Superman | |
---|---|
Directed by | Dave Fleischer |
Story by | Seymour Kneitel Isadore Sparber |
Based on | |
Produced by | Max Fleischer |
Starring | Bud Collyer Joan Alexander Julian Noa Jack Mercer Jackson Beck |
Music by | Sammy Timberg Winston Sharples (uncredited) Lou Fleischer (uncredited) |
Animation by | Steve Muffatti Frank Endres |
Color process | Technicolor |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 10 minutes (one reel) |
Language | English |
Superman (1941), also known as The Mad Scientist, is the first installment in a series of seventeen animated Technicolor short films based upon the DC Comics character Superman. It was produced by Fleischer Studios and released to theaters by Paramount Pictures on September 26, 1941. [1] Superman ranked number 33 in a list of the fifty greatest cartoons of all time sourced from a 1994 poll of 1000 animation professionals, [2] and was nominated for the 1942 Academy Award for Best Animated Short Subject. [3]
In the Daily Planet building, Editor Perry White reveals to his two best field reporters, Clark Kent and Lois Lane, that an anonymous figure has mailed another threatening note, threatening to use his "Electrothanasia-Ray", to the Planet. White assigns Kent to help Lois follow up her lead, but Lois instead insists that she'd "like the chance to crack the story on [her] own".
Lois takes off in a private plane to an undisclosed location on the top of a mountain, where the villain's secluded lair/laboratory is located. He is preparing to fire his futuristic weapon (perhaps a particle beam or death ray), until his pet vulture spots Lois' aircraft and alerts him. Upon her arrival, Lois is kidnapped, bound, and gagged, as the scientist boasts to her about the success of his plan, and then demonstrates the weapon's power by aiming it at a bridge and destroying it. While listening to the radio, Clark and the other journalists learn of the coming disaster, as the police alert everyone to stay in their homes. Instinctively, Clark steps into a storage room and changes into Superman before flying away.
The Mad Scientist (Jack Mercer) then has the beam weapon weaken the foundations of the Daily Planet skyscraper, causing it to tip over. Fortunately, Superman arrives in time and prevents the structure from crashing into neighboring buildings or falling to the ground, successfully restoring the skyscraper to its upright orientation.
Superman then pushes the death ray away from the base of the skyscraper and attempts to fight it back to the source, but the scientist increases the weapon's power, which also sends erratic "pulses" of energy in Superman's way. However, Superman remains determined to fight it, persevering against the beam and punching out each pulse as they come, gradually pounding the beam back to the scientist's lab. Seeing that the beam has been overpowered, the horrified Mad Scientist increases power, but Superman uses that against him by twisting the barrel of the weapon into a knot, preventing the beam of energy from escaping, and the buildup of pressure causes the machine to overheat and explode. As the scientist's lab disintegrates with the weapon's demise, the scientist and his pet vulture attempt to escape, while Superman arrives to rescue Lois. The pet vulture escapes, but Superman captures the scientist just before his lair explodes, and takes him to jail and a newspaper headline shows the capture of The Mad Scientist. The scene dissolves back to the Daily Planet building, where Clark Kent and Lois report back to Mr. White. She has gotten a scoop on the story of the Mad Scientist (behind bars) with "thanks to Superman", and White commends her for doing it. Only Clark has the real scoop, winking at the end.
In 1941, Paramount Pictures acquired the film rights to DC Comics' Superman property, created by Jerry Siegel and Joe Shuster. [4] Paramount pitched the idea of producing a Superman series to its animation producer, Fleischer Studios. Co-owner Dave Fleischer did not want to take on the task of producing such a demanding series, so he went up to Paramount and gave them a ridiculously high budget quota of $100,000 per cartoon – six times the cost of the Fleischers' black-and-white Popeye the Sailor cartoons, hoping to get Paramount to change its mind about the shorts. [4] To his surprise, Paramount negotiated it down to a production cost of $50,000 for the first cartoon, and $30,000 for subsequent cartoons, [5] and Max and Dave began work on the first short in the series, Superman. [4]
Steve Muffatti was placed in charge of the first Superman short (at Fleischer and later Famous, the credited director served the roles typically ascribed to a film producer or supervising director, while the credited animators were the actual animation directors). [5] Superman was produced with the same care and attention to detail the Fleischer staff had given to their first feature film, Gulliver's Travels (1939). [5] While some of the scenes in the cartoon made use of the rotoscope, [4] a Max Fleischer invention which allowed animation drawings to be traced from live action, others were done by relying upon poses sketched from live reference models instead of traced footage. [4] [5] Most of the lead character animators at Fleischer were used to animating caricatured humans and animals, and the assistant animators were tasked with maintaining the figures' realistic proportions. [4] Character shadows, elaborate special effects animation, and detailed animation layouts contributed to the attention to detail evident in Superman and its follow-ups. [4]
Paramount promoted Superman with a campaign highly unusual for an animated short, which was usually treated as a throwaway bonus on a movie theater's bill. [4] The short was a notable success, and was nominated for the 1942 Academy Award for Best Short Subject (Cartoons), which it lost to the Pluto cartoon Lend a Paw . [3]
Animator Bruce Timm also was influenced to use Superman's vintage color scheme and film noir approach to the successful Warner Bros. television programs Batman: The Animated Series and Superman: The Animated Series . In both of these 1990s series, many of the character and background designs are based on the Fleischer Superman shorts. The scene where Superman disrupts the generator and causes the villain's lair to explode was used to some extent in the episode "Heart of Steel", where Batman attempts to thwart a plan by HARDAC to murder and replace humans with androids. A scene in which the background characters are shown as black silhouettes while Clark listens to the radio was similarly used in "Almost Got 'Im". The Iron Giant also references this short by playing the familiar motif at the mention of Superman.
