The Big Fellah is a play by Richard Bean about Irish-Americans in New York. The premier production is an Out of Joint and Lyric Hammersmith production, directed by Max Stafford-Clark and starting on 2 September 2010. [1]
The play is set in New York in 1972, where young fireman Michael Doyle decides to join the IRA to live up to his Irish heritage. Costello, the "Big Fellah" recruits Michael, wanting to use his apartment in The Bronx as a safe house for an escaped killer. [2] As the play continues, it is clear that someone in their circle is leaking information and can not be trusted.
Directed by Max Stafford-Clark
Designed by Tim Shortall
Lighting by Jason Taylor
Sound by Nick Manning
The Informer is a 1935 American drama thriller film directed and produced by John Ford, adapted by Dudley Nichols from the 1925 novel of the same title by Irish novelist Liam O'Flaherty. Set in 1922, the plot concerns the underside of the Irish War of Independence and centers on a disgraced Republican man, played by Victor McLaglen, who anonymously informs on his former comrades and spirals into guilt as his treachery becomes known. Heather Angel, Preston Foster, Margot Grahame, Wallace Ford, Una O'Connor and J. M. Kerrigan co-star. The novel had previously been adapted for a British film of the same name in 1929.
Michael Collins was an Irish revolutionary, soldier and politician who was a leading figure in the early-20th century struggle for Irish independence. During the War of Independence he was Director of Intelligence of the Irish Republican Army (IRA) and a government minister of the self-declared Irish Republic. He was then Chairman of the Provisional Government of the Irish Free State from January 1922 and commander-in-chief of the National Army from July until his death in an ambush in August 1922, during the Civil War.
Sunset Boulevard is a musical with music by Andrew Lloyd Webber, and lyrics and a book by Don Black and Christopher Hampton. It is based on the 1950 film of the same title.
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Top Girls is a 1982 play by Caryl Churchill. It centres on Marlene, a career-driven woman who is heavily invested in women's success in business. The play examines the roles available to women in old society, and what it means or takes for a woman to succeed. It also dwells heavily on the cost of ambition and the influence of Thatcherite politics on feminism.
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Maxwell Robert Guthrie Stewart "Max" Stafford-Clark is a British theatre director.
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Richard Anthony Bean is an English playwright.
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