee, police officer Priyanka Negi (Anjali Patil) investigates the mysterious disappearance of activist Shaila Awasthi (Silpi Dutta). As the case uncovers communal fault lines, Negi faces growing media pressure and political tension while confronting her own moral compass. [3]
Ravi Gautam served as director, writer, editor, and VFX artist, with cinematography by Pepino Pushpani and music composed by Dipesh Varma. [3] In interviews, Gautam explained that the narrative draws from his own observations of patriarchal dynamics within Indian society and the impact of religious identity politics. [4]
The film premiered in 2024 and screened at multiple international film festivals: [2]
At the 22nd Indian Film Festival Stuttgart (2025), Soch: A Perception received the Director's Vision Award, one of the festival's top honors. [6] German daily Hannoversche Allgemeine Zeitung described the award as a “prestigious recognition for Webfilmland’s social cinema.” [7] The film was also highlighted by MFG Filmförderung Baden-Württemberg among notable features of the festival lineup. [8]
The film examines how patriarchal social structures intersect with religious identity politics in modern India. Gautam noted, "Misogyny often hides behind the cloak of religious identity-politics; this film aims to give diverse voices a platform without taking a partisan stance." [3]