The Robot Scientist's Daughter cover art | |
Author | Jeannine Hall Gailey |
---|---|
Cover artist | Masaaki Sasamoto |
Country | United States |
Language | English |
Genre | Poetry |
Publisher | Mayapple Press |
Publication date | March 1, 2015 |
Media type | Print (Paperback) |
Pages | 82 pp |
ISBN | 978-1-936419-42-5 |
The Robot Scientist's Daughter is a book of poetry by Jeannine Hall Gailey, published by Mayapple Press in 2015. This collection, Gailey's fourth, deals with ecological issues, with a specific focus on the potential dangers of the nuclear industry, set against the backdrop of growing up in Oak Ridge, Tennessee, in the 1970s. "The poems that make up this collection move in a controlled way between fact and fiction, autobiography and fantasy, giving readers glimpses into the secret world surrounding ORNL in which Gailey grew up, at the same time as they tell the story of a fictional Robot Scientist's Daughter who was transformed by that world into something other, something monstrous." [1]
Jeannine Hall Gailey is an American poet. She has published five books of poetry. Her work focuses on pop culture, science and science fiction, fairy tales, and mythology.
Mayapple Press is a literary small press originally from Bay City, Michigan, but now based in Woodstock, New York. Founded by poet and translator Judith Kerman. Mayapple Press has produced more than 70 titles, primarily poetry by single authors, but also poetry anthologies, short fiction and Great Lakes nonfiction. Mayapple publishes poetry, fiction, and creative non-fiction. The Press has an interest in works that straddle conventional categories: Great Lakes/Northeastern U.S. literature, women, Caribbean, translations, science fiction poetry and recent immigrant experience. Publications are in both chapbook and trade paperback formats.
Oak Ridge is a suburban city in Anderson and Roane counties in the eastern part of the U.S. state of Tennessee, about 25 miles (40 km) west of Knoxville. Oak Ridge's population was 29,330 at the 2010 census. It is part of the Knoxville Metropolitan Area. Oak Ridge's nicknames include the Atomic City, the Secret City, the Ridge, and the City Behind the Fence.
The Science Fiction & Fantasy Poetry Association (SFPA) was established as the Science Fiction Poetry Association in 1978 by Suzette Haden Elgin to bring together poets and readers interested in science fiction poetry. In 2015 the president of the SFPA was Bryan D. Dietrich, with Bryan Thao Worra starting as president in September 2016, with Vice-President Sandra J. Lindow and Secretary Shannon Connor Winward. In 2017, members of the Science Fiction Poetry Association voted to change the name of the organization to the Science Fiction & Fantasy Poetry Association, while keeping the acronym "SFPA", similar to the Science Fiction and Fantasy Writers of America.
Critical reviews of The Robot Scientist's Daughter have appeared in the following literary publications:
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Theodora Goss is a Hungarian-American fiction writer and poet. Her writing has been nominated for major awards, including the Nebula, Locus, Mythopoeic, World Fantasy, and Seiun Awards. Her short fiction and poetry have appeared in numerous magazines and anthologies, including Year's Best volumes.
Matthea Harvey is a contemporary American poet, writer and professor. She has published three collections of poetry. The most recent of these, If the Tabloids Are True What Are You?, a collection of poetry and images, was published in 2014. Prior to this, the collection Modern Life (2007) earned her the 2009 Kingsley Tufts Poetry Award and was a finalist for the 2007 National Book Critics Circle Award, and a New York Times Notable Book.
The Dwarf Stars Award is an annual award presented by the Science Fiction Poetry Association to the author of the best horror, fantasy, or science fiction poem of ten lines or fewer published in the previous year. The award was established in 2006 as a counterpoint to the Rhysling Award, which is given by the same organization to horror, fantasy, or science fiction poems of any length. Poems are submitted to the association by the poets, from which approximately 30 are chosen by an editor to be published in an anthology each fall. Members of the association then vote on the published poems, and first through third-place winners are announced. The 2006 anthology was edited by Deborah P. Kolodji, and subsequent anthologies have been edited by an array of editors, including Kolodji, Stephen M. Wilson, Joshua Gage, Geoffrey A. Landis, Linda D. Addison, Sandra J. Lindow, John Amen, Jeannine Hall Gailey, and Lesley Wheeler.
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Becoming the Villainess is a book of poetry that was written by Jeannine Hall Gailey and published by Steel Toe Books in 2006. This collection, Gailey's first, deals primarily with issues of women and power. Subjects of individual poems in the collection range from superheroes and spy girls to characters from Greek mythology, such as Philomel and Persephone, and fairy tales, such as The Snow Queen.
