Sweet Inspiration

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Sweet Inspiration or variants may refer to:

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Bandwagon or band wagon may refer to:

<span class="mw-page-title-main">Shuggie Otis</span> American musician

Johnny Shuggie Otis is an American singer-songwriter, recording artist, and multi-instrumentalist.

<span class="mw-page-title-main">Cissy Houston</span> American singer (born 1933)

Emily "Cissy" Houston is an American soul and gospel singer. After a successful career singing backup for such artists as Roy Hamilton, Dionne Warwick, Elvis Presley, and Aretha Franklin, Houston embarked on a solo career, winning two Grammy Awards for her work.

"Long Black Veil" is a 1959 country ballad, written by Danny Dill and Marijohn Wilkin and originally recorded by Lefty Frizzell.

<span class="mw-page-title-main">But You Know I Love You</span> 1968 song by Kenny Rogers and The First Edition

"But You Know I Love You" is a song written by Mike Settle, which was a 1969 pop hit for Kenny Rogers and The First Edition, a group that included Settle and Kenny Rogers. The song also became a major country hit by Bill Anderson in 1969. In 1981, a cover version of "But You Know I Love You" by singer Dolly Parton topped the country singles charts.

<span class="mw-page-title-main">The Sweet Inspirations</span> American R&B vocal group

The Sweet Inspirations are an American R&B girl group mostly known for their work as backup singers on studio recordings for other R&B and rock artists. A founding member of the group was Dionne Warwick, who was later replaced by her aunt, Cissy Houston.

<span class="mw-page-title-main">Bob Johnston</span> American record producer and musician

Donald William "Bob" Johnston was an American record producer, best known for his work with Bob Dylan, Johnny Cash, Leonard Cohen, and Simon & Garfunkel.

<span class="mw-page-title-main">Roger Cook (songwriter)</span> English singer, songwriter and record producer

Roger Frederick Cook is an English singer, songwriter and record producer, who has written many hit records for other recording artists. He has also had a successful recording career in his own right.

Johnny Johnson and the Bandwagon were an American vocal soul group, prominent in the late 1960s and early 1970s. They were fronted by singer Johnny Johnson.

Tony Macaulay is an English author, composer for musical theatre, and songwriter. He has won the British Academy of Songwriters, Composers and Authors Award twice as 'Songwriter of the Year'. He is a nine time Ivor Novello Awards winning songwriter. In 2007, he became the only British person to win the Edwin Forrest Award for outstanding contribution to the American theatre. Macaulay's best-known songs include "Baby Now That I've Found You" and "Build Me Up Buttercup" with The Foundations, "(Last Night) I Didn't Get to Sleep at All," as well as "Love Grows " and "Don't Give Up on Us".

Kevin Stephen Johnson is an Australian singer-songwriter. Popular in the 1970s, his biggest hit is "Rock and Roll ", which peaked at No. 4 on the Australian Kent Music Report Singles Chart in 1973. He also had a top 20 hit with "Bonnie Please Don't Go" in 1971. "Rock and Roll" is one of the most covered songs written by an Australian with 27 different artists recording the song in 1975 alone. Covers of "Rock and Roll " came from fellow Australians, Col Joye and Dig Richards, and from international artists, Mac Davis, Terry Jacks, Gary Glitter, Joe Dassin, The Cats and Tom Jones. Davis' rendition became the highest charting version on the Billboard Hot 100, reaching No. 15 in 1975.

<i>See All Her Faces</i> 1972 studio album by Dusty Springfield

See All Her Faces is the seventh studio album by singer Dusty Springfield, originally released on the Philips Records label in 1972. It contains a mixture of tracks from different recording sessions; some tracks were recorded with Jeff Barry for an aborted third album for Atlantic Records, other tracks were recorded for Philips in the UK between April and July 1970 – these came to be Springfield's final recordings with longtime producer and arranger Johnny Franz. Some, such as "Willie and Laura Mae Jones", recorded with Jerry Wexler, Tom Dowd and Arif Mardin, had been previously released as singles in the US. See All Her Faces collects many of those tracks, recorded from 1969 to 1971, placing seven of the British recordings on Side A, while Side B comprises tracks recorded both in the UK and the US. As a result, the album has no cohesive sound, but offers many different styles of music. The album boasts eight producers, including Springfield herself. It has been suggested that See All Her Faces is best appreciated track by track, rather than as a whole stylistic statement, as her album Dusty in Memphis is often praised to be.

