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Stone sculptor Gedion Nyanhongo was born into an artistic family on 22 December 1967 in Nyanga, Zimbabwe. He was influenced from a young age by his father, Claud Nyanhongo, a prominent artist among the "first generation" sculptors. "I used to watch my father sculpt when I grew up, and although I was young, I remember loving it and knowing that it was what I wanted to do." After an apprenticeship with the internationally acclaimed sculptor Joseph Ndandarika, Gedion embarked on a solo career in 1988. His debut exhibition was in 1989 at the Mabwe Gallery in Harare, Zimbabwe. Gedion has since exhibited his works in solo and group exhibitions at numerous venues around the world, including: England, France, Germany, Holland, Hong Kong, South Africa, U.S.A, and Zimbabwe. Two of his works are featured in a collection on permanent display at the Hartsfield-Jackson Atlanta International Airport, and a Zebra in the Phoenix Zoo.
The Chapungu Sculpture Park is a sculpture park in Msasa, Harare, Zimbabwe, which displays the work of Zimbabwean stone sculptors. It was founded in 1970 by Roy Guthrie, who was instrumental in promoting the work of its sculptors worldwide. One way this was done was by exhibiting the sculptures in Botanical Gardens in a touring exhibition called "Chapungu: Custom and Legend — A Culture in Stone". The places visited include:
Tapfuma Gutsa is a Zimbabwean sculptor.
Nicholas Mukomberanwa was a Zimbabwean sculptor and art teacher. He was among the most famous products of the Workshop School at the National Gallery of Zimbabwe and an art mentor and teacher to the Mukomberanwa Family of sculptors. His work has been exhibited in galleries around the world and he remains one of Zimbabwe's most famous artists.
Bernard Matemera was a Zimbabwean sculptor. The sculptural movement of which he was part is usually referred to as "Shona sculpture", although some of its recognised members are not ethnically Shona. His whole professional career was spent at the Tengenenge Sculpture Community, 150 km north of Harare near Guruve.
Joram Mariga has been called the “Father of Zimbabwean Sculpture” because of his influence on the local artistic community starting in the 1950s and continuing until his death in 2000. The sculptural movement of which he was part is usually referred to as “Shona sculpture”, although some of its recognised members are not ethnically Shona.
John Takawira was a Zimbabwean sculptor. The background to the sculptural movement of which he was a leading member is given in the article on Shona art.
Henry Munyaradzi was a Zimbabwean sculptor. The sculptural movement of which he was part is usually referred to as "Shona sculpture", although some of its recognised members are not ethnically Shona. He worked initially at the Tengenenge Sculpture Community, 150 km north of Harare near Guruve, which he joined in 1967. In that Community, and ultimately in the wider world of lovers of Zimbabwean art, he was known simply as 'Henry'.
Square Chikwanda is a Zimbabwean sculptor, living and working in Harare, Zimbabwe. He first learned his art from his father, also a Zimbabwean sculptor.
Garrison Machinjili is a Zimbabwean sculptor. He has been working at the Chapungu Sculpture Park since 1989, and has collaborated with many contemporary Zimbabwean sculptors, such as Charles Backford and Benard Nkanjo. His sculptures are generally abstract in nature, but are derived from natural subjects. arrison Machinjili Garrison was born in 1963 in Mazoe, Zimbabwe. He is related to the groundbreaking second-generation Zimbabwean sculptor, Tapfuma Gutsa, and it was during a visit to Tapfuma that he was introduced to stone sculpture. Garrison worked with Tapfuma in 1986. Initially, he sanded and polished sculptures in the final stages of completion. Later, he made his own sculptures, and found a strong personal style emerging during this inspiring early period. In late 1987, he had established his name as an important new talent in the Zimbabwean art scene, and he was invited to join the prestigious Chapungu Sculpture Village as a resident artist, where he remained until 1991 and returning again in 1999-2000. Group exhibitions include: - "African Odyssey: 50 Years of Zimbabwean Stone Sculpture", OXO Gallery, London, UK (2006) - "Custom and Legend: A Culture In Stone", Kew Gardens, London, UK (2000) - Inaugural exhibition at the Chapungu Gallery, Melbourne, Australia (1998) - Zuva Gallery, Scottsdale, Arizona, USA (1998
Fanizani Akuda, also known as Fanizani Phiri, was a member of the sculptural movement usually called "Shona sculpture", although he and some others of its recognised members were not ethnically Shona. He worked initially at the Tengenenge Sculpture Community, 150 km north of Harare near Guruve, which he joined in 1966.
Crispen Chakanyuka was a Zimbabwean sculptor.
Sylvester Mubayi is a Zimbabwean sculptor.
Zimbabwean art includes decorative esthetics applied to many aspects of life, including art objects as such, utilitarian objects, objects used in religion, warfare, in propaganda, and in many other spheres. Within this broad arena, Zimbabwe has several identifiable categories of art. It is a hallmark of African cultures in general that art touches many aspects of life, and most tribes have a vigorous and often recognisable canon of styles and a great range of art-worked objects. These can include masks, drums, textile decoration, beadwork, carving, sculpture, ceramic in various forms, housing and the person themselves. Decoration of the body in permanent ways such as scarification or tattoo or impermanently as in painting the body for a ceremony is a common feature of African cultures.
The National Gallery of Zimbabwe (NGZ) is a gallery in Harare, Zimbabwe, dedicated to the presentation and conservation of Zimbabwe's contemporary art and visual heritage. The original National Gallery of Rhodesia was designed and directed by Frank McEwen, a British citizen credited with bringing Shona Sculpture to the spotlight. The Gallery was officially opened by Queen Elizabeth The Queen Mother on 16 July 1957 and Queen Elizabeth II attended the sixth Zimbabwe Heritage Exhibition there in October 1991.
Stone sculpture is an art for which Zimbabwe is well known around the world.
Celia Winter-Irving, was an Australian-born, Zimbabwean-based artist and art critic who wrote extensively on Zimbabwean art, especially Shona sculpture, when she lived in Harare from 1987–2008.
Physical Energy is a bronze equestrian statue by English artist George Frederic Watts. Watts was principally a painter, but also worked on sculptures from the 1870s. Physical Energy was first cast in 1902, two years before his death, and was intended to be Watts's memorial to "unknown worth". Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton, Surrey. Other smaller bronze casts were also made after Watts's death.
Amos Supuni was a sculptor from Zimbabwe.
Adam Madebe is a visual artist, frequently credited as one of Zimbabwe's most known sculptors working in metal. He lives and works in Johannesburg, South Africa.
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