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Woburn Abbey, occupying the east of the village of Woburn, Bedfordshire, England, is a country house, the family seat of the Duke of Bedford. Although it is still a family home to the current duke, it is open on specified days to visitors, along with the diverse estate surrounding it, including the historic landscape gardens and deer park, as well as more recently added attractions including Woburn Safari Park, a miniature railway and a garden/visitor centre.
Giovanni Antonio Canal, commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered important member of the 18th-century Venetian school.
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the Museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free.
Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities. He was the student and nephew of the famous Giovanni Antonio Canal Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canatello's and his depiction of clouds and shadows brings him closer to Dutch painting.
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free.
Francesco Lazzaro Guardi was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.
Ca' Rezzonico is a palazzo on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
The Thyssen-Bornemisza National Museum, or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofia national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofia it concerns Impressionists, Expressionists, and European and American paintings from the 20th century.
A veduta is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of vedute are referred to as vedutisti.
The Accademia Carrara,, officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, Italy.
Luca Carlevarijs or Carlevaris was an Italian painter and engraver working mainly in Venice. He pioneered the genre of the cityscapes (vedute) of Venice, a genre that was later widely followed by artists such as Canaletto and Francesco Guardi.
The Musée Jacquemart-André is a private museum located at 158 Boulevard Haussmann in the 8th arrondissement of Paris. The museum was created from the private home of Édouard André (1833–1894) and Nélie Jacquemart (1841–1912) to display the art they collected during their lives.
Events from the year 1742 in art.
Giovanni Battista Cimaroli (1687–1771) was an Italian painter of rustic landscapes with farms, villas and graceful figures and capricci of ruins and views of towns in the Veneto.
Joseph Smith often known as Consul Smith,, the British consul at Venice, 1744–1760, was a patron of artists, most notably Canaletto, and a collector and connoisseur, banker to the British community at Venice and a major draw on the British Grand Tour. His collection of drawings were bought for George III of Great Britain and form a nucleus of the Royal Collection of drawings in the Print Room at Windsor Castle.
Samuel Scott was a British landscape painter known for his riverside scenes and seascapes.
Owen Swiny was an Irish theatre impresario and art dealer active in London.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy of colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.
William Marlow was an English landscape and marine painter and etcher.
The Pra della Valle in Padua is a 1741-1746 oil on canvas painting of the Prato della Valle in Padua by Canaletto. It entered the collection of the Milanese nobleman Gian Giacomo Poldi Pezzoli and from there it passed its present owner, the Museo Poldi Pezzoli in Milan.
References
- Links, J.G. (1977). Canaletto and his patrons. London: Granada Publishing/Paul Elek.
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