The American Monomyth is a 1977 book by Robert Jewett and John Shelton Lawrence arguing for the existence and cultural importance of an 'American Monomyth', a variation on the classical monomyth as proposed by Joseph Campbell.
Campbell's monomyth describes a hero's journey: a hero ventures from the normal world into a supernatural one, winning a decisive victory there and returning with a 'boon'. In contrast, Jewett and Lawrence define the American monomyth as:
A community in a harmonious paradise is threatened by evil; normal institutions fail to contend with this threat; a selfless superhero emerges to renounce temptations and carry out the redemptive task; aided by fate, his decisive victory restores the community to its paradisiacal condition; the superhero then recedes into obscurity.
In their 2002 book The Myth of the American Superhero (with Lawrence as first author) and their 2003 book Captain America And The Crusade Against Evil: The Dilemma Of Zealous Nationalism (with Jewett as first author), the authors extend the thesis by using examples from both American popular culture and the American religious tradition.
The American Monomyth posits a level of cultural belief in American society that helps to explain the desire in American government to "save" the world.
Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes of the past, paradises, and self-sacrifice.
Captain America is a superhero created by Joe Simon and Jack Kirby who appears in American comic books published by Marvel Comics. The character first appeared in Captain America Comics #1, published on December 20, 1940, by Timely Comics, a corporate predecessor to Marvel. Captain America's civilian identity is Steven "Steve" Rogers, a frail man enhanced to the peak of human physical perfection by an experimental "super-soldier serum" after joining the United States Army to aid the country's efforts in World War II. Equipped with an American flag–inspired costume and a virtually indestructible shield, Captain America and his sidekick Bucky Barnes clashed frequently with the villainous Red Skull and other members of the Axis powers. In the final days of the war, an accident left Captain America frozen in a state of suspended animation until he was revived in modern times. He resumes his exploits as a costumed hero and becomes leader of the superhero team the Avengers, but frequently struggles as a "man out of time" to adjust to the new era.
A hero is a real person or a main fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame. The antonym of hero is villain. Other terms associated with the concept of hero may include good guy or white hat.
Joseph John Campbell was an American writer. He was a professor of literature at Sarah Lawrence College who worked in comparative mythology and comparative religion. His work covers many aspects of the human experience. Campbell's best-known work is his book The Hero with a Thousand Faces (1949), in which he discusses his theory of the journey of the archetypal hero shared by world mythologies, termed the monomyth.
A superhero or superheroine is a stock character who typically possesses superpowers or abilities beyond those of ordinary people, is frequently costumed concealing their identity, and fits the role of the hero; typically using their powers to help the world become a better place, or dedicating themselves to protecting the public and fighting crime. Superhero fiction is the genre of fiction that is centered on such characters, especially, since the 1930s, in American comic books, as well as in Japanese media.
James Tiberius Kirk, commonly known as Captain Kirk, is a fictional character in the Star Trek media franchise. Originally played by Canadian actor William Shatner, Kirk first appeared in Star Trek serving aboard the starship USS Enterprise as captain. Kirk leads his crew as they explore new worlds and "boldly go where no man has gone before". Often, the characters of Spock and Leonard "Bones" McCoy act as his logical and emotional sounding boards, respectively. Kirk has also been portrayed in numerous films, books, comics, webisodes, and video games.
Noah's Ark is the boat in the Genesis flood narrative through which God spares Noah, his family, and examples of all the world's animals from a global deluge. The story in Genesis is based on earlier flood myths originating in Mesopotamia, and is repeated, with variations, in the Quran, where the Ark appears as Safinat Nūḥ and al-fulk. The myth of the global flood that destroys all life begins to appear in the Old Babylonian Empire period. The version closest to the biblical story of Noah, as well as its most likely source, is that of Utnapishtim in the Epic of Gilgamesh.
The Silver Age of Comic Books was a period of artistic advancement and widespread commercial success in mainstream American comic books, predominantly those featuring the superhero archetype. Following the Golden Age of Comic Books, the Silver Age is considered to cover the period from 1956 to 1970, and was succeeded by the Bronze Age.
The Hero with a Thousand Faces is a work of comparative mythology by Joseph Campbell, in which the author discusses his theory of the mythological structure of the journey of the archetypal hero found in world myths.
In narratology and comparative mythology, the hero's quest or hero's journey, also known as the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.
The Book of Giants is an apocryphal book which expands upon the Genesis narrative of the Hebrew Bible, in a similar manner to the Book of Enoch. Together with this latter work, The Book of Giants "stands as an attempt to explain how it was that wickedness had become so widespread and muscular before the flood; in so doing, it also supplies the reason why God was more than justified in sending that flood." The text's composition has been dated to before the 2nd century BC.
James Douglas Grant Dunn, also known as Jimmy Dunn, was a British New Testament scholar, who was for many years the Lightfoot Professor of Divinity in the Department of Theology at the University of Durham. He is best known for his work on the New Perspective on Paul, which is also the title of a book he published in 2007.
John Shelton Lawrence is an emeritus professor of philosophy at Morningside College in Sioux City, Iowa, United States. His initial major publication, The American Monomyth, written with Robert Jewett, was published in 1977.
The Myth of the American Superhero is a scholarly non-fiction book by Robert Jewett and John Shelton Lawrence.
Death Sentence is a 1975 novel by Brian Garfield, the sequel to Death Wish.
The Crusaders is a group of fictional characters appearing in American comic books published by Marvel Comics. The characters first appear in The Invaders #14 and were created by Roy Thomas, Jack Kirby, and Frank Robbins.
Loren T. Stuckenbruck is a historian of early Christianity and Second Temple Judaism, currently professor of New Testament at the University of Munich, in Germany. His work has exerted a significant impact on the field.
"Superduperman" is a satirical story by Harvey Kurtzman and Wally Wood that was published in the fourth issue of Mad. Lampooning both Superman and Captain Marvel, it revolutionized the types of stories seen in Mad, leading to greatly improved sales. Writers such as Alan Moore have cited this story as an influence.
In narratology and comparative mythology, the Rank–Raglan mythotype is a set of narrative patterns proposed by psychoanalyst Otto Rank and later on amateur anthropologist Lord Raglan that lists different cross-cultural traits often found in the accounts of heroes, including mythical heroes.