The Idiots | |
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Directed by | Lars von Trier (uncredited; under Dogme rules) |
Written by | Lars von Trier |
Produced by | Vibeke Windeløv |
Starring | |
Cinematography | Lars von Trier |
Edited by | Molly Malene Stensgaard |
Production companies |
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Distributed by | October Films |
Release dates |
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Running time | 114 minutes [1] |
Countries |
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Language | Danish |
Budget | USD$2.5 million |
Box office | $7,235 [2] |
The Idiots (Danish : Idioterne) is a 1998 Danish black comedy drama film written and directed by Lars von Trier. It is his first film made in compliance with the Dogme 95 Manifesto, [3] and is also known as Dogme #2. It is the second film in von Trier's Golden Heart Trilogy , preceded by Breaking the Waves (1996) and succeeded by Dancer in the Dark (2000). It is among the first films to be shot entirely with digital cameras.
It was screened at the 1998 Cannes Film Festival and was nominated for the Palme d’Or, despite being met with widespread criticism upon release. [4]
A seemingly anti-bourgeois group of adults spend their time seeking their "inner idiot" to release their inhibitions. They do so by behaving in public as if they were mentally disabled.
At a restaurant, the patrons are disturbed by the group's antics, which are barely contained by their supposed "handler", Susanne. The group refers to this behavior as "spassing", a neologism derived from "spasser", the Danish equivalent of "spaz". Unaware that the group is pretending, Karen, a single diner, is initially sympathetic to what she believes are their genuine disabilities. One of the group members holds her hand, compelling her to go along with them in a taxi. During the ride, she discovers their act, leading to a mix of discomfort and curiosity. Upon arriving at a large house, she learns that Stoffer, the apparent leader of the group, is supposed to be selling the property (which belongs to his uncle), but instead, it becomes the focal point for the group's activities.
The "spassing" is a self-defeating attempt by the group to challenge the establishment through provocation. The self-styled idiots feel that the society-at-large treats their intelligence uncreatively and unchallengingly; thus, they seek the uninhibited self-expression that they imagine a romantic ideal of disability will allow.
Stoffer, at his birthday party, wishes for a "gangbang", so the group members have group sex (without participation of Karen). Josephine wanders off separately, and is followed by Jeppe. The two privately engage in intercourse, in an awkwardly deep connection. However, the next morning, Josephine's father arrives. After chastising the group, he reprimands Josephine for not taking her medication and orders her to return home. Several try to stop her, including Jeppe who lunges himself desperately onto the hood of the car, but is ultimately removed after a tearful exchange between him and Josephine.
Then an agitated Stoffer calls for the group members to let idiocy invade their personal daily lives. Most of the members refuse to take up the challenge and decide to leave the group, leading the group to be dissolved. But Karen decides to take up the challenge. Karen takes Susanne back to her house, where they are greeted with surprise by Karen's mother. Karen has been missing for two weeks, following the death of her young baby; she offers no explanation of where she has been. Karen attempts to spaz in front of her family by dribbling her food, but this results in a violent slap from her husband, Anders. Karen and Susanne leave the house together.
The Idiots is a co-production of companies from Denmark, France, Italy, the Netherlands, Spain, and Sweden. It was filmed during May and June 1997. [5] The script was written over just four days, between 16-19 May. [6] [7]
The confession of a Dogme 95 film is an idea adapted by Thomas Vinterberg in the first Dogme 95 film: Make a confession if there were things happening on the shoot which are not in accordance with the strict interpretation of the Dogme 95 rules. It is written from the director's point of view. Accordingly, von Trier made the following confession:
In relation to the production of Dogme 2 "The Idiots", I confess:
- To have used a stand-in in one case only (the sexual intercourse scene).
- To have organised payment of cash to the actors for shopping of accessories (food).
- To have intervened with the location (by moving sources of light – candlelight – to achieve exposure).
- To have been aware of the fact that the production had entered into an agreement of leasing a car (without the knowledge of the involved actor).
