Lucas van Leyden, also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch painter and printmaker in engraving and woodcut. Lucas van Leyden was among the first Dutch exponents of genre painting and was a very accomplished engraver.
Jan van Scorel was a Dutch painter, who played a leading role in introducing aspects of Italian Renaissance painting into Dutch and Flemish Renaissance painting. He was one of the early painters of the Romanist style who had spent a number of years in Italy, where he thoroughly absorbed the Italian style of painting. His trip to Italy coincided with the brief reign of the only Dutch pope in history, Adrian VI in 1522–23. The pope made him a court painter and superintendent of his collection of antiquities. His stay in Italy lasted from 1518 to 1524 and he also visited Nuremberg, Venice and Jerusalem. Venetian art had an important impact on the development of his style.
Maarten van Heemskerck or Marten Jacobsz Heemskerk van Veen was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel, and adopted his teacher's Italian-influenced style. He spent the years 1532–36 in Italy. He produced many designs for engravers, and is especially known for his depictions of the Wonders of the World.
Dieric Bouts was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 until his death in 1475.
Works of mercy are practices considered meritorious in Christian ethics.
Municipal Museum Boijmans Van Beuningen is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from the two most important collectors of Frans Jacob Otto Boijmans and Daniël George van Beuningen. It is located at the Museumpark in the district Rotterdam Centrum, close to the Kunsthal and the Natural History Museum.
Hans Bol or Jan Bol, was a Flemish painter, miniature painter, print artist and draftsman. He is known for his landscapes, allegorical and biblical scenes, and genre paintings executed in a late Northern Mannerist style.
Jacopo del Sellaio (1441/42–1493), was an Italian painter of the early Renaissance, active in his native Florence. His real name was Jacopo di Arcangelo. He worked in an eclectic style based on those of Botticelli, Filippino Lippi, and Domenico Ghirlandaio. The nickname Sellaio derives from the profession of his father, a saddle maker.
Johannes Carolus Bernardus (Jan) Sluijters, or Sluyters was a Dutch painter and co-founder of the Moderne Kunstkring.
The Master of Alkmaar was a Dutch painter active around Alkmaar at the beginning of the sixteenth century. Their name is derived from a series of panel paintings from the church of Saint Lawrence in that city, dated to 1504 and showing the Seven Works of Mercy; they are currently in the Rijksmuseum in Amsterdam.
Charley Toorop was a Dutch painter and lithographer. Her full name was Annie Caroline Pontifex Fernhout-Toorop.
Frans Mostaert (1528–1560) was a Flemish Renaissance painter specializing in landscape paintings.
The Aix Annunciation is a painting attributed to the Barthélemy d'Eyck or the so-called Master of the Annunciation of Aix-en-Provence. Executed in 1443-1445, it was originally placed in the Cathédrale Saint-Sauveur, Aix-en-Provence, southern France. Now it is divided between the Église de la Madeleine in the same city, the Museum Boijmans Van Beuningen at Rotterdam, the Rijksmuseum of Amsterdam, while the right panel is in the Royal Museum of Fine Arts of Belgium in Brussels. Side panels are painted on both sides, showing Christ on the right and Mary Magdalene on the left ; together they used to form a Noli me tangere scene when the triptych was folded shut.
Hermanus Koekkoek, sometimes referred to as The Elder was a Dutch painter, etcher, and graphic artist. He specialized in marine art.
The Master of the Legend of Saint Catherine is the notname for an unknown late 15th century Early Netherlandish painter. He was named after a painting with Scenes from the Legend of Saint Catherine, now kept in the Royal Museums of Fine Arts of Belgium. He was active between c. 1470 and c. 1500, probably around Brussels.
Museum de Fundatie is a museum for the visual arts in Zwolle, Netherlands. Museum de Fundatie forms part of the Hannema-de Stuers Foundation, to which Kasteel het Nijenhuis in Heino also belongs. Museum de Fundatie possesses a collection of visual arts, with works ranging from the end of the Middle Ages until the present day, collected by Dirk Hannema, former director of Museum Boijmans Van Beuningen. As well as the permanent collection, Museum de Fundatie organises new, wide-ranging exhibitions every three months. Museum de Fundatie recorded a record number of 310,000 visitors in 2015.
The Portrait of an African Man also known as Portrait of a Moor is a painting by the Dutch Renaissance painter Jan Mostaert. Mostaert probably made the painting between c. 1525 and 1530, or slightly earlier. The exact subject of the painting has long been unclear, although numerous ideas have been put forward, including that the depicted figure is a soldier, a nobleman or Saint Maurice. The portrait is significant in that it may portray the earliest portrait of a specific black man in European painting, though Saint Maurice, and Balthazar of the Three Kings or Biblical Magi, had long been usually portrayed as Africans.
Crucifixion is a recently discovered early-15th-century drawing of the death of Jesus attributed to Jan van Eyck or his workshop, now in the collection of the Museum Boijmans van Beuningen. It is variously dated to the early 1430s, implying an original van Eyck, or c. 1440, making it a pastiche by a workshop member after Jan's death. The only other known van Eyck drawing is the Study for Cardinal Niccolò Albergati if the 1437 Saint Barbara is excluded as an unfinished painting, although there are similarities between the two; especially in its perspective, the angle of the observer's point of view, and the shadings of the rock formations. The quality of draftsmanship is of the first rate, and it is perhaps the most elaborate and complex surviving drawing from the 16th century.
Cornelis Lieste was a Dutch painter and lithographer. He specialized in Romantic style landscapes.
Couple with Their Heads Full of Clouds is a 1936 diptych painting by Salvador Dalí. The oil on plywood work represent tables in a desert landscape and are cut out like the silhouettes of the characters in Jean-François Millet's painting The Angelus (L'Angélus). The works are both double portraits of Salvador and Gala Dali.
