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The Owls' Nest is a drawing by Hieronymus Bosch, now in the Museum Boijmans Van Beuningen.
| | This May 2023 relies largely or entirely on a single source .(May 2023) |
The Owls' Nest is a drawing by Hieronymus Bosch, now in the Museum Boijmans Van Beuningen.
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Hieronymus Bosch was a Dutch/Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell.
Ship of Fools is a painting by Hieronymus Bosch, now in the Musée du Louvre, Paris. Camille Benoit donated it in 1918. The Louvre restored it in 2015. The surviving painting is a fragment of a triptych that was cut into several parts. The Ship of Fools was painted on one of the wings of the altarpiece, and is about two-thirds of its original length. The bottom third of the panel belongs to Yale University Art Gallery and is exhibited under the title Allegory of Gluttony. The other wing, which has more or less retained its full length, is the Death and the Miser, now in the National Gallery of Art, Washington, D.C. The two panels together would have represented the two extremes of prodigality and miserliness, condemning and caricaturing both. The Wayfarer(Rotterdam) was painted on the right panel rear of the triptych. The central panel, if it existed, is unknown.
The Garden of Earthly Delights is the modern title given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. It has been housed in the Museo del Prado in Madrid, Spain since 1939.
The Seven Deadly Sins and the Four Last Things is a painting attributed to Hieronymus Bosch or to a follower of his, completed around 1500 or later. Since 1898 its authenticity has been questioned several times. In 2015 the Bosch Research Conservation Project claimed it to be by a follower, but scholars at the Prado, where the painting hangs, dismissed this argument. The painting is oil on wooden panels and is presented in a series of circular images.
Dutch and Flemish Renaissance painting represents the 16th-century response to Italian Renaissance art in the Low Countries. These artists, who span from the Antwerp Mannerists and Hieronymus Bosch at the start of the 16th century to the late Northern Mannerists such as Hendrik Goltzius and Joachim Wtewael at the end, drew on both the recent innovations of Italian painting and the local traditions of the Early Netherlandish artists. Antwerp was the most important artistic centre in the region. Many artists worked for European courts, including Bosch, whose fantastic painted images left a long legacy. Jan Mabuse, Maarten van Heemskerck and Frans Floris were all instrumental in adopting Italian models and incorporating them into their own artistic language. Pieter Brueghel the Elder, with Bosch the only artist from the period to remain widely familiar, may seem atypical, but in fact his many innovations drew on the fertile artistic scene in Antwerp.
This is an incomplete list of drawings by Hieronymus Bosch, many of which have survived to the present day. A number represent alternate incarnations or preparatory sketches for his paintings.
The Adoration of the Magi or The Epiphany is a triptych oil painting on wood panel by the Netherlandish artist Hieronymus Bosch, executed around 1485–1500. It is now in the Museo del Prado in Madrid, Spain.
The Marriage Feast At Cana is a painting that was formerly attributed to Hieronymus Bosch. The painting resides at the Museum Boijmans Van Beuningen in Rotterdam, the Netherlands. Several copies exist of this picture. The copy in Boijmans had been considered the original. Dendrochronological analysis has proven conclusively that it cannot have been painted earlier than 1550.
Saint Christopher Carrying the Christ Child is an oil on panel painting by Dutch painter Hieronymus Bosch, dating to c. 1490-1500. It is held at the Museum Boijmans Van Beuningen in Rotterdam.
Christ Crowned with Thorns, sometimes known as Christ Mocked, is an oil on panel painting by Hieronymus Bosch. It is held in the National Gallery in London, which dates it to around 1510, though some art historians prefer earlier dates.
Head of a Woman is a fragment of a Hieronymus Bosch painting, created c. 1500. It is currently in the Museum Boijmans Van Beuningen in Rotterdam, Netherlands. The fragment is only 13 cm tall and 5 cm wide.
Hieronymus Cock, or Hieronymus Wellens de Cock was a Flemish painter and etcher as well as a publisher and distributor of prints. Cock is regarded as one of the most important print publishers of his time in northern Europe. His publishing house played a key role in the transformation of printmaking from an activity of individual artists and craftsmen into an industry based on division of labour. His house published more than 1,100 prints between 1548 and his death in 1570, a vast number by earlier standards.
The Illustrious Brotherhood of Our Blessed Lady was a religious confraternity founded in 1318 in 's-Hertogenbosch to promote the veneration of the Mother of God. The brotherhood was organized around a carved wooden image of the Virgin Mary in St John’s Cathedral in 's-Hertogenbosch. The Brotherhood had two types of members: ordinary members and sworn members, also called 'swan-brethren' because they used to donate a swan for the yearly banquet. Sworn members were clerics in principle; in fact they were often chosen among the nobility, the magistrates, etc. As a result, the Brotherhood also functioned as an important social network.
Concert in the Egg is a painting formerly considered to be a copy of a lost work by Hieronymus Bosch, and which is currently considered to be based on one of his drawings. Max Jakob Friedländer called it 'an old copy', without specifying another work it was copied from.
Hieronymus de Bosch or Jeronimo de Bosch was a Latin poet and notable scholar from the Netherlands. He wrote several books, the most important of which was the "Anthologia Graeca", containing the Anthology of Planudes with Latin translation.
The Fall of the Rebel Angels is an oil-on-panel painting of 1562 by the Netherlandish Renaissance artist, Pieter Bruegel the Elder. The painting is 117cm x 162cm and is now in the Royal Museums of Fine Arts of Belgium in Brussels, Belgium. The Fall of Rebel Angels depicts Lucifer along with the other fallen angels that have been banished from heaven. Angels are falling from the sun in a stacked manner along with ungodly creatures that Bruegel created. This piece by Bruegel was previously thought to be by Hieronymus Bosch. Bruegel was influenced by a variety of artists such as Albrecht Dürer, Frans Floris I, and Hieronymus Bosch. He also got ideas for the creation of his creatures in his previous works.
Charles de Tolnay, born Károly von Tolnai, was a Hungarian art historian and an expert on Michelangelo. According to Erwin Panofsky, he was "one of the most brilliant art historians" of his time.
Jheronimus Bosch—Visions of Genius was a 2016 art exhibition at the Noordbrabants Museum in 's-Hertogenbosch, the Netherlands, about the work of Hieronymus Bosch, a native of 's-Hertogenbosch.
Hieronymus Bosch, Touched by the Devil is a 2015 Dutch documentary film directed by Pieter van Huystee about the Dutch artist Hieronymus Bosch. It documents how The Haywain Triptych is exhibited in Bosch's hometown of 's-Hertogenbosch for the first time in almost 500 years.