This cartoon featured the first appearance of the 'Superman Wink', when at the very end, Clark breaks the fourth wall and winks at the audience, the joke being that he is the hero of Lois' story, but nobody in his world knows it, and he doesn't care. This became a regular feature of the Fleischer Superman cartoons and was later introduced to the comics. [6]
The cartoon featured the "Truth and Justice" motto, which eventually became the "Truth, Justice, and the American Way" motto with the premiere of the September 2, 1942 episode of the 1940s Superman radio series and was recently changed to "Truth, Justice and a Better Tomorrow" in 2021. [7]
Superman was released on September 26, 1941, in U.S. theaters as the first theatrical appearance of Superman.
The short was officially released on Blu-ray by Warner Home Video in May 2023. [8] [9]
The rights to the 1941 short and the other sixteen shorts in the Superman series reverted to National Comics (now DC Comics); TV syndication rights were licensed to Flamingo Films, distributors of the 1950s Adventures of Superman TV series. The cartoons fell into the public domain when National Comics failed to renew their copyrights in the late 1960s/early 1970s. [10]
Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.
The Fleischer Superman cartoons are a series of seventeen animated superhero short films released in Technicolor by Paramount Pictures and based upon the comic book character Superman, making them his first animated appearance.
Famous Studios was the first animation division of the film studio Paramount Pictures from 1942 to 1967. Famous was established as a successor company to Fleischer Studios, after Paramount seized control of the aforementioned studio amid the departure of its founders, Max and Dave Fleischer, in 1942. The studio's productions included three series started by the Fleischers—Popeye the Sailor, Superman, and Screen Songs—as well as Little Audrey, Little Lulu, Casper the Friendly Ghost, Honey Halfwitch, Herman and Katnip, Baby Huey, and the Noveltoons and Modern Madcaps series.
Dave Fleischer was an American film director and producer who co-owned Fleischer Studios with his older brother Max Fleischer. He was a native of New York City.
The American comic book character Superman, created in 1938, has appeared in many types of media since the 1940s. Superman has appeared in radio, television, movies, and video games each on multiple occasions, and his name, symbol, and image have appeared on products and merchandise.
Superman and Lois Lane are a fictional couple. Created by writer Jerry Siegel and artist Joe Shuster, both characters, including Superman's alter ego Clark Kent, first appeared in DC Comics' Action Comics #1. They have remained in a complicated relationship ever since. A supercouple and the first superhero comic book romance, they are among the best-known fictional couples and have appeared in multiple media adaptations.
The New Adventures of Superman is a series of six-minute animated Superman adventures produced by Filmation that were broadcast Saturday mornings on CBS from September 10, 1966, to September 5, 1970. The 68 segments appeared as part of three different programs during that time, packaged with similar shorts featuring The Adventures of Superboy and other DC Comics superheroes.
Superman is a 1948 15-part Columbia Pictures film serial based on the comic book character Superman. It stars an uncredited Kirk Alyn and Noel Neill as Lois Lane. Like Batman (1943), it is notable as the first live-action appearance of Superman on film, and for the longevity of its distribution. The serial was directed by Thomas Carr, who later directed many early episodes of the Adventures of Superman television series, and Spencer Gordon Bennet, produced by Sam Katzman, and shot in and around Los Angeles, California. It was originally screened at movie matinées, and after the first three scene-setting chapters, every episode ends in a cliffhanger. The Superman-in-flight scenes are animations, in part due to the small production budget.
