The Heroine (novel)

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The Heroine
The Heroine (novel).png
Title page for The Heroine; Or Adventures of a Fair Romance Reader (1813)
Author Eaton Stannard Barrett
Publication date
1813

The Heroine; Or Adventures of a Fair Romance Reader is a novel by Eaton Stannard Barrett, first published in 1813.

Contents

The novel is a quixotic satire, in which the protagonist displays the hallmarks of "heroinism" exemplified by Germaine de Staël's novel Corinne ou l'Italie (1807) and goes through a series of Gothic adventures inspired by Ann Radcliffe's novels. Ultimately, the protagonist is reformed, and the novel presents a conservative message that women must be domestic and submissive to men in order to maintain public order. [1]

Plot

Cherry Wilkinson, a fatuous female protagonist with a history of novel-reading, fancies herself as the heroine of a Gothic romance. She perceives and models reality according to the stereotypes and typical plot structures of the Gothic novel, leading to a series of absurd events culminating in catastrophe. After her downfall, her affectations and excessive imaginations become eventually subdued by the voice of reason in the form of Stuart, a paternal figure, under whose guidance the protagonist receives a sound education and correction of her misguided taste. [2]

Reception

The book was a popular bestseller when first published. In 1816, the Biographical Dictionary of the Living Authors of Great Britain and Ireland compared it favourably to famous classics, describing it as "not inferior in wit and humour to Tristram Shandy, and in point of plot and interest infinitely beyond Don Quixote." [3] Jane Austen, who had written her own Gothic parody, Northanger Abbey , in 1803, also praised The Heroine in a letter. [3]

In the twentieth century, however, parodies garnered less respect as literature, and The Heroine went out of print after 1927. [3] It returned to print in 2011 with an edition published by Valancourt Books, [4] which specializes in "the rediscovery of rare, neglected, and out-of-print fiction". [5]

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Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read The Italian together; and I have made out a list of ten or twelve more of the same kind for you.

Have you, indeed! How glad I am! What are they all?

I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time.

Yes, pretty well; but are they all horrid, are you sure they are all horrid?

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References

  1. Kelly, Gary (1990). "Unbecoming a Heroine: Novel Reading, Romanticism, and Barrett's The Heroine". Nineteenth-Century Literature. 45 (2): 220–241. doi:10.2307/3045125. ISSN   0891-9356. JSTOR   3045125.
  2. Skarda, Patricia (1986), "Gothic Parodies" in Jack Sullivan ed. (1986), The Penguin Encyclopedia of Horror and the Supernatural: 178-9
  3. 1 2 3 Horner, Avril; Zlosnik, Sue (2000). "Dead funny: Eaton Stannard Barrett's The heroine as comic gothic". Cardiff Corvey: Reading the Romantic Text. 5 (2). Archived from the original on 2015-09-07. [Web Archive 7 September 2015]
  4. "The Heroine (1813)". Valancourt Books. Retrieved 2023-04-09.
  5. "Early Gay Literature Rediscovered". 2014-05-28. Retrieved 2023-04-09.