The Missourians were an American jazz band active in the 1920s, who performed at the Cotton Club in New York City and eventually became the backing band for Cab Calloway. [1]
The Missourians were formed by Wilson Robinson in the early 1920s under the name Wilson Robinson's Syncopators, [1] or Wilson Robinson's Bostonians. Andrew Preer took leadership of the group in 1925, which performed at the Cotton Club until 1927 under the name Andrew Preer's Cotton Club Orchestra. [2] In 1927 the group became the accompanying band for Ethel Waters on tour, and changed its name to The Missourians, since Duke Ellington's band had become known as the Cotton Club Orchestra. [1] After returning to New York the band took up residency at the Savoy Ballroom from 1928 to 1929; [1] reedist George Scott was its leader during this period. [3] In 1929, Cab Calloway led the group intermittently, and assumed leadership of the band in 1930; soon after he began recording as Cab Calloway and His Orchestra. [1] Prior to Calloway's arrival, the group recorded for Gennett Records and Victor Records. The group's membership in the 1920s included Lammar Wright Sr., R.Q. Dickerson, Dewey Jackson, William Thornton Blue, David Jones, Earres Prince, and Andrew Brown.
Cabell "Cab" Calloway III was an American jazz singer, dancer, bandleader and actor. He was associated with the Cotton Club in Harlem, where he was a regular performer and became a popular vocalist of the swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years.
James Wesley "Bubber" Miley was an American early jazz trumpet and cornet player, specializing in the use of the plunger mute.
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923-1936), then briefly in the midtown Theater District (1936-1940). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall, Ethel Waters, Cab Calloway, Bessie Smith, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery Choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Lena Horne, and dancers such as Katherine Dunham, Bill Robinson, The Nicholas Brothers, Charles 'Honi' Coles, Leonard Reed, Stepin Fetchit, the Berry Brothers, The Four Step Brothers, Jeni Le Gon and Earl Snakehips Tucker.
The Mills Blue Rhythm Band was an American big band active during the 1930s.
"Minnie the Moocher" is a jazz song first recorded in 1931 by Cab Calloway and His Orchestra, selling over a million copies. "Minnie the Moocher" is most famous for its nonsensical ad libbed ("scat") lyrics. In performances, Calloway would have the audience and the band members participate by repeating each scat phrase in a form of call and response, until making it too fast and complicated for the audience to replicate it.
Irving Harold Mills was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose.
Milton John Hinton was an American double bassist and photographer.
William Randolph "Cozy" Cole was an American jazz drummer who worked with Cab Calloway and Louis Armstrong among others and led his own groups.
Blanche Dorothea Jones Calloway was an American jazz singer, composer, and bandleader. She was the older sister of Cab Calloway and was a successful singer before her brother. With a music career that spanned over fifty years, Calloway was the first woman to lead an all-male orchestra and performed alongside musicians such as Cozy Cole, Chick Webb, and her brother. Her performing style was described as flamboyant and a major influence on her brother's performance style.
Dutch jazz refers to the jazz music of the Netherlands. The Dutch traditionally have a vibrant jazz scene as shown by the North Sea Jazz Festival as well as other venues.
Walter Purl "Foots" Thomas was an American saxophonist, flutist, and arranger in Cab Calloway's orchestra, one of the most famous bands of the swing era in jazz. His older sister was the chef and author Cleora Butler; his younger brother was the alto saxophonist and songwriter Joe Thomas.
Edward Emanuel Barefield was an American jazz saxophonist, clarinetist and arranger, most noteworthy for his work with Louis Armstrong, Cab Calloway, Ella Fitzgerald, and Duke Ellington. Barefield's musical career included work as an arranger of the ABC Orchestra and for the "Endorsed by Dorsey: program on WOR. He also appeared in several films. He married performer Connie Harris.
David "Davey" Jones was an American jazz tenor saxophonist, mellophonist, teacher and arranger.
Roger Quincey Dickerson was an American jazz trumpeter.
William Thornton Blue, sometimes credited as Bill Blue, was an American jazz reed player.
Lester Rallingston "Shad" Collins was an American jazz trumpet player, composer and arranger, who played in several leading bands between the 1930s and 1950s, including those led by Chick Webb, Benny Carter, Count Basie, Lester Young, Cab Calloway and Sam "The Man" Taylor.
Dan "Slamfoot" Minor was an American jazz trombonist who featured in the bands of Count Basie, Cab Calloway and many others from the 1920s to the 1940s.
Prince Robinson was an American jazz reed player. He was known for soloing on both tenor saxophone and clarinet in the same recording.
The Cotton Club Boys were African American chorus line entertainers who, from 1934, performed class act dance routines in musical revues produced by the Cotton Club until 1940, when the club closed, then as part of Cab Calloway's revue on tour through 1942.
Andrew "Andy" Brown was an American jazz reedist. He played clarinet, bass saxophone, alto saxophone, and tenor saxophone, and is best known for his longtime association with Cab Calloway.