The Tony Bennett Bill Evans Album | ||||
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Studio album by | ||||
Released | July 1975 | |||
Recorded | June 10–13, 1975 | |||
Studio | Fantasy (Berkeley, California) | |||
Genre | Vocal jazz | |||
Length | 34:59 | |||
Label | Fantasy F-9489 | |||
Producer | Helen Keane | |||
Tony Bennett chronology | ||||
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Bill Evans chronology | ||||
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Review scores | |
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Source | Rating |
All About Jazz | (favorable) [1] |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Encyclopedia of Popular Music | [4] |
The Tony Bennett Bill Evans Album is a 1975 studio album by singer Tony Bennett and pianist Bill Evans.
Their second album together, Together Again , was released in 1977. Both albums plus alternate takes and additional tracks were released on The Complete Tony Bennett/Bill Evans Recordings by Fantasy Records in 2009.
Sony Music Distribution included this CD in a box set entitled The Complete Collection, which contains fifty-eight of his studio albums, 4 compilation, three DVDs, six volumes of Bennett’s non-album singles, a previously unreleased CD of his Las Vegas debut from 1964, and two discs of rarities, including Bennett’s first recording, an Army V-Disc of “St. James Infirmary Blues, and was released on November 8, 2011. [5]
The singer Annie Ross suggested to Bennett that he should make an album with Evans. Since the managers of the two artists, Jack Rollins and Helen Keane, respectively, were close friends, the collaboration was readily negotiated for Fantasy Records, Evans's label at the time. Evans commented, "I like Tony's singing. To me, he is one of those guys that keep developing—digging deeper into their resources." Evans and Bennett met in London to establish the recording dates and decide on the repertoire. Bennett said that Evans worked "for three or four hours on each song we did .... I couldn't believe what he was doing, over and over again, each thing was magnificent." [6] Later, Bennett said of the album, "That's the most prestigious thing I ever did." [7]
Peter Pettinger notes that "Most of the titles on this now classic recording were firm favorites of Evans's." [8] Evans had previously recorded the opener, "Young and Foolish", as well as Leonard Bernstein's "Some Other Time" for his second trio album, Everybody Digs Bill Evans (1958). He recorded "The Touch of Your Lips" several times, including just a few months later for the solo album Alone (Again) . A classic trio version of "My Foolish Heart" was recorded during Evans's legendary live Village Vanguard recordings in 1961. "But Beautiful," reportedly Evans's favorite song, [9] had previously been recorded by Evans with Stan Getz twice [10] and live with his trio for the album Since We Met (1974). This album with Bennett also features a version of Evans's most famous original, "Waltz for Debby," which Bennett had previously recorded in 1964, [11] much to Evans's delight. [12] This is the only time that Evans recorded it with the lyrics by his friend Gene Lees; previously, he had recorded the Swedish version with Monica Zetterlund. [13]
All About Jazz reviewer C. Michael Bailey commented, "These two exceptional musicians came together at the top of their game to record one of the most memorable vocal-piano duets committed to vinyl. ... This is a superb reissue that demands to be heard." [14]
Pettinger notes that Evans "was one of the most accomplished and sensitive accompanists in the business. His backings made much use of that quietly processional chord technique ... that he had employed on Undercurrent with Jim Hall. ... The pianist reveled in fulfilling the orchestral support to which the singer was accustomed, and undoubtedly both were having a grand time." [15]
Will Friedwald observes that "Instead of the singer being accompanied by the pianist ... both participants [on this album] are equal partners." [16]
Ted Gioia praised this performance of "Waltz for Debby" for "the vocalist's touching delivery of Gene Lees' lyrics" and "because this track gives us a rare chance to hear the pianist solo over the changes in 3/4" instead of his usual practice of shifting to 4/4 for his improvisations on the waltz. [17]
William John Evans was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
Explorations is an album by jazz pianist Bill Evans that was originally released by Riverside Records in 1961. It was the second and final studio album Evans recorded with his classic trio featuring Scott LaFaro on bass and Paul Motian on drums.
New Jazz Conceptions is the debut album by jazz pianist Bill Evans, recorded in two sessions during September 1956 for Riverside Records.
Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962.
Together Again is a 1977 studio album by singer Tony Bennett and jazz pianist Bill Evans. It was originally issued on Bennett's own Improv Records label, which went out of business later that year, but was subsequently reissued on Concord.
Know What I Mean? is a 1962 jazz album by alto saxophonist Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on the Riverside label as RLP-433.
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by him with bassist Eddie Gómez and drummer Eliot Zigmund in August 1977 and released in February 1981, shortly after Evans's death in September 1980.
I Will Say Goodbye is an album by American jazz pianist Bill Evans, recorded in 1977 but not released until January 1980. It was his final album for Fantasy Records, making the title quite appropriate.
Bill Evans Trio with Symphony Orchestra is an album by American jazz pianist Bill Evans and his trio, released in 1966, featuring jazz arrangements of works by classical composers Granados, J.S. Bach, Scriabin, Fauré, and Chopin. The trio is accompanied by an orchestra consisting of strings and woodwinds arranged and conducted by Claus Ogerman. Originals by both Evans and Ogerman are also included.
Bill Evans at Town Hall is a live album from 1966 by American jazz pianist Bill Evans and his trio. It is his only commercial trio recording featuring drummer Arnold Wise, and it was the last recorded appearance of bassist Chuck Israels as a regular member of the trio.
The Bill Evans Album is a recording by the jazz pianist Bill Evans, released in 1971 on the Columbia label. It was his first album to feature all compositions written, arranged, and performed by him. On the record, Evans plays both an acoustic and a Fender Rhodes electric piano.
Alone (Again) is a solo piano album by American jazz pianist Bill Evans, recorded in December 1975. A follow-up to his earlier solo album Alone, it was released in 1977 on Fantasy Records and reissued on CD in 1994 by Original Jazz Classics. At the time it was recorded, Evans had been playing an increasing number of solo dates and was inspired after hearing Marian McPartland play solo in Monterey. Evans's manager Helen Keane commented:
As much as Bill enjoyed playing alone at home, and although by this time he regularly included a solo section in his concert program, he found recording in this context very difficult. It was probably the only area he felt insecure about musically, and the fact that he'd gotten a Grammy for Alone didn't seem to help.
Intuition is a jazz album by pianist Bill Evans and bassist Eddie Gómez released by Fantasy Records in 1975.
Waltz for Debby is a 1964 album in English and Swedish by the trio of American jazz pianist Bill Evans and the Swedish singer Monica Zetterlund. Evans met her on a tour of Sweden and was "bowled over" by her EP recording of "Waltz for Debby" with a Swedish text titled "Monicas Vals." Evans's manager, Helen Keane, set up a recording session for them at the end of the Swedish tour.
"Waltz for Debby" is a jazz standard composed by pianist Bill Evans, which became "his most famous tune." He first recorded it as a brief solo piano piece on his debut album, New Jazz Conceptions (1956). Lyrics were added about six years later by Evans's friend Gene Lees. "Debby" in the composition's title refers to Evans's then 3-year-old niece, Debby Evans, whom he often took to the beach.
The Complete Tony Bennett/Bill Evans Recordings is a two-CD box set released in 2009 compiling the two recording sessions by singer Tony Bennett and pianist Bill Evans which produced The Tony Bennett/Bill Evans Album in 1975 and Together Again in 1976, including twenty alternate takes and two bonus tracks not released on the original albums.
Montreux III is a live album by jazz pianist Bill Evans and bassist Eddie Gómez, recorded at the Montreux Jazz Festival in Switzerland in 1975 and released on the Fantasy label.
Since We Met is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell, recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1976. Additional recordings from Evans's 1974 Village Vanguard performances were also issued on the album Re: Person I Knew, released posthumously in 1981. Since We Met was digitally remastered and reissued as a CD in 1991 on Original Jazz Classics.
The Tokyo Concert is a live album by jazz pianist Bill Evans with bassist Eddie Gómez and drummer Marty Morell recorded at the Yūbin Chokin Hall in Tokyo, Japan, in 1973 and released on the Fantasy label.