Thomas Cowperthwait Eakins was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important American artists.
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
The Chess Players is an 1876 genre painting by Thomas Eakins, Goodrich catalogue #96. It is in the collection of the Metropolitan Museum of Art, in New York.
Edward Willis Redfield was an American Impressionist landscape painter and member of the art colony at New Hope, Pennsylvania. He is best known today for his impressionist scenes of the New Hope area, often depicting the snow-covered countryside. He also spent his summers on Boothbay Harbor, Maine, where he interpreted the local coastline. He frequently painted Maine's Monhegan Island.
The Gross Clinic or The Clinic of Dr. Gross is an 1875 painting by American artist Thomas Eakins. It is oil on canvas and measures 8 feet (240 cm) by 6.5 feet (200 cm).
The Gulf Stream is an 1899 oil painting by Winslow Homer. It shows a man in a small dismasted rudderless fishing boat struggling against the waves of the sea, and was the artist's statement on a theme that had interested him for more than a decade. Homer vacationed often in Florida, Cuba, and the Caribbean.
Thomas Pollock Anshutz was an American painter and teacher. Known for his portraiture and genre scenes, Anshutz was a co-founder of The Darby School. One of Thomas Eakins's most prominent students, he succeeded Eakins as director of drawing and painting classes at the Pennsylvania Academy of Fine Arts.
The Swimming Hole is an 1884–85 painting by the American artist Thomas Eakins (1844–1916), Goodrich catalog #190, in the collection of the Amon Carter Museum of American Art in Fort Worth, Texas. Executed in oil on canvas, it depicts six men swimming naked in a lake, and is considered a masterpiece of American painting. According to art historian Doreen Bolger it is "perhaps Eakins' most accomplished rendition of the nude figure", and has been called "the most finely designed of all his outdoor pictures". Since the Renaissance, the human body has been considered both the basis of artists' training and the most challenging subject to depict in art, and the nude was the centerpiece of Eakins' teaching program at the Pennsylvania Academy of the Fine Arts. For Eakins, this picture was an opportunity to display his mastery of the human form.
The Concert Singer is a painting by Thomas Eakins (1844–1916), depicting the singer Weda Cook (1867–1937). The work, commenced in 1890 and completed in 1892, was Eakins's first full-length portrait of a woman. It is now in the Philadelphia Museum of Art.
Salutat is an 1898 painting by Thomas Eakins (1844–1916). Based on a real-life boxing match that occurred in 1898, the work depicts a boxer waving to the crowd after the match. According to Eakins' biographer Lloyd Goodrich, Salutat is "one of Eakins' finest achievements in figure-painting." The painting's title is Latin for "He greets" or "He salutes."
The Thinker: Portrait of Louis N. Kenton is an oil painting of 1900 by Thomas Eakins. The oil painting is a depiction of the artist's brother-in-law, Louis N. Kenton (1865–1947), and it has been called "one of Eakins's most memorable portraits". The painting is one of a series of life size standing male portraits painted late in Eakins's career.
Susan Hannah Macdowell Eakins was an American painter and photographer. Her works were first shown at the Pennsylvania Academy of Fine Arts, where she was a student. She won the Mary Smith Prize there in 1879 and the Charles Toppan prize in 1882. One of her teachers was the artist Thomas Eakins, who later became her husband. She made portrait and still life paintings. She was also known for her photography. After her husband died in 1916, Eakins became a prolific painter. Her works were exhibited in group exhibitions in her lifetime, though her first solo exhibition was held after she died.
Wrestlers is a name shared by three closely related 1899 paintings by American artist Thomas Eakins,. The Los Angeles County Museum of Art (LACMA) owns the finished painting (G-317), and the oil sketch (G-318). The Philadelphia Museum of Art (PMA) owns a slightly smaller unfinished version (G-319). All three works depict a pair of nearly naked men engaged in a wrestling match. The setting for the finished painting is the Quaker City Barge Club (defunct), which once stood on Philadelphia's Boathouse Row.
The Fairman Rogers Four-in-Hand is an 1879-80 painting by Thomas Eakins. It shows Fairman Rogers driving a coaching party in his four-in-hand carriage through Philadelphia's Fairmount Park. It is thought to be the first painting to examine precisely, through systematic photographic analysis, how horses move.
Portrait of Leslie W. Miller is a 1901 painting by Thomas Eakins, Goodrich catalogue #348. It is in the permanent collection of the Philadelphia Museum of Art.
Amelia C. Van Buren was an American photographer. A noted portrait photographer, she was a student of Thomas Eakins, and the subject of his c. 1891 painting Miss Amelia Van Buren, regarded as one of his finest works.
Self-portrait is an oil on canvas painting by Thomas Eakins, presented as a diploma piece upon his election as an Associate member of the National Academy of Design in 1902. Although Eakins included himself as an observer or participant in group portraits and genre scenes, this and a smaller unsigned and undated oil, thought to have been made at about the same time, are the only unadorned self-portraits he ever painted. Lloyd Goodrich wrote that it "is not only one of his finest head and bust likenesses, but a revealing human document; in the direct look of his remarkable eyes one can see strength, penetrating intelligence, and a touch of ironic humor."
Art Students' League of Philadelphia was a short-lived, co-operative art school formed in reaction to Thomas Eakins's February 1886 forced-resignation from the Pennsylvania Academy of the Fine Arts. Eakins taught without pay at ASL from 1886 until the school's dissolution in early 1893.
Northeaster is one of several paintings on marine subjects by the late-19th-century American painter Winslow Homer. Like The Fog Warning and Breezing Up, he created it during his time in Maine. It is on display in the Metropolitan Museum of Art in New York. Viewers are presented a struggle of elements between the sea and the rocky shore. Winslow Homer excelled in painting landscape paintings that depicted seascapes and mountain scenery.
Archbishop William Henry Elder is a 1903 oil portrait by Thomas Eakins depicting the Archbishop of Cincinnati William Henry Elder, one of a series of portraits of Catholic clergy Eakins undertook late in his career. In this psychologically probing portrait, Eakins depicts the stoic Elder, frail but still imposing at 84, confronting his own mortality.
