Society for Photographic Education

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The Society for Photographic Education (SPE) is a nonprofit membership organization that provides a forum for the discussion of photography and related media as a means of creative expression and cultural insight. Through its interdisciplinary programs, services and publications, the society seeks to promote a broader understanding of the medium in all its forms, and to foster the development of its practice, teaching, scholarship and criticism.

Photography Art, science and practice of creating durable images by recording light or other electromagnetic radiation

Photography is the art, application and practice of creating durable images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.

Contents

History

Prior to the 1960s, photography was taught primarily in departments of journalism at American universities. SPE emerged at a time when art departments were beginning to offer photography in their curriculum. Nathan Lyons, then associate director at the George Eastman House, recognized the newly emerging academic field; he coordinated and hosted a conference in November 1962 [1] in Rochester, NY to address the concerns of these educators. Beaumont Newhall, Walter Rosenblum, Arthur Sinsabaugh, Aaron Siskind, Henry Holmes Smith, John Szarkowski, Jerry Uelsmann and Clarence White were among the thirty attendees at the “Invitational Teaching Conference.” Representing the intersection of fine art practice, education and history, these early participants aimed to formulate the goals, future and improvement of photographic education. The first annual national conference was held in Chicago in 1963 and the articles of incorporation were signed in May 1964. Since its establishment, many noted artists, curators, and critics in the field of photography have been involved with SPE or its programs. Although the majority of its 2,100+ members are fine art photographers and educators, curators, critics, historians and artists are also members. The national headquarters is located in Cleveland, OH, and the archives are held at the Center for Creative Photography in Tucson, AZ.

Curriculum educational plan

In education, a curriculum is broadly defined as the totality of student experiences that occur in the educational process. The term often refers specifically to a planned sequence of instruction, or to a view of the student's experiences in terms of the educator's or school's instructional goals. In a 2003 study, Reys, Reys, Lapan, Holliday, and Wasman refer to curriculum as a set of learning goals articulated across grades that outline the intended mathematics content and process goals at particular points in time throughout the K–12 school program. Curriculum may incorporate the planned interaction of pupils with instructional content, materials, resources, and processes for evaluating the attainment of educational objectives. Curriculum is split into several categories: the explicit, the implicit, the excluded, and the extracurricular.

Nathan Lyons was an American photographer, curator, and educator. He exhibited his photographs from 1956 onwards, produced books of his own and edited those of others.

Beaumont Newhall was an American curator, art historian, writer, photographer, and the second director of the George Eastman Museum. His book The History of Photography remains one of the most significant accounts in the field and has become a classic photographic history textbook. Newhall was the recipient of numerous awards and accolades for his accomplishments in the study of photo history.

Events

Every year an annual national conference continues the tradition of gathering some of the greatest artists, students, historians and thinkers of photography’s past, present and future. The annual event (52nd to be held in New Orleans, LA, March 12-15, 2015) attracts over 1,500 photographic artists, educators, students, curators, historians and enthusiasts from around the world. Featured speakers include recognized artists and over 45 hours of peer-reviewed programming from artists, historians, and curators, including panel discussions, imagemaker presentations, demos, and workshops. SPE’s four-day event also hosts an Exhibits Fair with 75+ representatives from industry, publishing, and academic institutions. Portfolio reviews are conducted throughout the event and programming is open to members and non-members of SPE alike. Contributions help support student scholarships, featured artists' costs, special events, and all programming.

Regional organizations

SPE’s eight regional organizations (Northeast, Mid-Atlantic, Southeast, South Central, Midwest, Southwest, West, and Northwest) each serve the special needs of its local constituency and hold conferences/events in the autumn months, creating a sense of community within each region. Many regional associations also take an active role in advocacy issues, special publications, and newsletters.

Caucuses

SPE currently offers membership in three caucuses – LGBTQ (Lesbian, Gay, Bisexual, Transgender, and Queer), Multicultural, and Women’s. Created to serve underrepresented members of the society, these caucuses provide an environment to discuss, support, and advance the role of LGBTQ, women, and multicultural imagemakers within the society as well as the profession.

Exposure journal

Published since 1973, SPE's journal, Exposure, is a benefit of membership and is published bi-annually in the Spring (March) and Fall (September), with a print run of 2,700 copies per issue. A leading voice in the conversation on photography and related media for over forty years, Exposure publishes an inclusive range of images and ideas by those passionate about photographic discourse. Exposure seeks innovative, incisive, and timely submissions from its membership, and also welcomes submissions from non-members including artists, photographers, historians, critics, curators, scholars, educators, and other photography professionals.

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References

  1. Grimes, William (1 September 2016). "Nathan Lyons, Influential Photographer and Advocate of the Art, Dies at 86". The New York Times . Retrieved 2 September 2016.