The Superman shield, also known as the Superman logo or the Superman symbol, is the iconic emblem for the fictional DC Comics superhero Superman. As a representation of one of the first superheroes, it served as a template for character design decades after Superman's first appearance. The tradition of wearing a representative symbol on the chest was followed by many subsequent superheroes, including Batman, Spider-Man, Green Lantern, the Flash, Wonder Woman, Hawkman, and many others.
Seymour Kneitel was an American animator, best known for his work with Fleischer Studios and its successor, Famous Studios.
The Magnetic Telescope (1942) is the sixth of the seventeen animated Technicolor short films based upon the DC Comics character of Superman, originally created by Jerry Siegel & Joe Shuster. This animated short was created by the Fleischer Studios. The story runs for about eight minutes and covers Superman's adventures in saving the town from a comet drawn toward Earth by a magnetic telescope. It was originally released on April 24, 1942.
Japoteurs (1942) is the tenth of seventeen animated Technicolor short films based upon the DC Comics character of Superman, originally created by Jerry Siegel and Joe Shuster. The first Superman cartoon produced by Famous Studios, Japoteurs covers Superman's adventures stopping Japanese spies from hijacking a bomber plane and bringing it to Tokyo. This cartoon does not bear the Famous Studios name because that company had not yet been fully organized after Max Fleischer was removed by Paramount Pictures from the studio which bore his name. The cartoon was originally released to theaters by Paramount Pictures on September 18, 1942. Japoteurs was the first Famous Studios cartoon filmed in color.
The Mechanical Monsters is a 1941 American animated short film directed by Dave Fleischer. It is the second of seventeen animated Technicolor short films based upon the DC Comics character Superman. Produced by Fleischer Studios, the story features Superman battling a villainous inventor and his army of giant robots. It was originally released by Paramount Pictures on November 28, 1941.
Billion Dollar Limited (1942) is the third of seventeen animated Technicolor short films based upon the DC Comics character Superman. Produced by Fleischer Studios, Billion Dollar Limited centers on a train carrying one billion dollars in gold to the US Mint, which is sabotaged by robbers before Superman intervenes. The short was released by Paramount Pictures on January 9, 1942.
Electric Earthquake (1942) is the seventh of seventeen animated Technicolor short films based upon the DC Comics character of Superman, originally created by Jerry Siegel & Joe Shuster. This animated short was created by the Fleischer Studios. The story runs for about eight minutes and covers Superman's adventures in stopping a madman from destroying Manhattan with electronically induced earthquakes. It was originally released on May 15, 1942. This is the first of the films to make it clear that the action is taking place in Manhattan.
Volcano (1942) is the eighth of seventeen animated Technicolor short films based upon the DC Comics character of Superman, originally created by Jerry Siegel & Joe Shuster. The eight-minute animated short, directed by Dave Fleischer and produced by Fleischer Studios, features Superman's adventures in saving a small island community from a volcanic eruption, and is therefore, the second short about a disaster after Electric Earthquake. It was originally released on July 10, 1942 by Paramount Pictures.
Terror on the Midway (1942) is the ninth of seventeen animated Technicolor short films based upon the DC Comics character of Superman, originally created by Jerry Siegel & Joe Shuster. It was the final Paramount cartoon short by Fleischer Studios. The nine-minute short features Superman attempting to stop the chaos created when several circus animals escape their cages and restraints, including a giant gorilla named Gigantic. It was originally released on August 30, 1942, by Paramount Pictures.
Showdown (1942) is the eleventh of seventeen animated Technicolor short films based upon the DC Comics character Superman. Produced by Famous Studios, the cartoon was originally released to theaters by Paramount Pictures on October 16, 1942.
The Underground World (1943) is the sixteenth of seventeen animated Technicolor short films based upon the DC Comics character Superman. Directed by Seymour Kneitel and produced by Famous Studios, the cartoon was originally released to theaters by Paramount Pictures on June 18, 1943. It marks the final appearance of Lois Lane in a Superman cartoon.
Lois Lane is a fictional character first appearing in DC Comics Action Comics #1, an intrepid reporter commonly portrayed as the romantic interest of the superhero Superman and his alter-ego Clark Kent. Since her debut in comic books, she has appeared in various media adaptations, including radio, animations, films, television and video games. Actresses who have portrayed Lois Lane include Noel Neill, Phyllis Coates, Margot Kidder, Teri Hatcher, Erica Durance, Kate Bosworth, Amy Adams, and Elizabeth Tulloch.