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The Society for Photographic Education (SPE) is a nonprofit membership organization that provides a forum for the discussion of photography and related media as a means of creative expression and cultural insight. Through its interdisciplinary programs, services and publications, the society seeks to promote a broader understanding of the medium in all its forms, and to foster the development of its practice, teaching, scholarship and criticism.
Photography is the art, application and practice of creating durable images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.
Prior to the 1960s, photography was taught primarily in departments of journalism at American universities. SPE emerged at a time when art departments were beginning to offer photography in their curriculum. Nathan Lyons, then associate director at the George Eastman House, recognized the newly emerging academic field; he coordinated and hosted a conference in November 1962 [1] in Rochester, NY to address the concerns of these educators. Beaumont Newhall, Walter Rosenblum, Arthur Sinsabaugh, Aaron Siskind, Henry Holmes Smith, John Szarkowski, Jerry Uelsmann and Clarence White were among the thirty attendees at the “Invitational Teaching Conference.” Representing the intersection of fine art practice, education and history, these early participants aimed to formulate the goals, future and improvement of photographic education. The first annual national conference was held in Chicago in 1963 and the articles of incorporation were signed in May 1964. Since its establishment, many noted artists, curators, and critics in the field of photography have been involved with SPE or its programs. Although the majority of its 2,100+ members are fine art photographers and educators, curators, critics, historians and artists are also members. The national headquarters is located in Cleveland, OH, and the archives are held at the Center for Creative Photography in Tucson, AZ.
In education, a curriculum is broadly defined as the totality of student experiences that occur in the educational process. The term often refers specifically to a planned sequence of instruction, or to a view of the student's experiences in terms of the educator's or school's instructional goals. In a 2003 study, Reys, Reys, Lapan, Holliday, and Wasman refer to curriculum as a set of learning goals articulated across grades that outline the intended mathematics content and process goals at particular points in time throughout the K–12 school program. Curriculum may incorporate the planned interaction of pupils with instructional content, materials, resources, and processes for evaluating the attainment of educational objectives. Curriculum is split into several categories: the explicit, the implicit, the excluded, and the extracurricular.
Nathan Lyons was an American photographer, curator, and educator. He exhibited his photographs from 1956 onwards, produced books of his own and edited those of others.
Beaumont Newhall was an American curator, art historian, writer, photographer, and the second director of the George Eastman Museum. His book The History of Photography remains one of the most significant accounts in the field and has become a classic photographic history textbook. Newhall was the recipient of numerous awards and accolades for his accomplishments in the study of photo history.
Every year an annual national conference continues the tradition of gathering some of the greatest artists, students, historians and thinkers of photography’s past, present and future. The annual event (52nd to be held in New Orleans, LA, March 12-15, 2015) attracts over 1,500 photographic artists, educators, students, curators, historians and enthusiasts from around the world. Featured speakers include recognized artists and over 45 hours of peer-reviewed programming from artists, historians, and curators, including panel discussions, imagemaker presentations, demos, and workshops. SPE’s four-day event also hosts an Exhibits Fair with 75+ representatives from industry, publishing, and academic institutions. Portfolio reviews are conducted throughout the event and programming is open to members and non-members of SPE alike. Contributions help support student scholarships, featured artists' costs, special events, and all programming.
SPE’s eight regional organizations (Northeast, Mid-Atlantic, Southeast, South Central, Midwest, Southwest, West, and Northwest) each serve the special needs of its local constituency and hold conferences/events in the autumn months, creating a sense of community within each region. Many regional associations also take an active role in advocacy issues, special publications, and newsletters.
SPE currently offers membership in three caucuses – LGBTQ (Lesbian, Gay, Bisexual, Transgender, and Queer), Multicultural, and Women’s. Created to serve underrepresented members of the society, these caucuses provide an environment to discuss, support, and advance the role of LGBTQ, women, and multicultural imagemakers within the society as well as the profession.
Published since 1973, SPE's journal, Exposure, is a benefit of membership and is published bi-annually in the Spring (March) and Fall (September), with a print run of 2,700 copies per issue. A leading voice in the conversation on photography and related media for over forty years, Exposure publishes an inclusive range of images and ideas by those passionate about photographic discourse. Exposure seeks innovative, incisive, and timely submissions from its membership, and also welcomes submissions from non-members including artists, photographers, historians, critics, curators, scholars, educators, and other photography professionals.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of "creating" an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus, is printed in one or more colors other than black-and-white and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination.
The Society of Petroleum Engineers (SPE) is a 501(c)(3) not-for-profit professional organization whose mission is to collect, disseminate, and exchange technical knowledge concerning the exploration, development and production of oil and gas resources and related technologies for the public benefit and to provide opportunities for professionals to enhance their technical and professional competence.
The Royal Photographic Society of Great Britain, commonly known as the Royal Photographic Society (RPS), is one of the world's oldest photographic societies. It was founded in London, England, in 1853 as The Photographic Society of London with the objective of promoting the art and science of photography, and in 1854 received Royal patronage from Queen Victoria and Prince Albert. A change to the society's name to reflect the Royal patronage was, however, not considered expedient at the time. In 1874 it was renamed the Photographic Society of Great Britain, and from 1894 it became known as The Royal Photographic Society of Great Britain. A registered charity since 1962, in July 2004, The Royal Photographic Society of Great Britain was granted a Royal charter recognising its eminence in the field of photography as a learned society. For most of its history the Society was based at various premises in London. It moved to Bath in 1979, and since 2004 its headquarters has been at Fenton House in Bath, England. Membership is international and open to anyone with an interest in photography.
