Stellar Pulsations / Three Composers | |
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Studio album by | |
Released | 1994 |
Recorded | February 11, 1992; March 26, 1992; July 10 and 13, 1992 |
Studio | Jordan Hall, NEC, Boston; WGBH-FM, Boston; WDR Cologne |
Label | Leo Records CD LR 194 |
Stellar Pulsations / Three Composers is an album by pianist Marilyn Crispell on which she performs works written for her by composers Robert Cogan, Pozzi Escot, and Manfred Niehaus. [1] The Cogan work, "Costellar Pulsations," features Crispell with a second pianist, Ellen Polansky, and was recorded on February 11, 1992, at Jordan Hall, New England Conservatory of Music in Boston. Escot's piece, "Mirabilis II," was performed by Crispell along with clarinetist Don Byron and drummer Gerry Hemingway, and was recorded on March 26, 1992, at Studio One, WGBH-FM in Boston. "Concerto for Marilyn," the composition by Niehaus, features Crispell as soloist with the WDR Radio Orchestra, conducted by David de Villiers, and was recorded on July 10 and 13, 1992, at the Grosser Sendesaal (Great Hall) of WDR Cologne. The album was released in 1994 by Leo Records. [2] [3]
Cogan's "Costellar Pulsations" involves the juxtaposition of an improvising pianist (Crispell) and one who performs from a notated score that uses mobile form (Polansky). [4] The composer stated: "Among musicians and listeners, composition and improvisation have become quasi-religious issues, with dogmatic absolutists on both sides of the fence. My personal folly is to try to reconnect the two." [4] The title of Escot's "Mirabilis II" is from a work by the medieval composer Hildegard of Bingen. [4] The score provides precise rhythmic, harmonic, and melodic notation, providing a framework for improvisation. [4] Niehaus's "Concerto for Marilyn" contains references to the Marx Brothers, and features a piano part that is a mix of notated and improvised music. [4] The orchestra part is fully notated. [4]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
Tom Hull – on the Web | B [7] |
In a review for AllMusic, Thom Jurek stated: "Crispell's playing, is, as always, even when restraining herself, exceptional: deep, solid, graceful." [5]
The authors of the Penguin Guide to Jazz Recordings awarded the album 4 stars, and wrote: "Though less likely to appeal to straight jazz fans, this is another beautiful record, and, in its way, another important stage in Crispell's development as an artist." [6]
James Peter Giuffre was an American jazz clarinetist, saxophonist, composer, and arranger. He is known for developing forms of jazz which allowed for free interplay between the musicians, anticipating forms of free improvisation.
Donald Byron is an American composer and multi-instrumentalist. He primarily plays clarinet but has also played bass clarinet and saxophone in a variety of genres that includes free jazz and klezmer.
Marilyn Crispell is an American jazz pianist and composer. Scott Yanow described her as "a powerful player... who has her own way of using space... She is near the top of her field." Jon Pareles of The New York Times wrote: "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano... She is one of a very few pianists who rise to the challenge of free jazz." In addition to her own extensive work as a soloist or bandleader, Crispell is also known as a longtime member of saxophonist Anthony Braxton's quartet in the 1980s and '90s.
Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
Robert Cogan was an American music theorist, composer and teacher.
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