The Gigli Concert

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The Gigli Concert is a play by Irish playwright Tom Murphy premiered at the Abbey Theatre, Dublin, in 1983 and widely regarded as his masterpiece. [1]

Tom Murphy was an Irish dramatist who worked closely with the Abbey Theatre in Dublin and with Druid Theatre, Galway. He was born in County Galway, Ireland and later lived in Dublin.

Plot

The Gigli Concert deals with seven days in the relationship between Dynamatologist JPW King, a quack self-help therapist living in Dublin but born and brought up in England, and the mysterious Irishman, a construction millionaire who asks King to teach him how to sing like the Italian opera singer Beniamino Gigli. [2]

Quackery Fraudulent or inept medical practice

Quackery, often synonymous with health fraud, is the promotion of fraudulent or ignorant medical practices. A quack is a "fraudulent or ignorant pretender to medical skill" or "a person who pretends, professionally or publicly, to have skill, knowledge, qualification or credentials they do not possess; a charlatan or snake oil salesman". The term quack is a clipped form of the archaic term quacksalver, from Dutch: kwakzalver a "hawker of salve". In the Middle Ages the term quack meant "shouting". The quacksalvers sold their wares on the market shouting in a loud voice.

Beniamino Gigli Italian opera singer

Beniamino Gigli was an Italian opera singer. He is widely regarded as one of the greatest tenors of his generation.

As King finds himself reluctantly drawn into the Irishman's request it becomes clear that his subject is mentally unbalanced but, against all expectations, King finds himself able to heal the Irishman and, in the process, himself. Although he rises to the challenge and, indeed, becomes obsessed with it, the Irishman ends up ending the process, finding himself cured of his mental and emotional malady through King's kindness.

Left alone, and discovering that his lover, Mona, is suffering from cancer, King tries to kill himself but, in a stunning coup de theatre, instead finds himself miraculously able to sing an aria of Gigli himself. The play ends with King waking up after his suicide attempt and realising that the world is somewhere he is willing to fight on in.

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References

  1. Lonergan, Patrick (20 July 2009). "The Gigli Concert".
  2. McBride, Charlie. "Tom Murphy-conversations on the Gigli Concert". Galway Advertiser.