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Rasputin, Demon with Women is a 1932 German drama film directed by Adolf Trotz and starring Conrad Veidt, Paul Otto and Hermine Sterler. It was shot at the Halensee Studios and Terra Studios in Berlin. The film's sets were designed by the art directors Gustav A. Knauer and Walter Reimann. It portrays the influence wielded by Grigori Rasputin over the Russian Royal Family around the time of the First World War. It was released the same year as an American film about him Rasputin and the Empress. Felix Yusupov sued the filmmakers for his portrayal, but ultimately dropped his case. The film was banned in Germany in 1933 following the Nazi Party's rise to power.
William Tell is a 1923 German silent adventure film directed by Rudolf Dworsky and Rudolf Walther-Fein and starring Hans Marr, Conrad Veidt, and Erich Kaiser-Titz. The film portrays the story of the legendary Swiss national hero William Tell. The sets were designed by Rudi Feld. It premiered at the Marmorhaus in Berlin.
Land Without Women is a 1929 German drama film directed by Carmine Gallone and starring Conrad Veidt, Elga Brink and Clifford McLaglen. It was based on the novel Die Braut Nr. 68 by Peter Bolt. The film is set amongst a community of gold diggers in Western Australia. It was shot at the Staaken and Templehof Studios in Berlin with sets designed by the art directors Hans Sohnle and Otto Erdmann. It was made by the small independent production company Felsom Film using the Tri-Ergon sound-on-film process, the first full-length German-speaking sound film to be released. It was followed a month later by the first all-talking film Atlantik, which had been made in Britain.
The Last Company is a 1930 German war film directed by Curtis Bernhardt and starring Conrad Veidt, Karin Evans and Erwin Kalser. It was part of the popular cycle of Prussian films which portrayed patriotic scenes from Prussian history. It was shot at the Babelsberg Studios of UFA in Berlin. The film's art direction was overseen by Andrej Andrejew who designed the film's sets. It was shot on location around Havelland in Brandenburg. It is also known by the alternative title Thirteen Men and a Girl. It was later remade in 1967 as A Handful of Heroes.
The Flight in the Night is a 1926 German silent drama film directed by Amleto Palermi and starring Conrad Veidt, Robert Scholz and Angelo Ferrari. It was based on the play Henry IV by Luigi Pirandello. The art direction was by Hermann Warm. It was shot on location in Tuscany in Italy.
A Crazy Night is a 1927 German silent comedy film directed by Richard Oswald and starring Ossi Oswalda, Harry Liedtke and Henry Bender. It was shot at the EFA Studios in Berlin. The film's sets were designed by the art director Heinrich Richter.
Vienna, City of My Dreams is a 1928 German silent film directed by Victor Janson and starring Liane Haid, Luigi Serventi and Käthe von Nagy.
Love Is Blind is a 1925 German silent comedy film directed by Lothar Mendes and starring Lil Dagover, Conrad Veidt and Lillian Hall-Davis. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by Hans Jacoby. It was produced and distributed by UFA, Germany's largest film company of the Weimar Era.
Babette Bomberling is a 1927 German silent comedy film directed by Victor Janson and starring Xenia Desni, Karl Elzer and Ferdinand Hart.
The Empress and I is a 1933 German musical comedy film directed by Friedrich Hollaender and starring Lilian Harvey, Mady Christians and Conrad Veidt. It is also known by the alternative title of The Only Girl. The film was produced as a multi-language version. Moi et l'impératrice a separate French-language version was released as well as The Only Girl in English. The multilingual Harvey played the same role in all three films.
When I Came Back is a 1926 German silent film directed by Richard Oswald and starring Liane Haid, Max Hansen, and Henry Bender. The film is a sequel to The White Horse Inn (1926) and is based on the play Als ich wiederkam.
Always Be True and Faithful is a 1927 German silent film directed by Reinhold Schünzel and starring Reinhold Schünzel, Rosa Valetti and Julius E. Herrmann.
Temperamental Artist is a 1920 German silent film directed by Paul Otto and starring Conrad Veidt, Aud Egede-Nissen, and Frida Richard.
The Secret of the Mummy is a 1921 German silent crime film directed by Victor Janson and starring Ferdinand von Alten, Aud Egede-Nissen, and Magnus Stifter. It is part of the Joe Deebs detective series. Originally shot in 1916, it did not go on general release until 1921.
The Path of Death is a 1917 German silent drama film directed by Robert Reinert and starring Maria Carmi, Carl de Vogt and Conrad Veidt. It marked the screen debut of Veidt. The film was shot in late 1916, but released the following year. It is a lost film.
The Spy is a 1917 German silent war espionage film directed by Karl Heiland and starring Ferdinand Bonn, Ellen Richter and Conrad Veidt. It was made as a propaganda film to support the German war effort during the First World War. It is now considered a lost film.
Not of the Woman Born is a 1918 German silent film directed by Franz Eckstein and Rosa Porten and starring Ferry Eschenauer, Helene Stein, and Conrad Veidt.
The Clan is a 1920 German silent drama film directed by Carl Wilhelm and starring Ressel Orla, Johannes Riemann and Conrad Veidt.
Prostitution is a 1919 German silent drama film directed by Richard Oswald and starring Conrad Veidt, Reinhold Schünzel and Gussy Holl. It was released in two parts Das gelbe Haus and Die sich verkaufen. It was one of several enlightenment films made during the era by Oswald. The physician Magnus Hirschfeld was an advisor on the production. The first part premiered at the Marmorhaus in Berlin.
The Silent Mill or The Story of the Silent Mill is a 1914 German silent drama film directed by Richard Oswald and starring Alfred Abel, Ferdinand Bonn and Robert Valberg.
References
- ↑ Bock & Bergfelder p.497
- ↑ "Конрад Фейдт".
