THX or thx may refer to:
thx: "Thanks" in SMS language thx), an Austroasiatic language found in LaosTHX), Turukhansk. Krasnoyarsk, Russia
THX 1138 is a 1971 American social science fiction film co-written and directed by George Lucas in his directorial debut. Produced by Francis Ford Coppola and co-written by Walter Murch, the film stars Robert Duvall and Donald Pleasence, with Don Pedro Colley, Maggie McOmie, and Ian Wolfe in supporting roles. The film is set in a dystopian future in which the citizens are controlled by android police and mandatory use of drugs that suppress emotions.
American Graffiti is a 1973 American coming-of-age comedy-drama film directed by George Lucas, produced by Francis Ford Coppola, written by Willard Huyck, Gloria Katz and Lucas, and starring Richard Dreyfuss, Ron Howard, Paul Le Mat, Charles Martin Smith, Candy Clark, Mackenzie Phillips, Cindy Williams and Wolfman Jack. Harrison Ford and Bo Hopkins also appear. Set in Modesto, California, in 1962, the film is a study of the cruising and early rock 'n' roll cultures popular among Lucas's age group at that time. Through a series of vignettes, it tells the story of a group of teenagers and their adventures throughout a single night.
Aka, AKA or a.k.a. may refer to:
THX is an American audio company based in the San Francisco Bay Area. It is known for its suite of digital high fidelity audiovisual reproduction standards for movie theaters, screening rooms, home theaters, computer speakers, video game consoles, car audio systems, and video games. The THX trailer that precedes compliant films is based on the Deep Note, with a distinctive glissando up from a rumbling low pitch.
Tex, TeX, TEX, may refer to:
Tap(s), TAP(S) or tapped may refer to:
Moo or MOO may refer to:
21-87 is a 1963 Canadian abstract montage-collage film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short, produced by the National Film Board of Canada, is a collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board, combined with his own black and white 16 mm footage which he shot on the streets of Montreal and New York City, among other locations.
Electronic Labyrinth: THX 1138 4EB is a 1967 social science-fiction short film written and directed by George Lucas while he attended the University of Southern California's film school. Lucas reworked the short into the 1971 theatrical feature THX 1138.
Deletion or delete may refer to:
New or NEW may refer to:
Marcia Lou Lucas is an American film editor. She is best known for her work editing the Star Wars trilogy (1977–1983) as well as other films by her then-husband George Lucas: THX 1138 (1971) and American Graffiti (1973). She also edited Martin Scorsese's Alice Doesn't Live Here Anymore (1974), Taxi Driver (1976), and New York, New York (1977).
Big or BIG may refer to:
Look at Life is a 1965 one-minute short student film by George Lucas, produced for a course in animation while Lucas was a film student at USC Film School. The film's running time of exactly one minute was required by the course. This was the first film made by George Lucas, and was heavily influenced by Canadian filmmaker Arthur Lipsett.
Filmmaker, or "Filmmaker: a diary by george lucas", is a 32-minute documentary made in 1968 by George Lucas about the making of Francis Ford Coppola's 1969 film The Rain People.
Don Pedro Colley was an American actor. Some of his better known roles include Gideon on Daniel Boone, Ongaro in Beneath the Planet of the Apes, SRT in George Lucas' THX 1138, Joshua in The Legend of Nigger Charley, and Sheriff Ed Little in the 1980s TV series The Dukes of Hazzard.
Bald refers to a loss of hair from part of the head or body.
Bald: The Making of THX 1138 is a short film directed by George Lucas and released in 1971 to promote his first feature-length film, THX 1138, released the same year.
Matthew Robbins is an American screenwriter and film director best known for his writing work within the American New Wave movement.
The Dirty Dozen is the nickname for a group of filmmaking students at the USC School of Cinematic Arts within the University of Southern California during the mid-late 1960s. The main group consisted of budding directors, screenwriters, producers, editors, and cinematographers. Through innovative techniques and effects, they ended up achieving great success in the Hollywood film industry.
