Futurism is an artistic and social movement that originated in Italy in the early 20th century.
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition.
Return to Forever was an American jazz fusion band that was founded by pianist Chick Corea in 1972. The band has had many members, with the only consistent bandmate of Corea's being bassist Stanley Clarke. Along with Weather Report, The Headhunters, and Mahavishnu Orchestra, Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. Several musicians, including Clarke, Flora Purim, Airto Moreira and Al Di Meola, came to prominence through their performances on Return to Forever albums.
Unfinished Music No. 2: Life with the Lions is the second of three experimental albums of avant-garde music by John Lennon and Yoko Ono, released in May 1969 on Zapple, a sub label of Apple. It was a successor to 1968's highly controversial Unfinished Music No. 1: Two Virgins, and was followed by the Wedding Album. The album peaked in the United States at number 174, 50 places lower than the previous album. The album, whose title is a play on words of the BBC Radio show Life with The Lyons, was recorded at Queen Charlotte's Hospital in London and live at Cambridge University, in November 1968 and March 1969, respectively. The Cambridge performance, to which Ono had been invited and to which she brought Lennon, was Lennon and Ono's second as a couple. A few of the album's tracks were previewed by the public, thanks to Aspen magazine. The album was remastered in 1997.
Pleasures of the Harbor is Phil Ochs' fourth full-length album and his first for A&M Records, released in 1967. It is one of Ochs's most somber albums. In stark contrast to his three albums for Elektra Records which had all been folk music, Pleasures of the Harbor featured traces of classical, rock and roll, Dixieland jazz and experimental synthesized music crossing with folk, in hopes of producing a "folk-pop" crossover.
"Carnival of Light" is an unreleased avant-garde recording by the English rock band the Beatles. It was commissioned for the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on 28 January and 4 February 1967. Recorded during a session for the song "Penny Lane", "Carnival of Light" is nearly 14 minutes long and contains distorted, echo-laden sounds of percussion, keyboards, guitar and vocals. Its creation was initiated by Paul McCartney's interest in the London avant-garde scene and through his connection with the design firm Binder, Edwards & Vaughan.
Lux Aeterna may refer to:
Ascension is a jazz album by John Coltrane recorded in June 1965 and released in 1966. It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. AllMusic called it "the single recording that placed John Coltrane firmly into the avant-garde".
Ferrante & Teicher were a duo of American pianists known for their clever arrangements of familiar classical pieces, movie soundtracks, and show tunes, as well as their signature style of florid, intricate, and fast-paced piano playing performances.
An anthology is a collection of literary works.
Avant-garde refers to a style in experimental work in art, music, culture, or politics.
The Avant-Garde is an album credited to jazz musicians John Coltrane and Don Cherry that was released in 1966 by Atlantic Records. It features Coltrane playing several compositions by Ornette Coleman accompanied by the members of Coleman's quartet: Cherry, Charlie Haden, and Ed Blackwell. The album was assembled from two unissued recording sessions at Atlantic Studios in New York City in 1960.
Circle was an American avant garde jazz ensemble, active in 1970 and 1971. The group arose from pianist Chick Corea's early 1970s trio with Dave Holland on bass and Barry Altschul on drums and percussion with the addition of Anthony Braxton in a leading role on several reed instruments. The group's earliest recordings were made in 1970 for the Blue Note label but not released until 1975 under Corea's name. A live double album appeared on the ECM label in 1972. These recordings document a period in which Corea's work was steeped in the jazz 'avant garde,' prior to his complete shift to the jazz fusion orientation. Corea, Holland and Altschul also recorded the album, A.R.C. for ECM in 1971, but it was not released under the band name Circle.
The Avant-Garde was an American psychedelic pop group formed by Chuck Woolery and Elkin "Bubba" Fowler in 1967. They released three singles on Columbia Records in 1967 and 1968, backed by different session musicians on each release: "Yellow Beads", "Naturally Stoned", and "Fly with Me!". Despite the success of "Naturally Stoned", the group disbanded after "Fly with Me!" and never released a full album.
Kevin Ridel is an American musician and songwriter most notable for being the lead singer and primary songwriter of '90s power pop band Ridel High and 2000s alternative rock band AM Radio.
The Young Lions is an album by an ad hoc group of jazz musicians: Wayne Shorter, Frank Strozier, Lee Morgan, Bobby Timmons, Bob Cranshaw, Albert Heath and Louis Hayes. It was recorded at Bell Sound Studios in New York City in 1960 and released in 1961 on Vee-Jay Records.
Brilliant Circles is the second album led by American jazz pianist Stanley Cowell, recorded in 1969. It was first released on the Freedom label and rereleased on CD with bonus tracks on the Black Lion label.
