Paolo Caliari, known as Paolo Veronese, was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century. Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian.
Veronese is the Italian word denoting someone or something from Verona, Italy and may refer to:
Charles de La Fosse was a French painter born in Paris.
Paolo Farinati was an Italian painter of the Mannerist style, active in mainly in his native Verona, but also in Mantua and Venice.
Bonifacio Veronese, birth name: Bonifacio de' Pitati was an Italian Renaissance painter who was active in Venetian Republic. His work had an important influence on the younger generation of painters in Venice, particularly Andrea Schiavone and Jacopo Tintoretto.
The Pharaoh's daughter in the story of the finding of Moses in the biblical Book of Exodus is an important, albeit minor, figure in Abrahamic religions. Though some variations of her story exist, the general consensus among Jews, Christians, and Muslims is that she is the adoptive mother of the prophet Moses. Muslims identify her with Asiya, the Great Royal Wife of the pharaoh. In either version, she saved Moses from certain death from both the Nile river and from the Pharaoh. As she ensured the well-being of Moses throughout his early life, she played an essential role in lifting the Hebrew slaves out of bondage in Egypt, their journey to the Promised Land, and the establishment of the Ten Commandments.
The Chrysler Museum of Art is an art museum on the border between downtown and the Ghent district of Norfolk, Virginia. The museum was founded in 1933 as the Norfolk Museum of Arts and Sciences. In 1971, automotive heir, Walter P. Chrysler Jr., donated most of his extensive collection to the museum. This single gift significantly expanded the museum's collection, making it one of the major art museums in the Southeastern United States. From 1958 to 1971, the Chrysler Museum of Art was a smaller museum consisting solely of Chrysler's personal collection and housed in the historic Center Methodist Church in Provincetown, Massachusetts. Today's museum sits on a small body of water known as The Hague.
Carlo Cannovaro Caliari (1570–1596) was an Italian artist of the Renaissance period. He is also known as Carletto. The youngest son of Paolo Veronese, Caliari was active mainly in Venice, where he worked and inherited the studio of his far more famous father, and later worked along with his brother Gabriele and his uncle, Benedetto. His name is attached to several large pictures of banquets in Veronese's style. Alessandro Turchi worked briefly under him.
Black Moses is the fifth studio album by American soul musician Isaac Hayes. It is a double album released on Stax Records' Enterprise label in 1971. The follow-up to Hayes' successful soundtrack for Shaft, Black Moses features Hayes' version of The Jackson 5's hit single "Never Can Say Goodbye". Hayes' version became a hit in its own right, peaking at number 22 on the Billboard Hot 100. The album reached number one on the Billboard R&B album chart on January 15, 1972.
The Musée des Beaux-Arts de Dijon is a museum of fine arts opened in 1787 in Dijon, France. It is one of the main and oldest museums of France. It is located in the historic city centre of Dijon and housed in the former ducal palace which was the headquarters of the Burgundy State in the 15th century. When the duchy was assimilated to the Kingdom of France, the palace became the house of the King. In the 17th century it became the Palace of the Dukes of Burgundy following a project by Jules Hardouin-Mansart.
Moses Austin Bryan was an early settler of Texas. Moses served as Secretary for his uncle, Stephen F. Austin.
The Finding of Moses, sometimes called Moses in the Bullrushes, Moses Saved from the Waters, or other variants, is the story in chapter 2 of the Book of Exodus in the Hebrew Bible of the finding in the River Nile of Moses as a baby by the daughter of Pharaoh. The story became a common subject in art, especially from the Renaissance onwards.
The Finding of Moses is a 1560-1575 painting by Paolo Veronese, now in the Museo del Prado in Madrid It is one of at least eight variants of the subject of the finding of Moses by him and his studio.
The Finding of Moses is a c.1581 oil on canvas painting by Paolo Veronese. It is the smallest of at least eight works on the subject by him and his studio showing the finding of Moses - art historians often consider it to be the preparatory sketch for the variant in Dresden.
The Finding of Moses is an oil on canvas painting by Paolo Veronese, now in the Gemäldegalerie Alte Meister in Dresden and measuring 178 by 277 cm. It is one of at least eight works on the finding of Moses by him and his studio - another now in Lyon is thought to be the preparatory sketch for the Dresden work.
The Finding of Moses is a now-lost oil on canvas painting of the finding of Moses by Paolo Veronese, once in the collection of Joseph Smith and one of at least eight works on the subject by the painter and his studio.
The Finding of Moses is an oil on canvas painting, now in the Walker Art Gallery in Liverpool, to which it was formally transferred in 1948 by the Liverpool Royal Institution, to which it had been given in 1843 by J. W. Gibsone. It had hung at the Walker on loan since 1893. Previously thought to be an autograph work by Paolo Veronese, it is now thought to be largely or wholly by his studio. A copy of the work is now at the Musee des Beaux Arts de Dijon
The Finding of Moses is a c.1582-1598 oil on canvas painting attributed to Paolo Veronese or produced by his studio, now in the Galleria Sabauda in Turin.
The Finding of Moses is a 1580 oil on canvas painting by Paolo Veronese of the finding of Moses, which has been in the Musee des Beaux Arts de Dijon since 1812. Its attribution to Veronese is early, with Lépicié stating it was "painted by the artist at the height of his powers", though Louis Clément de Ris argued it was a copy in 1861. It is now thought to be largely autograph with studio assistance as argued by Florence Ingersoll-Smouse in 1928, Bernard Berenson in 1932 and 1936 and Giuseppe Fiocco in 1934.
The Finding of Moses is an oil on canvas painting by Paolo Veronese, now in the National Gallery of Art, Washington.