All in all, and apart from the above, I feel to have lived up to the intentions and rules of the manifesto: Dogme95. [8]
In order to not violate Dogme 95 rule 2, forbidding the use of non-diegetic music, a harmonica player was recorded during the shooting of some scenes, including the end credits, even if he is not seen onscreen. [9]
The Idiots provoked a storm of publicity and debates, one of which was about the fictional representation of disability. [10] Film critic Mark Kermode's reaction was to shout "Il est merde! Il est merde! (sic)" from the back of the auditorium during the official screening of the film at Cannes, a spontaneous review for which he was ejected from the venue. [11]
Channel 4 aired the film unedited in 2005 as part of the channel's "Banned" season exploring censorship and cinematic works. Viewer complaints prompted an Ofcom investigation, [12] which came out in favour of Channel 4. [10] In its ruling, Ofcom found the film "not in breach" of the relevant Code under the specific circumstances of the broadcast, that is "the serious contextualisation of the film within a season examining the censorship of film and television, its artistic purpose, the channel which transmitted it, the strong warnings before the film and prior to the scene in question and the scheduling after midnight". [13] Ofcom added the caveat that "while we do not consider the film was in breach of the Code on this occasion, we must consider carefully the acceptability of any similar content on an individual basis". [13]
The film is classified as adult-only in Argentina, Australia (though it has been shown uncut on TV with an MA rating), Chile, New Zealand, Norway, South Korea, Spain, Taiwan, and the United Kingdom. In Switzerland and Germany, the film ran uncut with a 16-years rating in theaters, followed by a DVD release with the same rating and several uncut television airings. Following their acquisition of 11 of Von Trier’s films, Mubi theatrically released a 4K restoration of the film on June 16, 2023, in celebration of its 25th anniversary. [14]
On the review aggregator website Rotten Tomatoes, the film has a 72% score based on 32 reviews, with an average rating of 6.5/10. The website's consensus reads, "The Idiots feels more like an experiment than a coherent narrative, but director Lars von Trier's provocative style and rumination on civilization will leave most audience members feeling like satisfied test subjects". [15] Metacritic reports a 47 out of 100 rating based on 15 critics, indicating "mixed or average reviews". [16] Reactions to the film ranged from strong criticism to strong praise. A.O. Scott wrote a critical review in The New York Times , calling the film "a two-hour, semi-pornographic Mentos commercial" and singled out the final scene in particular for strong criticism, stating that the film "descends to truly contemptible emotional brutality". [17] Conversely, Owen Glieberman in Entertainment Weekly described the film as "a raw, funny, maddening ramble" where von Trier "seeks catharsis by pushing everything to extremes" and described the final scene as "a gripping moment of high torment". [18]
The Idiots was ranked #76 in Empire magazine's "The 100 Best Films of World Cinema" in 2010. [19] The magazine had previously given it a full five star rating on its release in UK cinemas. It is listed as #941 in the film reference book '1001 Movies You Must See Before You Die'.
More controversy arose over the sexual content, which was unusually explicit for a narrative film. The Idiots contains a shower scene in which a member of the group (in character as an "idiot") has an erection and, later, a group sex scene that includes one couple (faces not seen, stand-ins from the porn industry [20] ) having unsimulated penetrative (vaginal) sexual intercourse. Both instances of explicit content are in view only for a few seconds. [21] The film was cleared for theatrical release by the British Board of Film Classification, receiving an 18 certificate. [22] When it was shown on Film4 (then FilmFour) in 2000, the erection and the intercourse were obscured by pixelization, following an order from the Independent Television Commission. [23] [24]
The film was shown in competition at the 1998 Cannes Film Festival.
Lars von Trier is a Danish film director and screenwriter.
Thomas Vinterberg is a Danish film director who, along with Lars von Trier, co-founded the Dogme 95 movement in filmmaking, which established rules for simplifying movie production. He is best known for the films The Celebration (1998), Submarino (2010), The Hunt (2012), Far from the Madding Crowd (2015), and Another Round (2020). For Another Round he was nominated for the Academy Award for Best Director, the first Danish filmmaker nominated in the Best Director category.
Dancer In The Dark is a 2000 musical psychological tragedy film written and directed by Lars von Trier. It stars Icelandic musician Björk as a factory worker who suffers from a degenerative eye condition and is saving for an operation to prevent her young son from suffering the same fate. Catherine Deneuve, David Morse, Cara Seymour, Peter Stormare, Siobhan Fallon Hogan and Joel Grey also star. The soundtrack for the film, Selmasongs, was written mainly by Björk, but a number of songs featured contributions from Mark Bell and some of the lyrics were written by von Trier and Sjón.
Riget is a Danish absurdist supernatural horror miniseries trilogy created by Lars von Trier and Tómas Gislason. Set in the neurosurgical ward of Copenhagen's Rigshospitalet, each episode of the show follows the hospital's eccentric staff and patients as they encounter bizarre and sometimes supernatural phenomena. The series is notable for its wry humor, its muted sepia colour scheme, and the appearance of a chorus of dishwashers with Down syndrome, who discuss in intimate detail the strange occurrences in the hospital. The main theme's song was written by von Trier himself.
Breaking The Waves is a 1996 psychological romantic melodrama film directed and co-written by Lars von Trier and starring Emily Watson in her feature film acting debut, and with Stellan Skarsgård, a frequent collaborator with von Trier.
Birthe Neumann is a Danish actress.
