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"If This World Were Mine" is a 1967 song by soul music duo Marvin Gaye and Tammi Terrell from their album United. Written solely by Gaye, it was one of the few songs they recorded without Ashford & Simpson writing or producing. When it was released as a single in November 1967 as the B-side to the duo's "If I Could Build My Whole World Around You", it hit the Billboard pop singles chart, peaking at number sixty-eight, and peaked at number twenty-seven on the Billboard R&B singles chart. Gaye would later put the song into his set list during his last tours in the early-1980s as he performed a medley of his hits with Terrell. The song was covered a year later by Joe Bataan on the 1968 Fania Allstars LP Live at the Red Garter, Vol. 2, and in 1969 by Ambrose Slade (pre-Slade) on their album Beginnings.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Never Too Much" is the debut song written, composed, produced, and performed by Luther Vandross. The R&B song was released in 1981, as the lead single from Vandross's debut album of the same name. The title track hit number one on the US Billboard Hot R&B/Hip-Hop Songs chart and number four on the US Billboard Dance Club Songs chart. It peaked at #27 in Cash Box and #33 on the US Billboard Hot 100.
"Love the One You're With" is a song by American folk rock musician Stephen Stills. It was released as the lead single from his debut self-titled studio album in November 1970. The song, inspired by a remark Stills heard from musician Billy Preston, became his biggest hit single, peaking at No. 14 on the Billboard Hot 100 in early 1971. David Crosby and Graham Nash, Stills's fellow members of Crosby, Stills & Nash, provide background vocals on the song. Also providing the backups are Rita Coolidge, her sister Priscilla Jones, and John Sebastian. They all sing the "Do Dos" that come before the instrumental portion and the outro. The song was also recorded by the Isley Brothers, The Meters, Bucks Fizz, Luther Vandross, Bob Seger and Richard Clapton, among others.
"Power of Love/Love Power" is a single by American singer-songwriter Luther Vandross. It was released on April 9, 1991 as the lead single from his 1991 album of the same name. The song spent two weeks at number one on the US R&B chart, and peaked at number four on the US pop chart, becoming his biggest pop solo hit.
"Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell, that has been a hit for many artists in different genres in the years since. The best-known versions are by the Carpenters in 1971, Luther Vandross in 1983, and Sonic Youth in 1994.
"(Theme from) Valley of the Dolls" is a 1967 song by André and Dory Previn, composed for the film version of the Jacqueline Susann novel Valley of the Dolls, and recorded by Dionne Warwick.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"Any Day Now" is a popular song written by Burt Bacharach and Bob Hilliard in 1962. It has been recorded by numerous artists over the years, including notable versions by Chuck Jackson in 1962, Alan Price in 1965, Elvis Presley in 1969, Scott Walker in 1973 and Ronnie Milsap in 1982. In the lyrics, the singer predicts the imminent demise of a romantic relationship and describes the sadness this will leave.
"Stop to Love" is a song by American recording R&B/soul artist Luther Vandross. Released in 1986 as the lead single from his album Give Me the Reason. It was his first number-one single on the R&B chart since "Never Too Much" in 1981. The upbeat single was also a crossover hit, peaking at number fifteen on the Billboard Hot 100.
Dream Merchant is a R&B ballad written by Larry Weiss and Jerry Ross. The song was originally recorded by Jerry Butler in 1967 as "Mr. Dream Merchant". The Jerry Butler version reached #23 on the soul chart and #38 on the Hot 100.
"Here and Now" is a 1989 song by American recording artist Luther Vandross, and written by: David L. Elliott, Terry Steele, and Charles “Casino“ White. The single is from the compilation album The Best of Luther Vandross... The Best of Love. "Here and Now" became his fifth single to peak at No. 1 on the Hot Black Singles, and his first single to chart in the top ten on the Billboard Hot 100, peaking at No. 6.
"Always and Forever" is an R&B song written by Rod Temperton and produced by Barry Blue. It was first recorded by the British-based multinational funk-disco band Heatwave in 1976. Released as a single on 3 December 1977, the song is included on Heatwave's debut album Too Hot to Handle (1976) and has been covered by numerous artists, becoming something of a standard.
"The Glory of Love" is a song that was written by Billy Hill and recorded in 1936 by Benny Goodman. Goodman's version was a number one pop hit. The song has been recorded by many artists. It was the signature theme of the 1967 film Guess Who's Coming to Dinner, performed by nightclub singer Jacqueline Fontaine on camera, as well as over the opening and closing credits. Bette Midler included the song in the film Beaches (1988) and it appears on the soundtrack album.
Andy Williams' Greatest Hits Vol. 2 is a compilation album by American pop singer Andy Williams that was released in June 1973 by Columbia Records. This collection follows in the footsteps of its predecessor, Andy Williams' Greatest Hits, in that it is not limited to his biggest and most recent hit singles, although his final two US Top 40 entries were included. It also has an album track not released as a single, a couple of hits from his time with Cadence Records, two other singles that could have been included on the first volume, and two Easy Listening chart entries that never made the Billboard Hot 100.
"Bad Boy/Having a Party" is a song by American recording artist Luther Vandross in 1982. The song was released as the first single in support of his album Forever, for Always, for Love. The single became a top five R&B hit which peaked to number-three on the Hot R&B Singles chart, and reached #55 on the Billboard Hot 100. The song was featured during the opening credits of the 1990 film House Party. The bridge samples the chorus from the Sam Cooke song "Having a Party," but with new lyrics added to the end.
"How Many Times Can We Say Goodbye" is a 1983 song by Dionne Warwick and Luther Vandross. The ballad was issued as the lead single of Warwick's album How Many Times Can We Say Goodbye, later appearing on Vandross' album Busy Body, both of which were released in 1983.
"She Won’t Talk to Me" is a song by American recording artist Luther Vandross released in 1988. It is the second single from his album Any Love. The song was a top five U.S. R&B hit, top 20 dance play hit, and a #30 pop hit on Billboard’s Hot 100. Vandross performed the song on the January 28, 1989 episode of Saturday Night Live.
"But It's Alright" is a song co-written by J. J. Jackson and Pierre Tubbs that became a hit on the pop and soul charts in both 1966 and 1969.
The singles discography of American Jazz artist Sarah Vaughan contains 89 singles, two promotional singles and seven other charted songs. Vaughan recorded her first singles in 1946, with her first release being "If You Could See Me Now". Soon after, she saw her first major chart success on the Billboard pop list with "Tenderly" and "It's Magic." Moving to Columbia Records, she had further pop hits in the late 1940s with covers of "Black Coffee" and "Nature Boy." She had her second top ten hit in 1950 with "(I Love the Girl) I Love the Guy." Vaughan moved to Mercury Records during the 1950s and recorded more pop music. At Mercury, she had her biggest chart success, with the top ten hits "Make Yourself Comfortable" and "Whatever Lola Wants." In 1959, Vaughan's single "Broken Hearted Melody" reached number seven on the Billboard pop chart and became an international success, becoming the biggest single of her career.
References
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