Leonard Harold Breau was a Canadian-American guitarist and music educator. Breau blended many styles of music, including jazz, country, classical, and flamenco. Inspired by country guitarists like Chet Atkins, Breau used fingerstyle techniques not often used in jazz guitar. By using a seven-string guitar and approaching the guitar like a piano, he opened up possibilities for the instrument.
Merle Robert Travis was an American country and western singer, songwriter, and guitarist born in Rosewood, Kentucky, United States. His songs' lyrics often discussed both the lives and the economic exploitation of American coal miners. Among his many well-known songs are "Sixteen Tons," "Re-Enlistment Blues," "I am a Pilgrim," and "Dark as a Dungeon." However, it is his unique guitar style, still called Travis Picking by guitarists, as well as his interpretations of the rich musical traditions of his native Muhlenberg County, Kentucky, for which he is best known today. "Travis Picking" is a syncopated style of guitar fingerpicking rooted in ragtime music in which alternating chords and bass notes are plucked by the thumb while melodies are simultaneously plucked by the index finger. He was inducted into the Nashville Songwriters Hall of Fame in 1970 and elected to the Country Music Hall of Fame in 1977.
Finger-Style Guitar is the sixth studio album by American guitarist Chet Atkins, released in 1956.
Chet Atkins' discography is large and diverse. Not only did he release principal studio albums as a solo artist, he was a prolific and much sought-after collaborator. He also played as a sideman on many more. His major collaborations were with Hank Snow, Arthur Fiedler and the Boston Pops Orchestra, The Country All-Stars, The Nashville String Band, Jerry Reed, Merle Travis, Doc Watson, Lenny Breau, Les Paul, Mark Knopfler, Suzy Bogguss, Floyd Cramer and Tommy Emmanuel. He frequently guested on a track or two with other friends. Several of his recordings won or were nominated for Grammy Awards.
The Essential Chet Atkins is a two-disc compilation recording by American guitarist Chet Atkins, released in 2007 on the Legacy label.
The Velvet Touch of Lenny Breau – Live! is a live album by Canadian jazz guitarist Lenny Breau that was released in 1969.
Guitar Sounds from Lenny Breau is an album by Canadian jazz guitarist Lenny Breau that was released in 1968.
Standard Brands is an album by guitarists Lenny Breau and Chet Atkins that was released in 1981.
The Best of Chet Atkins & Friends is a compilation recording by American guitarist Chet Atkins, released in 1976. It peaked at number 25 on the Billboard Country Albums charts in 1977.
Minors Aloud is an album by American pedal steel guitarist Buddy Emmons and Canadian guitarist Lenny Breau that was released in 1978.
The Legendary Lenny Breau...Now! is an album by Canadian jazz guitarist Lenny Breau that was released in 1979.
Boy Wonder is a studio album by jazz guitarist Lenny Breau that was recorded in 1956 and released in 1998. The session was engineered and produced by Al Hawkes of Event Records.
Lenny Breau is an album by Canadian guitarist Lenny Breau, released in 1979.
Live at Bourbon St. is a live album by guitarist Lenny Breau and bassist Dave Young that was released in 1995. It was nominated for a 1997 Juno Award in the category of Best Mainstream Jazz Album.
The Living Room Tapes, Volume 2 is an album by Canadian jazz guitarist Lenny Breau and clarinetist Brad Terry that was released in 1990.
The Complete Living Room Tapes is a compilation album by Canadian guitarist Lenny Breau and clarinetist Brad Terry that was released in 2003.
The Hallmark Sessions is an album by the Canadian jazz guitarist Lenny Breau that was released in 2003.
At the Purple Onion is a live album by Don Francks, Lenny Breau, and Eon Henstridge that was recorded in 1962 and released in 2004. They performed as a trio called Three.
"The Waltz You Saved for Me" is a popular song written in 1930 by Wayne King and Emil Flindt with lyrics by Gus Kahn. The song soon became associated as the theme song of Wayne King and His Orchestra.
"Lookin' Out for #1" is a 1975 song written by Randy Bachman and first recorded by Canadian rock group Bachman–Turner Overdrive (BTO) for their December, 1975 album Head On. The lead vocal is provided by Randy Bachman. Released in early 1976, it was the second of two singles from the LP to be issued in North America, following "Take It Like a Man".
