Rolando Santos Tinio was a Filipino poet, dramatist, director, actor, critic, essayist and educator.
The Cultural Center of the Philippines is a government-owned and controlled corporation established to preserve, develop and promote arts and culture in the Philippines. The CCP was established through Executive Order No. 30 s. 1966 by President Ferdinand Marcos. Although an independent institution of the Philippine government, it receives an annual subsidy and is placed under the National Commission for Culture and the Arts for purposes of policy coordination. The CCP is headed by an 11-member Board of Trustees, currently headed by Chairperson Margarita Moran-Floirendo. Its current president is Arsenio Lizaso.
Tanghalang Pilipino is the leading exponent of Philippine theater and the resident drama company of the Cultural Center of the Philippines since its organization in 1987. It has successfully presented hundreds of productions over more than 30 theater seasons, earning numerous awards and citations while generating one of the best attendance records among the CCP's resident companies.
Buenaventura S. Medina Jr. is a Filipino author of more than twenty-five books, mostly novels and books on criticism. In 1974, Medina rediscovered a manuscript of Francisco Balagtas' 19th century play Orosman at Zafira at the Philippine National Library after it was presumed lost for over a century.
Bienvenido Munoz Noriega Jr. (1952–1994) was a Philippine playwright.
Anna Cristina Siguion Reyna Villonco-Valderrama, professionally known as Cris Villonco, is a Filipino performance artist whose credits include performances in theater, television, film, recordings, music videos, and advertisements. She is currently associated with Repertory Philippines.
The A Portrait of the Artist as Filipino, known also as "A Portrait of the Artist as Filipino: An Elegy in Three Scenes" is a literary play written in English by Filipino National Artist for Literature Nick Joaquin in 1950. It was described as Joaquin's “most popular play," as the "most important Filipino play in English," and as “probably the best-known Filipino play.” Apart from being regarded also as the “national play of the Philippines” because of its popularity, it also became one of the important reads in English classes in the Philippines. Joaquin's play was described by Anita Gates, a reviewer from The New York Times, as an "engaging, well plotted metaphor for the passing of Old Manila."
Lucrecia Roces Kasilag was a Filipino composer and pianist. She is particularly known for incorporating indigenous Filipino instruments into orchestral productions.
Ronnie Zabala Lazaro is a Gawad Urian Award-winning Filipino film and television actor, producer, casting and art director.
Patricio Mariano y Geronimo was a Filipino nationalist, revolutionary, pundit, poet, playwright, dramatist, short story writer, novelist, journalist, violinist, and painter. Mariano was a Katipunan member. Mariano was the son of Petronilo Mariano and Dionisia Geronimo.
Walang Sugat is an 1898 Tagalog-language zarzuela written by Filipino playwright Severino Reyes. The music for the original version of the play was written by Filipino composer Fulgencio Tolentino. Walang Sugat was written when the zarzuela became a "potent means" of expressing Filipino nationalism during the Spanish Occupation of the Philippines that followed three centuries of Spanish rule.
Celeste Kalugdan LegaspiGallardo is a Filipino singer, actress, film and theatre producer, and an advocate for artists' rights. Her singles and albums reached gold or platinum status during the 1960s, 1970s and 1980s. She is the daughter of National Artist for Visual Arts César Legaspi. She has been one of the founders of the following artist organizations: Organisasyon ng Pilipinong Mang-aawit (OPM), Culturtain Musicat Theater Productions, Performers' Rights Society of the Philippines, and the OPM Archive. She is married to Nonoy Gallardo, an advertising director and one of the premier Original Pilipino Music composers.
Amable Quiambao, better known by her stage name, Ama Quiambao, was a Filipino film, television and theater actress in the Philippines. She was best known for her roles in the films Himala and Diablo.
Irma Santonil Adlawan is a Filipino stage, television and film actress. She is dubbed as the “Queen of Independent Cinema” for her acting prowess and exceptional contribution to the Philippine film industry.
Spanky Manikan was a Filipino theater, film and television actor.
Filipino American theater ranges from topics such as Filipino/Filipino-American history to modern Filipino issues. The themes for these works were mostly influenced by the Spanish colonial rule as well as the American colonization.
Amelia Lirag Lapeña-Bonifacio was a Filipino playwright, puppeteer, and educator known as the "Grande Dame of Southeast Asian Children's Theatre". In 1977, she founded a children's theater troupe, Teatrong Mulat ng Pilipinas, the official theater company and puppetry troupe of the University of the Philippines. Lapeña-Bonifacio served as the President of the International Association of Theatre for Children and Young People-Philippines (ASSITEJ-Philippines) and Union Internationale de la Marionnette-Philippines (UNIMA-Philippines). She was recognized in 2018 as a National Artist of the Philippines for Theater.
Susan Africa is a Filipino screen and stage actress, writer, painter, beauty queen and former television host with a career spanning four decades. After placing first runner-up at the 1980 Binibining Pilipinas pageant, she pursued a career in showbusiness. A prominent figure in soap operas, she rose to fame in the television series Mara Clara (1992) and is noted for playing impoverished maternal characters. She won Best Supporting Actress at the 1987 Metro Manila Film Festival for her portrayal in Olongapo... The Great American Dream and has been involved in several international productions such as Noriega: God's Favorite (2000), Blood Surf (2000) and Under Heavy Fire (2001).
Repertory Philippines Foundation Inc. (REP) is a Filipino theater company dedicated to showcasing English-language productions.
Angelica Caballero Ferro was a Filipino film, television and theatre actress.
