Biography
Koningen was born to a Norwegian mother and Dutch father during the war whilst his father was stationed in Oslo, working with the Dutch underground. Koningen spent his early childhood in Amsterdam where his introduction to art began with visits to see the Dutch masters at the Rijksmuseum. Koningen's parents moved to Australia in the late 1950s where he excelled at swimming. He studied art and industrial design at the Geelong's Gordon Institute of Technology. Koningen has lived in Norway, Netherlands, Australia, Dutch Antibes, France, UK, moving his studio from Noosa Heads, Australia to Brugge Belgium in 2005 until the end of 2016. He has now relocated back to Australia.
Svein's artist Statement 2019 - 'Creating began for me at the age 4 building a boat at my Dutch uncles Riva Boat factory in Amsterdam. My first gallery visit was age 3, visiting Rembrandt’s Night Watch at the Rijksmuseum… a rather daunting painting for a small child.
Studying art and industrial design I quickly found abstract painting was a passion that continues today.
A blank canvas becomes a story… the paint, the brush with the subconscious flow, all coming together creating on good days a vibrant abstract story on canvas.
Exploring the relationship between colour combinations and texture, working intuitively using large palette knives then paring and scraping back paint revealing glimpses and stories within the larger abstract story. Heavy texture is the focus of the 2017 Paradisaea Series of seven paintings. The series is primarily abstract with the title being the name of the Birds of Paradise, from Papua New Guinea. The series title came after the completion of the works and seeing the colourful abstract birds in flight.
I can work on colour and texture in a series but I seem to always go back to the Black White, maybe it is my retreat place from colour. Black White painting has been a constant in my studio Work with the latest being inspired by the Belted Galloway cow in a lonely wintery paddock in southern Netherlands, near Cad Zand. The paintings in this small series have texture surfaces and then the black has been polished to give the appearance of leather.
Change is a constant in my work and my life with movement the place to live giving new experiences which of course comes alive on the canvas in the studio. Moving my studio from Noosa Heads Australia to Bruges, Belgium and now, back to Australia.
Moving forward with a new studio is once again the challenge with a blank canvas.'
Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art. Born in Moscow, he spent his childhood in Odessa, where he graduated from Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession, he was offered a professorship at the University of Dorpat. Kandinsky began painting studies at the age of 30.
Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos and Lee Krasner among others.
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Carel Pietersz. Fabritius was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are A View of Delft, The Goldfinch (1654), and The Sentry (1654).
Monochromatic painting has played a significant role in modern and contemporary Western visual art, originating with the early 20th-century European avant-gardes. Artists have explored the non-representational potential of a single color, investigating shifts in value, diversity of texture, and formal nuances as a means of emotional expression, visual investigation into the inherent properties of painting, as well as a starting point for conceptual works. Ranging from geometric abstraction in a variety of mediums to non-representational gestural painting, monochromatic works continue to be an important influence in contemporary art.
Lenore "Lee" Krasner was an American painter and visual artist active primarily in New York whose work has been associated with the Abstract Expressionist movement. She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.
Nicolaes Maes was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time. Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.
Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
The Little Street is a painting by the Dutch painter Johannes Vermeer, executed c. 1657–1658. It is exhibited at the Rijksmuseum of Amsterdam, and signed, below the window in the lower left-hand corner, "I V MEER".
The Milkmaid, sometimes called The Kitchen Maid, is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Isaac Lazarus Israëls was a Dutch painter associated with the Amsterdam Impressionism movement.
Albert Carel Willink was a Dutch painter. He followed a style of Magical realism, which he called "imaginary realism".
Pieter Jansz. Pourbus was a Flemish Renaissance painter, draftsman, engineer and cartographer who was active in Bruges during the 16th century. He is known primarily for his religious and portrait paintings.
Jan Hendrik Weissenbruch, also known as Hendrik Johannes Weissenbruch was a Dutch painter of the Hague School. He is noted especially for his watercolours.
Andreas Schelfhout (1787–1870) was a Dutch painter, etcher and lithographer, known for his landscape paintings.
Wijnand Jan Josephus Nuijen was a Dutch painter and printmaker who specialised in landscapes, and was greatly influenced by the French Romantics.
20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
A Young Woman Seated at the Virginals is a painting by Johannes Vermeer, though this was for a long time widely questioned. A series of technical examinations from 1993 onwards confirm the attribution. It is thought to date from c.1670 and is now in part of the Leiden Collection in New York. It should not be confused with Young Woman Seated at a Virginal in the National Gallery, London, also by Vermeer.
Suzanne Perlman was a Hungarian-Dutch visual artist known for her expressionist portraits and landscape paintings. Her bold use of colour has its origins in her early paintings of the tropical island of Curaçao, where she moved with her husband in 1940 to escape Nazi persecution. Her expressionist style developed under the tutelage of Austrian master Oskar Kokoschka in the late 1950s, with whom she worked in Salzburg in the 1960s. Reviewing a 1993 Exhibition as his Critic’s Choice in The Times, John Russell Taylor, art critic and author, wrote that "(Perlman) captures the particular feel of the place while abating none of her expressionist dash".
Grape Harvest
Murano
Luminous
Day at the races
