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Blues is a music genre and musical form which was originated in the Deep South of the United States around the 1860s by African-Americans from roots in African-American work songs and spirituals. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds, fifths or sevenths flattened in pitch are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, United States, in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music, linked by the common bonds of African-American and European-American musical parentage. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals.
Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Rhythm and blues, often abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations.
A steel guitar is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it does not use frets; conceptually, it is somewhat akin to playing a guitar with one finger. Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand.
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, heavier-driven sound that came to define hard rock. Their first stable line-up comprised vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who developed a drug addiction that interfered with his ability to contribute meaningfully.
Queen are a British rock band formed in London in 1970. Their classic line-up was Freddie Mercury, Brian May, Roger Taylor and John Deacon (bass). Their earliest works were influenced by progressive rock, hard rock and heavy metal, but the band gradually ventured into more conventional and radio-friendly works by incorporating further styles, such as arena rock and pop rock.
U2 are an Irish rock band from Dublin, formed in 1976. The group consists of Bono, the Edge, Adam Clayton, and Larry Mullen Jr.. Initially rooted in post-punk, U2's musical style has evolved throughout their career, yet has maintained an anthemic quality built on Bono's expressive vocals and the Edge's chiming, effects-based guitar sounds. Their lyrics, often embellished with spiritual imagery, focus on personal and sociopolitical themes. Popular for their live performances, the group have staged several ambitious and elaborate tours over their career.
Hugh Ramapolo Masekela was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and "Bring Him Back Home". He also had a number-one US pop hit in 1968 with his version of "Grazing in the Grass".
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres Jùjú, Fuji, Highlife, Makossa, Kizomba, Afrobeat and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland, the blues, jazz, old-time, and bluegrass and many Caribbean genres, such as calypso and soca. Latin American music genres such as zouk, bomba, conga, rumba, son cubano, salsa music, cumbia and samba, were founded on the music of enslaved Africans, and have in turn influenced African popular music.
Jonathan Paul Clegg, OBE, OIS was a South African musician, singer-songwriter, dancer, anthropologist and anti-apartheid activist, some of whose work was in musicology focused on the music of indigenous South African peoples. His band Juluka began as a duo with Sipho Mchunu, and was the first group in the South African apartheid-era with a white man and a black man. The pair performed and recorded, later with an expanded lineup.
Graceland is the seventh solo studio album by American singer-songwriter Paul Simon. It was produced by Simon, engineered by Roy Halee and released on August 25, 1986, by Warner Bros. Records.
Trevor Charles Rabin is a South African musician, singer-songwriter, producer, and film composer. Born into a musical family and raised in Johannesburg, Rabin took up the piano and guitar at an early age and became a session musician, playing and producing with a variety of artists. In 1972, he joined the rock band Rabbitt who enjoyed considerable success in South Africa, and released his first solo album, Beginnings. In 1978, Rabin moved to London to further his career, working as a solo artist and a producer for various artists including Manfred Mann's Earth Band.
Abdullah Ibrahim is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and Ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington. He is known especially for "Mannenberg", a jazz piece that became a notable anti-apartheid anthem.
Mango Groove is an 11-piece South African Afropop band whose music fuses pop and township music—especially marabi and kwela.
Savuka, occasionally referred to as Johnny Clegg & Savuka, was a multi-racial South African band formed in 1986 by Johnny Clegg after the disbanding of Juluka. Savuka's music blended traditional Zulu musical influences with Celtic music and rock music that had a cross-racial appeal in South Africa. Their lyrics were often bilingual in English and Zulu and they wrote several politically charged songs, particularly related to apartheid. Some better-known Savuka songs include "Asimbonanga", and "Third World Child", from their 1987 album Third World Child. Band percussionist Dudu Zulu was killed in 1992; their song "The Crossing" was a tribute to him.
Robert Nesta Marley was a Jamaican singer, songwriter, and musician. Considered one of the pioneers of reggae, his musical career was marked by fusing elements of reggae, ska, and rocksteady, as well as his distinctive vocal and songwriting style. Marley's contributions to music increased the visibility of Jamaican music worldwide, and made him a global figure in popular culture for over a decade. Over the course of his career, Marley became known as a Rastafari icon, and he infused his music with a sense of spirituality. He is also considered a global symbol of Jamaican music and culture and identity, and was controversial in his outspoken support for democratic social reforms. In 1976, Marley survived an assassination attempt in his home, which was thought to be politically motivated. He also supported legalization of marijuana, and advocated for Pan-Africanism.
"Africa" is a song by American rock band Toto, the tenth and final track on their fourth studio album Toto IV (1982). It was released as a single in the US through Columbia Records in October 1982, the album's third single overall and second in Europe. The song was written by band members David Paich and Jeff Porcaro, produced by the band, and mixed by Grammy-winning engineer Elliot Scheiner.
"Mannenberg" is a Cape jazz song by South African musician Abdullah Ibrahim, first recorded in 1974. Driven into exile by the apartheid government, Ibrahim had been living in Europe and the United States during the 1960s and '70s, making brief visits to South Africa to record music. After a successful 1974 collaboration with producer Rashid Vally and a band that included Basil Coetzee and Robbie Jansen, Ibrahim began to record another album with these three collaborators and a backing band assembled by Coetzee. The song was recorded during a session of improvisation, and includes a saxophone solo by Coetzee, which led to him receiving the sobriquet "Manenberg".
"Asimbonanga", also known as "Asimbonanga (Mandela)", is an anti-apartheid song by the South African racially integrated band Savuka, from their 1987 album Third World Child. It alluded to Nelson Mandela, imprisoned on Robben Island at the time of song's release, and other anti-apartheid activists. It was well received, becoming popular within the movement against apartheid, and was covered by several artists including Joan Baez and the Soweto Gospel Choir.
References
- ↑ Meintjes, Louise (15 January 2003). Sound of Africa!: Making Music Zulu in a South African Studio. Duke University Press. p. 54. ISBN 9780822384632 . Retrieved 9 September 2017.
- ↑ Lentz, Harris M. (17 April 2009). Obituaries in the Performing Arts, 2008: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland. p. 275. ISBN 9780786453849 . Retrieved 9 September 2017.
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