Author | Lord Normanby |
---|---|
Language | English |
Genre | Silver Fork |
Publisher | Henry Colburn |
Publication date | 1832 |
Publication place | United Kingdom |
Media type |
The Contrast is an 1832 novel by the British writer and politician Lord Normanby, originally published in three volumes. [1] [2] It was his third novel following Matilda (1825) and Yes and No (1828), all three of which were part of the developing silver fork genre focused on the fashionable aristocracy and upper classes of the late Regency period. It was written at the time of the Reform Act and examines the mixing of relationships across classes.
Lord Castleton is in love with Lady Gertrude, but is separated from her by the plot of a fortune hunter. While in the North of England he falls in love on the rebound with a country girl, Lucy Darnell and marries her. However, when he brings her back to London he finds her plain ways and accent an embarrassment, while she is very uncomfortable in high society. The kindly Gertrude befriends her and tries to assist her integration in London fashion. When Gertrude realises that she and Castleton still have strong feelings for each other, she leaves for Continental Europe to avoid temptation and scandal. Lucy then tragically drowns while visiting her relatives in the north, opening the way for the potential return of Gertrude and marriage to Castleton some time in the future. [3]
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The Exclusives is an 1830 novel by the British writer Lady Charlotte Bury, originally published in three volumes. It is part of the then-popular genre of silver fork novels set in high society. It was also published in New York City by Harper the same year in two rather than three volumes. Although the daughter of a duke herself Bury, writing anonymously, used it as an expose of the manners and behaviour of the elite Ton.
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Yes and No is an 1828 novel by the British writer and politician Lord Normanby, originally published in two volumes. It was part of the popular genre of silver fork novels which focused on the British upper classes in the later Regency era. It was his second published work following Matilda in 1825. The novel focuses heavily on the politics of Britain in the late 1820s, focusing on three main protagonists and examining the Whigs, liberal Tories, and Ultra-Tories.
Matilda is an 1825 novel by the British writer and politician Lord Normanby, originally published in two volumes. It was part of the emerging, popular genre of silver fork novels that focused on the fashionable British upper classes in the later Regency era, and was his first published work. He followed it with a second silver fork novel, the political Yes and No in 1828.
Granby is an 1826 novel by the British writer Thomas Henry Lister, published in three volumes. His first novel, it was part of the emerging genre of silver fork novels which take place in fashionable upper class settings of Regency Britain.
Pin Money is an 1831 novel by the British writer Catherine Gore, originally published in three volumes. It was part of the group of silver fork novels published during the later Regency era that focuses on life in the fashionable British upper classes. The Westminster Review considered the male characters to be more skilfully drawn than the female. Another review suggested that there was too much product placement in the novel, advertising the goods of various London shops.
The Cabinet Minister is an 1839 novel by the British writer Catherine Gore, originally published in three volumes. It is part of the tradition of silver fork novels popular during the era which focus on the upper-classes, and part of a subset of books which focus on British politics. It follows events in the Whig movement from the Regency Crisis of 1810 through the Great Reform Act in 1832 to the present in the early years of Queen Victoria's reign.
The Opera is an 1832 novel by the British writer Catherine Gore, originally published in three volumes. It is part of the tradition of silver fork novels focusing on British high society of the later Regency era. One contemporary reviewer launched a critical attack on its elitism, and lack of realism about everyday lives. The novel makes many references to the ongoing debate about the Reform Bill.
Mrs. Armytage; or Female Domination is an 1836 novel by the British writer Catherine Gore, originally published in three volumes. It is a silver fork novel focusing on fashionable high society, a popular genre to which Gore contributed several books. The novel functions as an analogy for the contemporary political situation, with Gore advancing a pro-Whig viewpoint. It was very successful on its release, and was reissued by Gore's publisher Henry Colburn in 1848.
Women as They Are is an 1830 novel by the British writer Catherine Gore, originally published in three volumes.It is part of the silver fork novels focusing on fashionable high society of the later Regency era. It is also known by its subtitle The Manners of the Day. It was her first novel published by Henry Colburn, and was a considerable success. George IV described it as "the best bred and most amusing novel in my remembrance.
Cecil, or Adventures of a Coxcomb is a 1841 novel by the British writer Catherine Gore, originally published in three volumes by Richard Bentley. It is part of the tradition of Silver Fork novels, which had enjoyed great success in the 1820s and 1830s but was coming to an end by the early Victorian era. It offers a retrospective look at the Regency era through the eyes of Cecil, a dandy who lived through it in high society. It was followed by a sequel Cecil, a Peer published the same year.