"The Big Day" | |
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Shell Presents episode | |
![]() SMH ad 25 Jul 1959 | |
Episode no. | Season 1 Episode 5 |
Directed by | Rod Kinnear |
Teleplay by | John Ford |
Original air date | 11 July 1959 |
Running time | 60 mins |
"The Big Day" is an Australian television film, or rather a live television play, which aired in 1959. The fifth episode of the Shell Presents presentations of standalone television dramas, it originally aired 11 July 1959 on Melbourne station GTV-9, [1] a video-tape was made of the broadcast and shown on Sydney station ATN-7 on 25 July 1959 (this was prior to the formation of the Nine Network and Seven Network). [2]
It was the first hour of drama made for commercial Australian TV which was written and produced by an Australian with an all Australian cast. [3] It was called "a gentle study of an ordinary life." [4]
Shell Presents was a monthly series presenting locally produced television dramas and comedies. Most of these were adaptations of overseas dramas such as Johnny Belinda and One Bright Day , but a few were locally-written.
Filmink magazine called this "one of those naturalistic slice of life dramas that they liked to do on TV in the late ‘50s off the back of the success of Paddy Chayefsky’s TV writing." [5]
Archival status of the program is unknown.
The last day at work of Hector Skeats, a costing clerk in a city office, who is retiring after many years. He is a father of two, a girl in her early twenties and a boy in his late teens. When his retirement is officially recognised by his boss, his son is arrested for stealing a car. [6] [7]
The play was written by John Ford, a Sydney journalist. [9] At the time of writing he worked in public relations at Qantas. [1]
It was the second original Australian episode of Shell Presents, following They Were Big, They Were Blue, They Were Beautiful . That play had come third in a Shell-sponsored competition for new Australian TV plays. Ford wrote "The Big Day" for this competition but was unable to submit it in time. However it was picked up for production. His writing style was compared with Paddy Chayefsky but Ford said, "I wasn't conscious of writing in any particular style when I started the play. All I have tried to do is portray a day in the life of an extremely ordinary little bloke, the kind of person who lives a dull existence from one week to the next." [10] It involved a cast of ten. [1]
When the play screened, viewers called with their congratulations, jamming the switchboard for half an hour. [3]
The TV critic for The Age said Howell's casting "was the vital factor in making the drama the best yet presented in commercial series." [11]
The TV critic for the Woman's Weekly called it "beautifully done, well acted and produced... an hour of very real and moving entertainment. All the Australians in it were just ordinary people, not the usual well-known theatrical Australian types but the kind of people you'd find any- where in the world." [12]
The critic for the Sydney Morning Herald thought the play demonstrated "television 's ability to make dramatic entertainment of undramatic people and events... except for about 45 seconds of gross overstatement in the middle of the play, and a sentimental twist at the end which weakens its main argument" the main conflict was "cleverly conducted and neatly contrived". He thought Kinnear's "direction was generally efficient, and, in one or two scenes and the opening documentary titles, more imaginative than in some previous unlively live productions." [13]
Valda Marshall of the same paper said the play was "exactly right for the living room atmosphere of TV viewing" and praised the direction and acting. [14] Marshall liked the play so much that two years later she said it "has remained pretty much par for the course for Australian TV drama ever since". [15]
Ford later sold the play to Italian and British TV. [16]
Shell Presents was an early attempt at Australian television drama, being an umbrella title for several different productions. It debuted on 4 April 1959, and aired on ATN-7 and GTV-9, who split production of plays for the series between them. It was an anthology series, each program being a self-contained play for television. The series won a Logie award in 1960 for TV Highlight of 1959. As the title suggests, it was sponsored by Shell. It was described as "a very big deal for the station: major institutional sponsorship from international companies for locally produced drama." It would be followed by The General Motors Hour.
Stormy Petrel is an early Australian television drama. A period drama, the 12-episode serial told the story of William Bligh and aired in 1960 on ABC. It was the first live TV serial from the ABC.
Bodgie is an Australian television movie, or rather a live television play with filmed sequences, which aired on ABC during 1959. Originally broadcast on 12 August 1959 in Sydney on ABN-2, a kinescope recording was made of the program and shown in Melbourne on ABV-2 on 2 September 1959.
"Reflections in Dark Glasses" is an Australian television film, or rather a television play, which aired in 1960. It aired as part of Shell Presents, which consisted of monthly presentations of stand-alone television dramas. It was written by Sydney writer James Workman, and is notable as an early example of Australian-written television drama. It was broadcast live in Sydney on 6 February 1960, then recorded and shown in Melbourne.