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She Returns to the Floating World is a book of poetry that was written by Jeannine Hall Gailey and published by Kitsune Books in 2011. This collection, Gailey's second, deals with feminine transformations in the personae of characters from Japanese folk tales, anime, and manga.
Unexplained Fevers is a book of poetry that was written by Jeannine Hall Gailey and published by New Binary Press in 2013. This collection, Gailey's third, deals again with issues that affect contemporary women, such as body image, illness, and how to deal with the limiting social norms and expectations of women. Familiar Grimms fairy tale characters make repeated appearances in this collection, including The Snow Queen, Rapunzel, Red Riding Hood, Snow White and Rose Red. Although the characters are classic, the point of view and tone of this book is both modern and universal. The poem "She Had Unexplained Fevers" from the collection was featured on Verse Daily.
Plume is a collection of poetry, written by Kathleen Flenniken. Published in 2012 by the University of Washington Press, the poetry presents a brief history of Richland, Washington and the Hanford Nuclear Reservation. The author examines the actions of the US Department of Energy regarding the establishment and operation of Hanford, a nuclear production facility and how their actions affected the health of individuals and families living and working in or near the Reservation. While the US government assured the employees and families who lived in the area that they were safe from exposure to radioactive materials, declassified documents revealed that early protective measures were inadequate, while people were dying of radiation-induced illness. The book was a finalist for both the William Carlos Williams Award from the Poetry Society of America and the Pacific Northwest Booksellers Association Award, while it was the recipient of the Washington State Book Award in 2013.
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Field Guide to the End of the World is a book of poetry that was written by Jeannine Hall Gailey, won the 2015 Moon City Poetry Award, and was published in 2016 by Moon City Press. This collection, Gailey's fifth, "delivers a whimsical look at our culture’s obsession with apocalypse as well as a thoughtful reflection on our resources in the face of disasters both large and small, personal and public."
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Calling a Wolf a Wolf is a confessional collection of poetry written by Iranian-American poet Kaveh Akbar. The collection of poetry is a personal narrative that follows a path through addiction and to recovery. Akbar claims this collection, along with a chapbook, Portrait of an Alcoholic, was his own personal way of processing what he experienced as an addict and even solidifying and making sense of his sobriety. The collection is written to mold what Akbar felt through not only the process of and recovery from addiction but elaborates on how Akbar's addiction completely isolated him from society and made the world around him so surreal.
Matthew Minicucci is an American writer and poet. His first full-length collection, Translation, won the 2015 Wick Poetry Prize, and his second collection, Small Gods, won the 2019 Stafford/Hall Oregon Book Award in Poetry. Having received numerous fellowships and residencies, including with the National Park Service, the C. Hamilton Bailey Oregon Literary Fellowship, the Stanley P. Young Fellowship in Poetry from the Bread Loaf Writers' Conference, and the James Merrill House, Minicucci was named the 2019 Dartmouth College Poet-in-Residence at the Frost Place.
By the end of the collection, the story of the robot scientist's daughter's transformation becomes a metaphor not only for the effect of nuclear research on the individual residents of Oak Ridge, but also for the effects of nuclear power on the world as a whole.
The Robot Scientist's Daughter herself is a persona, part autobiography, part popular culture composite comprised of depictions of scientists, daughters, and mutants in fiction, science fiction, and comics.
Gailey uses the language of science to lend authority, but at the heart of these poems is a deep and simultaneous love of and fear for humanity, found in the bodies impacted by sickness and helplessness and the hearts trying to reconcile scientific progress with a love of the natural world it is destroying.
Her work grapples with both a strongly conflicted relationship with her scientist father and the fallout (no pun intended) of Oak Ridge's debilitating effect on herself and those in her town. There is great beauty in her recollections of cesium-fueled foxfire and innocuous memories that seem sinister when the context of the modern day is applied.
The Robot Scientist's Daughter is a remarkable, cohesive collection, built upon the same theme. It is a story of a unique childhood, and an American childhood. It is also the story of nature and technology, and the bargain we make between the two, often without fully understanding what we're doing.
Gailey, who recently served as Poet Laureate of Redmond, conjures a story about a natural world imperiled by the hidden dangers of our nuclear past. A little girl searches for secrets and survival amid a world complete with radioactive wasps and cesium in the sunflowers.
Gailey has offered a well-paced, vivid, and searing sequence of poems, her reminder that life is exquisite, even as it transforms, mutates, and devolves, even as we betray what might have been our destiny for another and less auspicious destiny, a crisis we may be unable to elude.
From butterflies born without eyes to the beautiful disaster that is the art of an explosion, the poet calls into question human curiosity and the vanity that sometimes comes with that, in which the scientist believes only good will result from research and experiments, despite historical evidence to the contrary.
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