John Cameron is a British composer, arranger, conductor and musician. He is well known for his many film, TV and stage credits, and for his contributions to pop recordings, notably those by Donovan, Cilla Black and the group Hot Chocolate. Cameron's instrumental version of Led Zeppelin's "Whole Lotta Love", became a hit for his group CCS and, for many years, a version of Cameron's arrangement was used as the theme music for the BBC TV show Top of the Pops.

"Where You Lead" is a song written in 1970 by Carole King with lyricist Toni Stern, introduced on King's iconic 1971 album Tapestry. A Top 40 hit for Barbra Streisand in both a studio and a live version — the latter in a medley entitled "Sweet Inspiration/ Where You Lead'" — the song has also served as the main theme song for The WB dramedy series Gilmore Girls in a lyrically revised version recorded by King and Louise Goffin.

"In The Bad Bad Old Days" was a hit for The Foundations in 1969. It was the fourth hit single for the group. It was written by Tony Macaulay and John McLeod. It went to #8 in the UK Singles Chart, #7 in Ireland, and #23 in Canada. It was also covered by Edison Lighthouse, and appeared on Johnny Johnson and the Bandwagon's Soul Survivor album.

<i>Love Story</i> (Johnny Mathis album) 1971 studio album by Johnny Mathis

Love Story is an album by American pop singer Johnny Mathis that was released on February 10, 1971, by Columbia Records and included a recent Oscar nominee, a flashback to 1967 ("Traces"), a new song by Bacharach & David, a lesser-known one by Goffin & King, and two songs that originated in film scores from 1970 and had lyrics added later: the album closer, "Loss of Love", from Sunflower and the album opener from Love Story, which was subtitled "Where Do I Begin". The norm for Mathis projects from this era was to cover recent hits, and the title track of this one was so recent that the version by Andy Williams began a 13-week run to number nine on Billboard magazine's Hot 100 chart in February 1971, coinciding with the release of this LP.

<i>Me and Mrs. Jones</i> (album) 1973 studio album by Johnny Mathis

Me and Mrs. Jones is an album by American pop singer Johnny Mathis that was released in January 1973 by Columbia Records. While it does cover several big chart hits of the day like his last album, Song Sung Blue, did, it also includes songs that didn't make the US Top 40 or had never charted.

<span class="mw-page-title-main">Sweet Inspiration (Johnny Johnson and the Bandwagon song)</span> 1970 single by Johnny Johnson and the Bandwagon

"Sweet Inspiration" is a song by the American soul group Johnny Johnson and the Bandwagon, the first single from their second album Soul Survivor, released in May 1970. It peaked at number 10 on the UK Singles Chart, becoming their second top-ten hit there.

Sweet Inspiration is the title of a Dan Penn and Spooner Oldham composition written for, and first recorded in 1967 by, the Sweet Inspirations. It became a Top 20 hit reaching #18 on the Billboard Hot 100 in the spring of 1968, and a live version by Barbra Streisand, in medley with "Where You Lead", would also become a Top 40 hit.

<span class="mw-page-title-main">Breakin' Down the Walls of Heartache</span> 1968 single by the Bandwagon

"Breakin' Down the Walls of Heartache" is a song written by Sandy Linzer and Denny Randell, and recorded by American soul group the Bandwagon, later known as Johnny Johnson and the Bandwagon. Whilst it was not very successful in the US, it was much more successful in the UK, where it peaked at number 4 on the Singles Chart and was awarded a silver disc for 250,000 sales there.