The Gentleman Without a Residence | |
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Directed by | Fritz Freund |
Written by | Bela Jenbach (play) Rudolf Österreicher (play) |
Produced by | Erich Pommer |
Starring | Gustav Waldau Julius Brandt Paul Morgan |
Production company | Wiener Autorenfilm |
Release date |
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Country | Austria |
Languages | Silent German intertitles |
The Gentleman Without a Residence (German: Der Herr ohne Wohnung) is a 1915 Austrian silent film directed by Fritz Freund and starring Gustav Waldau, Julius Brandt and Paul Morgan. [1]
Season in Cairo is a 1933 German musical comedy film directed by Reinhold Schünzel and starring Renate Müller, Willy Fritsch and Gustav Waldau. A French-language version Idylle au Caire was released, also featuring Müller. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. It was shot on location in Egypt at Giza and Cairo, with interior filming taking place at the Babelsberg Studios in Berlin.
Just Once a Great Lady is a 1934 German comedy film directed by Gerhard Lamprecht and starring Käthe von Nagy, Wolf Albach-Retty and Gretl Theimer. Nagy plays a car saleswoman. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle. A separate French-language version A Day Will Come (1934) was also released, with Nagy reprising her role alongside Jean-Pierre Aumont.
Little Dorrit is a 1934 German drama film directed by Karel Lamač and starring Gustav Waldau, Anny Ondra, and Hilde Hildebrand. It is an adaptation of Charles Dickens' 1857 Victorian era novel Little Dorrit, and made a sharp contrast to the light comedies and musicals that Ondra usually appeared in. The film's sets were designed by the art directors Wilhelm Depenau and Erich Zander.
So Ended a Great Love is a 1934 German historical romance film directed by Karl Hartl and starring Paula Wessely, Willi Forst and Gustaf Gründgens.
The Gentleman Without a Residence is a 1934 Austrian comedy film directed by E. W. Emo and starring Paul Hörbiger, Hilde von Stolz, and Hermann Thimig. The film's sets were designed by the art director Julius von Borsody.
Rustle of Spring is a 1929 German silent romance film directed by William Dieterle and starring Dieterle, Lien Deyers and Julius Brandt. It was made by the German subsidiary of Universal Pictures and shot at the Halensee Studios in Berlin. The film's sets were designed by the art directors Otto Guelstorff and Ernst Stern.
Behind the Altar or The Secret of Abbe X is a 1927 German silent drama film directed by Julius Brandt and William Dieterle and starring Dieterle, Marcella Albani, and Alfred Gerasch.
King for One Night is a 1950 West German historical comedy film directed by Paul May and starring Anton Walbrook, Willy Fritsch and Annelies Reinhold. It was made at the Bavaria Studios in Munich. The film's sets were designed by the art directors Heinrich Beisenherz and Bruno Monden.
Two People is a 1952 West German historical romantic drama film directed by Paul May and starring Edith Mill, Helmuth Schneider, and Gustav Waldau. It was shot at the Bavaria Studios in Munich and on location around the Dolomites and in Rome. It was based on the 1911 novel of the same title by Richard Voss set in South Tyrol in the late nineteenth century.
The Night Without Morals is a 1953 West German comedy film directed by Ferdinand Dörfler and starring Claude Farell, Gustav Knuth and Lucie Englisch. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Willi Horn and Ludwig Reiber.
Who Is This That I Love? is a 1950 West German musical comedy film directed by Géza von Bolváry and starring Jester Naefe, Adrian Hoven, and Iván Petrovich. It was shot at the Wiesbaden and Bavaria Studios and on location around Lake Starnberg. The film's sets were designed by the art directors Fritz Lück and Hans Sohnle.
She and the Three is a 1935 German comedy crime film directed by Victor Janson and starring Gustav Waldau, Charlotte Susa and Hubert von Meyerinck.
A Night on the Danube is 1935 German comedy film directed by Carl Boese and starring Olga Engl, Wolfgang Liebeneiner, and Gustav Waldau. It was shot at the EFA Studios in Berlin and on location in Budapest and Vienna. The film's sets were designed by the art directors Emil Hasler and Arthur Schwarz.
The Little Residence is a 1942 German period comedy film directed by Hans H. Zerlett and starring Winnie Markus, Johannes Riemann, and Lil Dagover. The film's sets were designed by the art directors Max Seefelder and Hans Sohnle. It was shot at the Bavaria Studios in Munich.
The Gentleman from Maxim's is a 1933 German comedy film directed by Carl Boese and starring Lee Parry, Johannes Riemann and Oskar Karlweis. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Gustav A. Knauer and Walter Reimann.
The Prisoner is a 1920 German silent drama film directed by Carl Heinz Wolff and starring Harry Liedtke, Käthe Dorsch and Reinhold Schünzel.
Immortal Light is a 1951 West German drama film directed by Arthur Maria Rabenalt and starring Rudolf Forster, Cornell Borchers and Volker von Collande. It was shot at the Bavaria Studios in Munich and on location in Paris. The film's sets were designed by the art directors Willi A. Herrmann and Heinrich Weidemann.
In Thrall to the Claw is a 1921 Austrian silent film directed by Carl Froelich and starring Eugen Jensen, Gustav Diessl, and Julius Strobl. While visiting the set, future director Georg Wilhelm Pabst made his only ever screen appearance as an actor.
The Silent Angel is a 1954 West German drama film directed by Harald Reinl and starring Josefin Kipper, Robert Freitag and Christine Kaufmann. It was shot at the Wiesbaden Studios in Hesse and on location in Kastel and Eltville and Kaub in the Rhine Valley. The film's sets were designed by the art director Heinrich Beisenherz.
Laugh, Bajazzo is a 1943 German drama film directed by Leopold Hainisch and starring Paul Hörbiger, Claude Farell and Dagny Servaes. A separate Italian-language version Laugh, Pagliacci was also produced. The film's sets were designed by the art director Franz Koehn and Hans Kuhnert.