Impossible Remixes is the fourth remix album by Australian singer and songwriter Kylie Minogue. It was released on 8 July 1998 by Mushroom Records. The album was materialized while on her Intimate and Live Tour (1998) and contains remixes from her sixth studio album Impossible Princess (1997). Originally scheduled for a 1999 release, Mushroom released Impossible Remixes in Australia in July 1998 after releasing the UK counterpart Mixes (1998) earlier than its original date.
From October 26, 1974 until August 28, 1976, Billboard's Disco Action section published weekly single retail sales charts from various local regions along with Top Audience Response Records in their magazine. Billboard debuted its first national chart devoted exclusively to 12-inch Singles Sales in their issue dated March 16, 1985. This record type is most commonly used in disco and dance music genres where DJs use them to play in discos or dance clubs because of the exclusive extended remixes that are often only made available on this format, but Billboard's 12-inch Single Sales chart ranks releases by artists from all styles of music that release maxi-singles.
"Breathe" is a song by Australian singer Kylie Minogue, from her sixth studio album, Impossible Princess (1997). It was released on 16 March 1998 as the third single from the album, and her final one for the Deconstruction Records label. "Breathe" was co-written by Minogue with Ball and Vauk and produced by Dave Ball and Ingo Vauk. Backed by synthesisers and keyboards, it is an electronica track. The lyrics revolve around contemplation and calmness. "Breathe" received mostly positive reviews from music critics, some of whom highlighted the track as an album stand-out and commended the lyrical and vocal delivery.
"When the Lights Go Out" is the second single released from British group Five's debut studio album, Five (1998). It was released in early 1998. The song was co-written by the group alongside Eliot Kennedy, Tim Lever and Mike Percy, and John McLaughlin. It was co-produced by Kennedy, Lever and Percy, with the US version receiving additional production from Cutfather & Joe.
"How Come U Don't Call Me Anymore?" is a song by Prince. It is a ballad of romantic longing with some gospel elements. On his original recording of the song, which was released as the non-album B-side to his 1982 single "1999", Prince performs most of the song in his falsetto range, with his own bluesy piano playing providing the only instrumental accompaniment. The song's first album appearance was on his 1993 compilation The Hits/The B-Sides. It was later included on the soundtrack to the 1996 film Girl 6. Prince also performs the song on his 2002 live album One Nite Alone... Live!.
"You're Makin' Me High" is the lead single from American singer Toni Braxton's second studio album, Secrets (1996). The mid-tempo song represents a joint collaboration between the Grammy Award-winning producer Babyface and Bryce Wilson. The beat of the song was originally for singer-songwriter Brandy, with Dallas Austin pegged to write a lyric to override; however, Braxton had Babyface write lyrics for the song. It was ultimately issued in the United States as a double A-side with "Let It Flow", the airplay hit from the 1995 film Waiting to Exhale.
"We Come 1" is a song by British electronic band Faithless from their third studio album, Outrospective (2001). The song was issued as the album's lead single on 4 June 2001, two weeks before Outrospective was released. The remixes by Wookie and Dave Clarke that appear on the single releases are included on the bonus disc of the album Reperspective: The Remixes.
"Fine" is a song by American singer Whitney Houston, and was released as the fourth single from her 2000 compilation album, Whitney: The Greatest Hits, in September 2000.
20th Century Hits is a remix album of recordings by Boney M. released by BMG in 1999. This remix project which was credited as 'Boney M. 2000' spun off a series of new single releases; "Ma Baker – Somebody Scream" in early 1999 and previously included on French compilation Ultimate, "Daddy Cool '99" featuring Mobi T., "Caribbean Night Fever / Hooray! Hooray! It's A Holi-Holiday" and "Sunny".
"Girl on TV" is a song written and performed by American boy band LFO. It was released in November 1999 from their debut album, LFO (1999). The song peaked at number 10 on the US Billboard Hot 100 and number six in the United Kingdom, where it is their highest-charting hit. "Girl on TV" was certified gold by the Recording Industry Association of America (RIAA) in December 1999 for the shipment of over 500,000 copies in the US. This was the band's first single to feature Devin Lima on lead vocals.
"Slam Dunk (Da Funk)" is a song by British boy band Five, released in late 1997 by BMG and RCA as the first single from their debut album, Five (1998). Featuring a blend of pop and rap, the single was written and produced by Jake Schulze, Max Martin, and Denniz Pop. It contains a sample of "Clap Your Hands" by Herbie Crichlow. The single reached number 10 on the UK Singles Chart and was certified Silver.
Leandro Moldes is a Swiss former singer, born 26 May 1986 in Spain to Rita and Manuel. He has a sister, Riwana.
"Sweet Surrender" is a song by Canadian singer Sarah McLachlan. It was released in 1997 as the second single from her fourth studio album, Surfacing (1997). The song peaked at number two in Canada and number 28 on the US Billboard Hot 100. In 2001, a maxi-single with remixes by DJ Tiësto was released peaking at number six on the US Hot Dance Club Play chart, three years after its original release.
"Everything's Gonna Be Alright" is a song by German-based music group Sweetbox. It was released in October 1997 as the second single from their debut album, Sweetbox (1998), the only album that had American singer Tina Harris as the group's frontwoman. The song is based on "Air" from Johann Sebastian Bach's Orchestral Suite No. 3, played on the track by the German Symphony Orchestra. "Everything's Gonna Be Alright" is the most successful song of Sweetbox worldwide; it reached the top five in Austria, France, Iceland, Ireland, Norway, Spain, Sweden, and the United Kingdom. Outside Europe, the song peaked at number 46 on the US Billboard Hot 100.
"Love & Devotion" is a song by German Eurodance/pop music project Real McCoy. Originally an album track featured on their second album, Space Invaders (1994), it was later released in Europe in 1995 as a Real McCoy single. For unknown reasons, it was not released in the US by Arista. It was produced in Germany by music producers Juergen Wind and Frank Hassas (Quickmix) under the producer team name Freshline. The single peaked within the top 10 in Australia, Finland, Lithuania and Scotland, and reached number 11 in the UK.
"Juliet" is the second single from Modern Talking's eleventh album, Victory. Unlike other Modern Talking tracks released previously, the song has a disco flavour to it and refers to Alicia Bridges's 1978 song "I Love the Nightlife".
Ready for the Victory is a song by Modern Talking. It was the first single on their eleventh album, Victory.
Space Mix '98 is the third single from the Modern Talking seventh album, Back for Good. It's a megamix. The single was not released in Germany, Austria and Switzerland, but in the other countries in Europe and the rest of the world.
"You're a Superstar" is a song by Canadian Eurodance group Love Inc. It was released in June 1998 as the second single from the album Love Inc., after "Broken Bones." "You're a Superstar" was Love Inc.'s biggest hit, peaking at number 13 on the Canadian RPM Top Singles chart and number one on the RPM Dance Chart. It also peaked at number eight in Spain and number 23 in the Netherlands.
"Mutter, der Mann mit dem Koks ist da" is a song by T»MA a.k.a. Falco. It was originally released as a single in early 1996.