Denmark has been producing films since 1897 and since the 1980s has maintained a steady stream of product due largely to funding by the state-supported Danish Film Institute. Historically, Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation.
Italian for Beginners is a 2000 Danish romantic comedy film written and directed by Lone Scherfig, and starring Anders W. Berthelsen, Lars Kaalund and Peter Gantzler, together with Ann Eleonora Jørgensen, Anette Støvelbæk and Sara Indrio Jensen. The film was made by the austere principles of the Dogme 95 movement, including the use of handheld video cameras and natural lighting, and is known as Dogme XII. However, in contrast to most Dogme films which are harsh and serious in tone, Italian for Beginners is a light-hearted comedy. It was made on a $600,000 budget, and went on to gross over 27 times that.
Kirstine "Paprika" Steen is a Danish actress and director best known for her performances in Dogme 95 films Festen, The Idiots, Mifune, and Open Hearts. Steen was the first Danish actress since Karin Nellemose to win both Best Actress and Best Supporting Actress in the same year at the Robert Festival, the Danish equivalent of the Oscars.
Shari Roman is an American artist, author, screenwriter and director.
Zentropa, or Zentropa Entertainments, is a Danish film company started in 1992 by director Lars von Trier and producer Peter Aalbæk Jensen. Zentropa is named after the train company Zentropa in the film Europa (1991), which started the collaboration between von Trier and Jensen.
Anne Louise Hassing is a Danish actress. Hassing won the Bodil Award for Best Actress for her debut film role in Pain of Love (1992) and the Bodil Award for Best Supporting Actress in The Idiots (1998). She is also known for her featured roles in the popular television series Krøniken (2004-2007) and Seaside Hotel (2013-2024).
The Bodil Award for Best Danish Film is one of the categories for the Bodil Awards presented annually by the Danish Film Critics Association. It was created in 1948 and is one of the oldest film prizes in Europe. The jury can decide not to give out the award if no deserving films are submitted. This has occurred once, in 1974. More than one film also can receive the award in a single year, as occurred in 1955.
Antichrist is a 2009 art horror film written and directed by Lars von Trier. It stars Willem Dafoe and Charlotte Gainsbourg as a married couple who experience the accidental death of their infant son, after which they retreat to a cabin in the woods to grieve, where the man experiences strange visions and the woman manifests increasingly violent sexual behavior and sadomasochism. The narrative is divided into a prologue, four chapters, and an epilogue.
Bodil Jørgensen, a Danish Film actress was born on 3 March 1961 in Vejle, Denmark. She is known for her roles in The Idiots (1998), Nothing's All Bad (2010) and Klinkevals (1999). Apart from multiple movies, she has also acted in numerous TV series like Badehotellet (2013-2022), Julefeber (2022) and Minkavlerne (2019-2023). She continues to act as of 2023.
Dogme 95 was a Danish avant-garde filmmaking movement founded by Lars von Trier and Thomas Vinterberg, who created the "Dogme 95 Manifesto" and the "Vows of Chastity". These were rules to create films based on the traditional values of story, acting, and theme, while excluding the use of elaborate special effects or technology. It was supposedly created as an attempt to "take back power for the directors as artists" as opposed to the movie studio.
Events from the year 1998 in Denmark.
Melancholia is a 2011 science fiction drama film written and directed by Lars von Trier and starring Kirsten Dunst, Charlotte Gainsbourg, and Kiefer Sutherland, with Alexander Skarsgård, Brady Corbet, Cameron Spurr, Charlotte Rampling, Jesper Christensen, John Hurt, Stellan Skarsgård, and Udo Kier in supporting roles. The film's story revolves around two sisters, one of whom marries just before a rogue planet is about to collide with the Earth. Melancholia is the second film in von Trier's unofficially titled Depression Trilogy. It was preceded in 2009 by Antichrist and followed by Nymphomaniac in 2013.
The House That Jack Built is a 2018 psychological horror art film written and directed by Lars von Trier. It stars Matt Dillon, Bruno Ganz, Uma Thurman, Siobhan Fallon Hogan, Sofie Gråbøl, Riley Keough, and Jeremy Davies. Its plot follows Jack (Dillon), a serial killer who, over a 12-year period from the late 1970s into 1980s, commits numerous murders in the U.S. state of Washington. Utilizing Dante's Inferno as a metatext, the film is structured as a series of flashback vignettes relayed by Jack to the Roman poet Virgil, during which Jack attempts to make an argument for his crimes.
The Golden Heart trilogy is three films by the Danish screenwriter and director Lars von Trier. It consists of Breaking the Waves (1996), a melodrama about sex and religion; The Idiots (1998), a Dogme 95 film dealing with moral conventions; and Dancer in the Dark (2000), a musical starring the Icelandic singer Björk.