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| The Man in the Background | |
|---|---|
| Directed by | Ernst Winar |
| Written by | |
| Cinematography | Joe Rive |
| Edited by | Ernst Winar |
Release date |
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| Countries |
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| Language | Silent |
The Man in the Background (German : Der Mann im Hintergrund, Dutch:De man op den achtergrond) is a 1922 Dutch-German silent film directed by Ernst Winar.
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The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
Van is a very common prefix in Dutch language surnames, where it is known as a tussenvoegsel. In those cases it nearly always refers to a certain, often quite distant, ancestor's place of origin or residence; for example, Ludwig van Beethoven "from Bettenhoven" and Rembrandt van Rijn "from the Rhine". Van is also a preposition in the Dutch and Afrikaans languages, meaning "of" or "from" depending on the context.
Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.
Hendrik Graaf van den Bergh, lord of Stevensweert, was a Dutch soldier in Spanish service during the Eighty Years' War and stadhouder of Spanish Upper Guelders.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
Princess Mauritia Eleonora of Portugal, Dutch: Prinses Mauritia Eleonora van Portugal, was a princess from the House of Aviz. As a close relative of Prince Frederick Henry of Orange, she spent a long time at his court in The Hague. Later in life she married a count from the House of Nassau-Siegen.
Oud Eik en Duinen is a cemetery in The Hague, the Netherlands, formerly called Eik en Duinen and also nicknamed "the Dutch Père-Lachaise". The cemetery is built around a chapel constructed around 1247 by William II of Holland in honor of his father, Floris IV, Count of Holland. This chapel was partially demolished in 1581, and in the 17th century the area was again used as a cemetery. When Eik en Duinen was full, a new cemetery, Nieuw Eykenduynen, was constructed in 1891 across the road, and since then the old cemetery is known as "Old" Eik en Duinen.
Willink van Collenprijs is a former Dutch art award, which was awarded for the first time in 1880 by the Sociëteit Arti et Amicitiae. It was intended as an encouragement award for young artists, and was considered as a national counterpart to the Paris Salon. Its existence of more than 71 years proves the success of Amsterdam's art policy. For many of its winners, it was a valuable boost to their careers in the Dutch art world. Some of the prize winners were also recognized abroad and remain well known today.
John III, Lord of Arkel was Lord of Arkel from 1297 until his death in 1324.
Frans de Kat is a Dutch former footballer and coach who is the head of the Dutch national footballing academy.
Willem Hendrik Velema was a Dutch professor, pastor and theologian. He was a member of the Christian Reformed Churches.
The Nederlandsche Vereeniging voor Ambachts- en Nijverheidskunst (V.A.N.K.) was founded in 1904. It was founded by Jacob Pieter van den Bosch, Herman Hana, Klaas van Leeuwen, Theo Molkenboer, and Willem Penaat. At the turn of the century the idea of artist-craftsmen was emerging. The existing Dutch societies and clubs for painters and architects did not adequately represent these artisans and they formed V.A.N.K., the first society for designers in the Netherlands.
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
Count Maurice Frederick of Nassau-Siegen, German: Moritz Friedrich Graf von Nassau-Siegen, official titles: Graf zu Nassau, Katzenelnbogen, Vianden und Diez, Herr zu Beilstein, was a count from the House of Nassau-Siegen, a cadet branch of the Ottonian Line of the House of Nassau. He served as an officer in the Dutch States Army. In the propaganda for the House of Orange, he is regarded as one of the twelve heroes of the House of Nassau who gave their lives in the Eighty Years’ War for the freedom of the Dutch people.