Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Speed metal is a subgenre of heavy metal music that originated in the late 1970s from new wave of British heavy metal (NWOBHM) roots. It is described by AllMusic as "extremely fast, abrasive, and technically demanding" music.
Instrumental rock is rock music that emphasizes instrumental performance and features very little or no singing. Examples of instrumental music in rock can be found in practically every subgenre of the style. Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals. Jeff Beck also recorded two instrumental albums in the 1970s. Progressive rock and art rock performers of the late 1960s and early 1970s did many virtuosic instrumental performances.
The new wave of British heavy metal was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music.
Venom are an English heavy metal band formed in Newcastle upon Tyne in 1978. Coming to prominence towards the end of the new wave of British heavy metal, Venom's first two albums, Welcome to Hell (1981) and Black Metal (1982), are considered major influences on thrash metal and extreme metal in general. Their second album proved influential enough that its title was used as the name of the black metal genre; as a result, Venom were part of the early wave of the genre, along with Mercyful Fate and Bathory.
Popular music of the United Kingdom in the 1970s built upon the new forms of music developed from blues rock towards the end of the 1960s, including folk rock and psychedelic rock movements. Several important and influential subgenres were created in Britain in this period, by pursuing the limitations of rock music, including British folk rock and glam rock, a process that reached its apogee in the development of progressive rock and one of the most enduring subgenres in heavy metal music. Britain also began to be increasingly influenced by third world music, including Jamaican and Indian music, resulting in new music scenes and subgenres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave and post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Vardis are an English three-piece hard rock, boogie rock and heavy metal band from Wakefield, West Yorkshire, who enjoyed hits between 1978 and 1986, and reformed in 2014.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.
German rock music (Deutschrock) came into its own only by the late 1960s, but spawned many bands spanning genres such as krautrock, Neue Deutsche Welle, heavy metal, punk, and industrial.
Grim Reaper were a British heavy metal band from the new wave of British heavy metal era. The band was formed in 1979 in Droitwich, England, by guitarist Nick Bowcott, and there have been numerous lineup changes over the years, with frontman Steve Grimmett being the longest running member, from 1982 to 1988, then 2006 until his death in 2022. They are best known for several of their 1980s songs, including the respective title tracks from their first three albums: See You in Hell (1983), Fear No Evil (1985) and Rock You to Hell (1987); each of those songs gained notoriety in the 1990s for appearing on Beavis and Butt-Head. After disbanding in 1988, the band reformed in 2006 around Grimmett, and due to legal issues surrounding the rights to the original band name, they went by Steve Grimmett's Grim Reaper. Two albums under that name – Walking in the Shadows (2016) and At the Gates (2019) – were released before Grimmett died in 2022, after which the band disbanded again.
Quo Vadis was a Canadian melodic death metal band from Montreal, Quebec, formed in 1992 by Bart Frydrychowicz, Yanic Bercier, and Arie Itman, named after the novel by Polish writer Henryk Sienkiewicz. Since its inception, the band released three studio albums, one compilation album, one demo, one live DVD, one live album and two videos. Not to be confused with another technical death metal band from Poland, bearing the same name.
Zodiac Mindwarp and the Love Reaction were a British hard rock group, which was formed in 1985.
Dumpy's Rusty Nuts were a British rock band founded in 1981 by the lead singer Graham "Dumpy" Dunnell. Though unsuccessful as recording artists the band have been a successful and popular live act for decades. The band attracted a cult following for their live performances in small rock venues. Their initial audiences were drawn from the new wave of British heavy metal and 'Bikers' and they became particularly well known at the London Marquee Club, where they were a regular and popular attraction. In the early to mid-1980s the band toured extensively around the UK playing at small rock/'Biker' pub and club venues including the Isle of Man TT, and music festivals, cementing their name and following.
Barry Graham Purkis, more commonly known as Thunderstick, is an English drummer who wore various masks and used to perform on-stage closed in a cage. He was in the cult-band Samson, with whom his name is most associated.
Christopher Andrew Tsangarides was a British record producer, sound engineer, and mixer of Greek Cypriot origin. He was best known for his work with many heavy metal artists, including Gary Moore, Thin Lizzy, Judas Priest, Helloween, Anvil, Angra, Anthem, Yngwie Malmsteen, and Tygers of Pan Tang.
Pakistani rock is a variety of rock music that is largely produced in Pakistan. Pakistani rock incorporates elements of both British–American rock and Pakistani classical music.
This article includes an overview of the famous events and trends in popular music in the 1980s.
Black Rose are an English heavy metal band from Teesside in the north east of England. They formed in 1976 under the name Ice but changed it to Black Rose in 1980. Black Rose was one of the many British bands considered part of the new wave of British heavy metal movement. The original line-up was Steve Bardsley, Kenny Nicholson (guitar), Marty Rajn (bass) and Mark Eason (drums). Over the next nine years the band went through various line-up changes and released quite a few records including two albums: Boys Will Be Boys (1984) and Walk It How You Talk It (1986) before splitting up in 1989. The band then re-formed in 2006 and released their third album Cure for Your Disease in 2010. In 2022 they released their fourth studio album WTF on Pure Steel Records.
