The Tony Oxley/Alan Davie Duo | ||||
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Live album by Tony Oxley and Alan Davie | ||||
Released | 1975; 2003 | |||
Recorded | 1974–1975 | |||
Venue | various | |||
Genre | Free improvisation | |||
Length | 51:03 | |||
Label | ADMW 005 a/l/l 005 | |||
Producer | Tony Oxley | |||
Tony Oxley chronology | ||||
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The Tony Oxley/Alan Davie Duo is an album by percussionist Tony Oxley and multi-instrumentalist Alan Davie. It was recorded during 1974 and 1975 at various live and studio locations, and was initially released on vinyl on Davie's ADMW (Alan Davie Music Workshop) label. In 2003, it was reissued on CD in remastered form with two bonus tracks by the German label a/l/l, an imprint of FMP. [1] [2] [3] [4] [5]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [6] |
In a review for AllMusic, François Couture noted that the reissue was "a pleasure to rediscover," and stated that, with the exception of "Fish Fascinator," the album "remains fresh and challenging." [1]
The authors of The Penguin Guide to Jazz Recordings wrote: "There's no outstanding track, just a record of a highly sympathetic musical encounter. Davie's reputation as a musician has never caught up with that as an artist, which seems a pity." [6]
JazzWord's Ken Waxman noted "how many conceptions including World music echoes, folk root allusions, musqiue concrète and pure improv, were touched upon on these tracks," and commented: "Even more conspicuous is how the two were mixing and matching the genres at that early date, more so than Oxley does now." [7]
A reviewer for Coda called the album "a remarkable merger of two very exploratory talents, Oxley then expanding his percussion pallette further into electronics and Davie applying his painter's sense of form and color to a host of reed, string and percussion experiments." [8]
Writing for Bells, Henry Kuntz remarked: "These are mainly textural explorations... that work for a time in different areas, employing various combinations of sounds and instruments... This is probably how 'mainstream' modern music should sound: with a sense of its roots (without being stuck there), a hint of the future, a formal contemporaneity, and a lot of solid musicianship. Recommended." [9]
Tony Oxley was an English free improvising drummer and electronic musician.
Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
James Alan Davie was a Scottish painter and musician.
Looking Corona is a live album featuring performances by Cecil Taylor with Harald Kimmig, Muneer Abdul Fataah, William Parker and Tony Oxley recorded in Berlin on November 3 & 4, 1989 and released on the FMP label.
Bad Benson is a 1974 studio album by American guitarist George Benson, released on CTI Records.
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Taylor/Dixon/Oxley is a live album by pianist Cecil Taylor, trumpeter Bill Dixon, and drummer Tony Oxley. It was recorded on May 19, 2002 during the Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, and was released in 2002 by Les Disques Victo.
Hexensabbat is a solo piano album by Irène Schweizer. Two tracks were recorded live at the Townhall Charlottenburg in Berlin on October 8, 1977, and the remaining tracks were recorded at the FMP-Studio in Berlin on October 10, 1977. The album was released in 1978 by FMP. In 2002, Intakt Records reissued the album in combination with Wilde Señoritas.
Quartet Improvisations, Paris 1986 is a live album by pianist Marilyn Crispell. It was recorded at Galerie Maximilien Guiol in Paris in November 1986 as part of an event titled "Decade de musique improvisee," and was released in 1987 by Leo Records. On the album, Crispell is joined by cellist Didier Petit, bassist Marcio Mattos, and percussionist Youval Micenmacher.
The Gentle Harm of the Bourgeoisie is a live solo trombone album by Paul Rutherford, his first release under his own name. It was recorded at Unity Theatre, London during 1974, and was initially released on LP in 1976 by Emanem Records. In 1986, Emanem reissued the album on LP, and, in 1997, the label reissued it on CD with an additional track.
Bib is a live album by drummer Günter Sommer, saxophonist Sylvain Kassap, and bassist Didier Levallet. It was recorded on July 9 and 11, 1992, at the Workshop Freie Musik held at the Akademie Der Künste in Berlin, and was released in 2002 by FMP.
February Papers is an album by percussionist Tony Oxley. It was recorded during February 1977 at Hampden Gurney Studios in London, and was released on LP later that year by Incus Records. On the album, Oxley is joined by guitarist Ian Brighton, violinists David Bourne and Philipp Wachsmann, and bassist Barry Guy. In 2020, the album was reissued on CD by Discus Music.
Berlin Djungle is a live album by the Brötzmann Clarinet Project, led by Peter Brötzmann, and featuring an eleven-piece band that was assembled for a concert at JazzFest Berlin. Documenting a performance of a single 47-minute work, it was recorded on November 4, 1984, at the Delphi Theater in Berlin, and was released on vinyl in 1987 by FMP/Free Music Production. In 2004, it was reissued on CD by Atavistic Records as part of their Unheard Music Series. On the album, Brötzmann is joined by clarinetists Tony Coe, J.D. Parran, Ernst-Ludwig Petrowsky, Louis Sclavis, and John Zorn, trumpeter Toshinori Kondo, trombonists Alan Tomlinson and Johannes Bauer, double bassist William Parker, and drummer Tony Oxley.
Digger's Harvest is a live album by pianist Alexander von Schlippenbach and drummer Tony Oxley. It was recorded on November 5 and 7, 1998, at the Podewil in Berlin, and was released in 1999 by FMP/Free Music Production.
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Floating Phantoms is a live album by the B.I.M.P. Quartet, led by percussionist Tony Oxley, and featuring violinist Phil Wachsmann, keyboardist Pat Thomas, and electronic musician Matt Wand. It was recorded on November 5, 1999, at the "Total Music Meeting" in Berlin, and was issued in 2002 by the German label a/l/l, an imprint of FMP, as their inaugural release.
Triangular Screen is a live album by Tony Oxley Project 1, led by percussionist Oxley, and featuring guitarist Ivar Grydeland and double bassist Tonny Kluften. One track was recorded during March 2000 at the Kongsberg Jazzfestival in Kongsberg, Norway, and the remaining tracks were recorded during May 2000 at Blå in Oslo, Norway. The album was released later that year by the Norwegian Sofa label.
A Birthday Tribute: 75 years is a live album by percussionist Tony Oxley released in celebration of his seventy-fifth birthday. The album begins with two quartet tracks recorded during 1993, on which Oxley is joined by guitarist Derek Bailey, keyboardist Pat Thomas, and electronic musician Matt Wand. The remaining three tracks were recorded during 1977, and feature Oxley in a duo with trombonist Paul Rutherford, a trio with violinist Philipp Wachsmann and guitarist Ian Brighton, and a solo percussion work with electronics. The album was released in 2013 by Incus Records.
Elaboration of Particulars is an album by percussionist Tony Oxley and multi-instrumentalist Alan Davie. It was recorded during 1977 and 1978 at Gamels Studio in Rush Green, Hertford, United Kingdom, and was released by Confront Recordings in 2021.
Unreleased 1974–2016 is an album by drummer and electronic musician Tony Oxley. The first three tracks were recorded in 1974, and feature Oxley with trumpeter Dave Holdsworth, trombonist Paul Rutherford, pianist Howard Riley, and bassist Barry Guy. These tracks were remastered and edited into their final form in 2005, 2019, and 2020. Track four, recorded in 1981, is performed by Oxley, saxophonist Larry Stabbins, violinist Phil Wachsmann, pianist Howard Riley, and guitarist Hugh Metcalfe, while the fifth and final track, recorded in 2016, pairs Oxley with percussionist Stefan Hölker. Drawn from Oxley's personal archive of recordings, the album was released in 2022 by Discus Music.