"They Were Big, They Were Blue, They Were Beautiful" is an Australian television movie, or rather a live television play, which aired live on 27 June 1959 in Sydney, and on 8 August 1959 in Melbourne. It aired as part of Shell Presents, a monthly presentation of standalone productions which aired from 1959 to 1960 on ATN-7 in Sydney and GTV-9 in Melbourne.
Treason is a 1959 Australian television live drama, which aired on ABC about the 20 July plot during World War Two. Originally broadcast 16 December 1959 in Melbourne, a kinescope ("telerecording") was made of the program and shown in Sydney on 13 January 1960. It was an adaptation of a stage play by Welsh writer Saunders Lewis, which had previously been adapted as an episode of BBC Sunday-Night Theatre.
"Man in a Blue Vase" is an Australian television one-off comedy presentation which aired in 1960. It was part of Shell Presents, which consisted of monthly presentations of standalone television dramas and comedies. It aired on 19 March 1960 on GTV-9 in Melbourne and on 5 March 1960 on ATN-7 in Sydney, as this was prior to the creation of the Seven Network and Nine Network.
"No Picnic Tomorrow" is an Australian television drama one-off which aired in 1960 on ATN-7 in Sydney and GTV-9 in Melbourne. Part of the Shell Presents series of one-off television dramas and comedies, it was produced in Melbourne, but first shown in Sydney on 9 January 1960, and on 23 January 1960 Melbourne.
"Manhaul" is a 1962 Australian television film. It aired 8 September 1962 as part of The General Motors Hour, an occasional series which presented various one-off productions. It aired on 8 September 1962 on ATN-7 in Sydney, on 8 September 1962 on GTV-9 in Melbourne, and on 15 September 1962 on QTQ-9 in Brisbane, despite the two stations having severed their relationship with the formation of the Nine Network.
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"Thunder of Silence" is an episode of the 1959 Australian TV drama anthology Shell Presents, and the fourth made in Sydney. It was based on an American play by Stewart Stern which had been produced in the U.S. with Paul Newman and Inger Stevens. It aired live on 22 August 1959 in Sydney with a recorded version airing on 28 November 1959 in Melbourne.
"A Tongue of Silver" is an episode of the 1959 Australian TV drama anthology Shell Presents. Australian TV drama was relatively rare at the time. It starred John Meillon, who had been in Thunder of Silence in the same series.
Wuthering Heights is a 1959 Australian television play adapted from Emily Brontë's 1847 novel Wuthering Heights. It was directed by Alan Burke and based on a script by Nigel Kneale which had been adapted by the BBC in 1953 as a TV play starring Richard Todd. It was made at a time when Australian drama production was rare.
Eye of the Night is a 1960 Australian television play. It was written by Kay Keavney and directed by Christopher Muir.
"Rope" is a 1959 Australian TV play based on the play by Patrick Hamilton. It was part of Shell Presents. It aired on 31 October 1959 in Melbourne, and a tapped version aired on 15 November 1959 in Sydney.
"Ruth" is a 1959 Australian television play. It was presented as part of the Shell Presents program and starred Lyndall Barbour. It was written by John Glennon, an American actor and writer who appeared in the production, and directed by Rod Kinnear. The play aired in Melbourne on 5 September 1959 and in Sydney on 19 September 1959.
"Thunder on Sycamore Street" is a 1960 Australian television play directed by David Cahill. It was based on a script by Reginald Rose. It aired on 23 July 1960 in Melbourne and Sydney.
"The Grey Nurse Said Nothing" is a television play episode from the Australian television series The General Motors Hour. It was produced and directed by David Cahill, and is based on the real life murder of Jim Smith, the so-called Shark Arm case. It was made by Channel Seven who later called "the most ambitious dramatic production ever attempted in Australia... [written by] one of the world's foremost authors of television plays and the cast is Ihe largest ever assembled for an Australian television dramatic production.... the greatest care has been taken to achieve the maximum possible standard in the production of the play which covered a total period of approximately eight weeks." The episode aired on 28 May 1960 in Sydney and Melbourne, and on 11 June 1960 in Brisbane.
"Shadow of a Pale Horse" is a television play that was produced for Australian TV by Sydney station ATN-7, it was also shown in Melbourne on station GTV-9, as this was prior to the creation of the Seven Network and Nine Network. "Shadow of a Pale Horse" aired on 17 September 1960 in Melbourne and Sydney.