Professional Photographers of America (PPA) is a worldwide trade association of professional photographers. As of 2018, PPA has more than 30,000 members in 60 countries.
Anne Wilkes Tucker was an American museum curator of photographic works. She retired in June 2015.
Photographic Society of America (PSA) is one of the largest, worldwide, non-profit organizations of its kind. Established in 1934, it is for casual shutterbugs, serious amateurs, and professional photographers. PSA has members in over 75 countries. Membership is currently about 5,500, with 35% outside the USA. The current president of the PSA is Elena McTighe, who took the role in October 2017.
The Boston Camera Club is the leading amateur photographic organization in Boston, Massachusetts and immediate vicinity. Founded in 1881, it offers activities of interest to amateur photographers, particularly digital photography. It meets weekly and is open to the public.
The Edinburgh Calotype Club of Scotland was the first photographic club in the world. Its members consisted of pioneering photographers primarily from Edinburgh and St Andrews. The efforts of the Club's members resulted in the production of two of the world's earliest assembled photographic albums, consisting of more than 300 images.
The Kythera Photographic Encounters are an annual photographic event taking place at the end of every September on the Greek island of Kythera (Cerigo). First started in 2002 and organised by the non-profit Kythera Cultural Association under the artistic direction of John Stathatos, they bring together a cross-section of Greece's leading photographers, photography critics, art historians and curators as well as a number of enthusiastic amateurs and photography students for four days of exhibitions, lectures, seminars and assorted events, leavened by informal debates on all aspects of photography. Though the emphasis is on Greek photography past and present, an attempt is made to include at least one foreign participant every year. Arrangements are made every year for students and young people to attend at nominal cost, usually by sharing rooms made available below cost by the islanders.
The World Photography Organisation is a global platform for photography initiatives.
Three Shadows Photography Art Centre, is a non-profit art centre in Beijing established in 2007 by photographers RongRong and inri. Three Shadows is the first contemporary art space dedicated exclusively to photography and other lens-based art in China. A converted auto repair yard, the 4,600 square meter complex includes 880 square meters of gallery space and was designed by renowned artist and architect Ai Weiwei. Three Shadows is situated in the art district of Caochangdi, on the outskirts of Beijing.
TEDxWarsaw is an independently organized TED event, run annually since March 2010. It was the first and it currently is the largest TEDx event in Poland.
The Women's Caucus for Art (WCA), founded in 1972, is a non-profit organization based in New York City, which supports women artists, art historians, students, educators, and museum professionals. The WCA holds exhibitions and conferences to promote women artists and their works and recognizes the talents of artists through their annual Lifetime Achievement Award. Since 1975 it has been a United Nations-affiliated non-governmental organization (NGO), which has broadened its influence beyond the United States. Within the WCA are several special interest causes including the Women of Color caucus, Eco-Art Caucus, Jewish Women Artist Network, International Caucus and the Young Women's Caucus. The founding of the WCA is seen as a "great stride" in the feminist art movement.
Women's Art Resources of Minnesota (WARM) is a women's art organization based in the U.S. state of Minnesota. It was founded in 1976 as Women's Art Registry of Minnesota, a feminist artist collective. The organization ran the influential WARM Gallery in downtown Minneapolis from 1976 to 1991.
Visual Studies Workshop (VSW) is a non-profit educational art organization located in Rochester, New York. VSW was founded in 1969 by photographer, writer, curator and educator, Nathan Lyons. VSW is artist-run and an educational and support center for photography and other media art. VSW has an MFA program through New York State University at Brockport, but is located in the Neighborhood of the Arts in downtown Rochester.
The Center for Photography at Woodstock (CPW) is a not-for-profit artist-centered organization of contemporary photography located in Woodstock, New York. CPW offers various programs from exhibitions and workshops to artist residencies and access to professional workspace.
The Photographic Society of Madras, also known as PSM, is a photographic society based in Chennai city of India. Founded in 1857, it is the oldest photographic society in India and one of the oldest in the world. PSM was founded in 1857, with the objective of promoting the Art and Science of Photography. The Society was renamed as Madras Amateur Photographic Society in the mid-1880s and later it reverted to its original name and continues to be known as Photographic Society of Madras. The Photographic Society of Madras is registered under the Tamil Nadu Societies Registration Act 1975. PSM organizes programs including, photo-walks, photo-tours, classes, workshops, salons and exhibitions, on most weeks of the year. Membership is open to anyone with an interest in photography.
Don Gregorio Antón is a photographer and an Emeritus Professor of Art of Humboldt State University (HSU). During his 44-year career he has spoken nationally at universities and intercity schools in an effort to inspire and encourage students to realize their personal vision.
Ransom Ashley is an American photographer and actor. His photography is noted for its themes relating to identity and coming of age in Louisiana.