The Palace Guards | |
---|---|
Background information | |
Origin | Metairie, Louisiana, United States |
Genres | |
Years active | 1966-1970 |
Labels | U-Doe, White Cliffs |
Past members |
|
The Palace Guards were an American garage rock band from Metairie, Louisiana, a suburb of New Orleans, who were active in the mid to late 1960s. Their approach was highly influenced by the British Invasion popularized by bands such as the Beatles and the Rolling Stones but was also informed by the folk rock and soul sounds coming out of America during the period. Drummer Frank Bua would later go on, years later, to play with the popular roots rock and funk group, the Radiators.
The Palace Guards were formed in Metairie, Louisiana, a suburb of New Orleans, in 1966. [1] Their original lineup consisted of Les Gray on vocals, Glenn Acomb and Jeff Miller on guitars, Richie Faber on bass, and Frank Bua on drums. [1] They became one of the better-known of dozens of local garage bands along with the Gaunga Dyns, Dr. Spec's Optical Illusion, the Better Half-Dozen, the Glory Rhodes and others. They were regular fixtures at clubs such as the Beaconette, which would hold frequent battles of the bands. [2] Guitarist Camile Baudoin played with the Souls of the Slain who were also regulars there, and he and drummer Frank Bua years later would go on to play in the Radiators. [2] [3] [4]
Their first single, "Better Things to Do" b/w "Sorry," was released in 1966 on Frank Udoe's local U-DOE Records label and both sides received airplay on local radio stations. [1] [5] The band would record four more singles with the label. [1] In 1967 the band decided to bring in Ray Morvant on piano and organ and Doug Davis on 12-string guitar, augmenting their sound with soul-influenced approach, yet retaining a Byrds-influenced folk rock sound. [1] That year they released "No Comin' Back" b/w "Barbara" on the White Cliffs label (also owned by Udoe) followed by "Gas Station Boogaloo Downtown" b/w "Looking Everywhere" in 1968. [5] Faber and Acomb departed in 1968. [1] The group's final roster would retain Bua, Morvant, and Miller, but add new bassist Bobby Fonseca. [1] The band continued performing for more than another year, releasing one more single "Gas Station Boogaloo Downtown" b/w "Looking Everywhere" on Udoe's Rae label, but finally broke up in 1970. [1] [5]
In the late 1970s drummer Frank Bua and guitarist Camile Baudoin (previously of the Souls of the Slain) joined the Radiators, and would enjoy many years of success with the popular roots rock and funk act. [2] [4] Gear Fab Records released the group's entire recorded output, including both sides of all five singles and additional unreleased and alternate tracks, as the single disc The Palace Guards in 2007. [1] [6] [7] [8]
The U.S. state of Washington has been home to many popular musicians and several major hotbeds of musical innovation throughout its history. The largest city in the state, Seattle, is known for being the birthplace of grunge as well as a major contributor to the evolution of punk rock, indie music, folk, and hip hop. Nearby Tacoma and Olympia have also been centers of influence on popular music.
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French, New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South.
The Fleshtones are an American garage rock band from Queens, New York, United States, formed in 1976.
The Lollipop Shoppe was an American garage rock band formed in Las Vegas, Nevada, in 1966.
Ace Records Ltd. is a British record label founded in 1978. Initially the company only gained permission from the similarly named label based in Mississippi to use the name in the UK, but eventually also acquired the rights to publish their recordings. When Chiswick Records' pop side was licensed to EMI in 1984, Ace switched to more licensing and reissuing work. In the 1980s it also gained the licensing for Modern Records, and its follow-up company Kent Records, whilst in the 1990s, the company bought the labels including all original master tapes.
Swamp rock is a genre of rock music that originated in the mid-1960s as a fusion of rockabilly and soul music with swamp blues, country music and funk. The genre originated in Louisiana by artists such as Tony Joe White, but was subsequently popularized by California band Creedence Clearwater Revival.
The Radiators, also known as The New Orleans Radiators, are an American swamp rock band from New Orleans, Louisiana, United States. The band's musical style, which draws from blues, rock, rhythm and blues, funk and soul music, has attracted a dedicated fanbase who the band calls "fish heads". Described by OffBeat magazine as "New Orleans' longest-running and most successful rock band", The Radiators had only limited commercial success, with only a handful of chart appearances, but, as a party band from a party town, their enthusiastic live performances, danceable beats and relentless touring earned the band a dedicated following and the admiration of many of their peers.
Law of the Fish is the third album by The Radiators. It is their second studio album and their first major label release.
Zig-Zaggin' Through Ghostland is the fourth album by The Radiators, and their third studio album.
Work Done on Premises is the first album and first live album released by The Radiators (US).
Total Evaporation is the fifth album by the Radiators, released in 1991. The band and label parted ways before the year was over. Total Evaporation sold more than 85,000 copies in its first six months of release.
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues and early R&B, and surf rock.
Snafu 10-31-'91 is the second live album by The Radiators, and their sixth album overall.
Earth vs. The Radiators: the First 25 is the thirteenth album released by The Radiators in their twenty-five-year-long career, and their fifth live album. Recorded at a series of twenty-fifth anniversary concerts held at Tipitina's club in New Orleans—the same site where their first album, Work Done on Premises was recorded—this two CD set features numerous guest appearances by southern US musicians.
"Come On" is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it was released in 1960 with "Come On – Part I” as the A-side backed with “Come On – Part II”.
The Best of the Radiators: Songs from the Ancient Furnace is the second compilation album from The Radiators, released by Epic Records in 1997.
Chicago, Illinois is a major center for music in the midwestern United States where distinctive forms of blues, and house music, a genre of electronic dance music, were developed.
Dr. Spec's Optical Illusion was an American garage rock band formed in New Orleans, Louisiana, in 1965. The group is best known for their single release, containing the songs "Tryin' to Mess My Mind" and "She's the One," which have become cult classics in the garage rock musical genre, and are included on several compilations.
The Gaunga Dyns are an American rock band from New Orleans, Louisiana, who were active from 1965 through 1968 and who regrouped in 2013. In 1967, they released two singles and a had a local hit with "Stick with Her". In the intervening years their work has come to the attention of garage rock enthusiasts, particularly some of their bolder songs such as "Rebecca Rodifier", which is one of the earliest rock songs to address the topic of abortion, and "No One Cares", which employs odd time signatures and changes. They reunited with most of the members from their best-known configuration for the Ponderosa Stomp festival in 2013 and have since been intermittently active with different lineups featuring guitarist Steve Staples and vocalist Beau Bremer.