The Trail of the Lonesome Pine | |
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Directed by | Charles Maigne |
Written by | Eugene Walter (adaptation) |
Screenplay by | Will M. Ritchey |
Based on | The Trail of the Lonesome Pine by John Fox, Jr. |
Starring | Mary Miles Minter |
Cinematography | James Howe |
Distributed by | Paramount Pictures |
Release date |
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Running time | 6 reels |
Country | United States |
Languages | Silent English intertitles |
The Trail of the Lonesome Pine is a 1923 American silent Western film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the play and novel of the same name by John Fox Jr. [1] This was the second time that Maigne had directed Minter in an adaptation of a Fox novel, the first being 1920's A Cumberland Romance. This was Minter's final film; her contract with Paramount Pictures was not renewed, [2] and she stated that she was "through" with films. [3] As with many of Minter's features, The Trail of the Lonesome Pine is thought to be a lost film. [4]
As described in various film magazine reviews, [5] [6] [7] [8] [9] June Tolliver (Minter) is a girl of the Kentucky mountains, whose clan has been feuding with the Falins for generations. When engineer John Hale (Moreno) comes to the mountains to aid in the development of the coal and iron industries, June falls in love with the handsome "furriner" (foreigner).
Hale sends June away to the city, funding her education with the intention of marrying her on her return. In the meantime the feud between the clans deepens, and Hale, having been made a deputy, is keen not to take sides despite his love for June.
The day that June returns from the city, her education complete, her uncle Rufe Tolliver (Brady) is arrested for the killing of a policeman. June is called upon as a witness, and although her clan expect her to remain loyal to them, she does not lie.
June's father Judd Tolliver (Torrence), the leader of the clan, vows that he will not see a relative hanged. Instead, he arranges to have Rufe shot on the way to his execution, and in the ensuing chaos Hale is also wounded. June intervenes to beg for peace between the clans, and when Hale recovers, he and June are wed.
The Trail of the Lonesome Pine was the second film on which cinematographer James Wong Howe earned his reputation leading him to become one of the most sought cinematographer of the era. Listed as first camera, essentially, Howe was considered the director of photography. [10] Specifically, Howe made Mary Miles Minter's blue eyes register on orthochromatic film with a filter. [11] With the success evident in Howe's work, especially in lighting, "every blue-eyed actor and actress wanted him as their photographer." [10]
The novel was first adapted for the screen in 1914 starring Dixie Compton. In 1916, a second adaptation, directed by Cecil B. DeMille, was released. The novel was adapted for the fourth time in 1936, directed by Henry Hathaway and starring Fred MacMurray, Sylvia Sidney and Henry Fonda.
Wong Tung Jim, A.S.C. (Chinese: 黃宗霑; August 28, 1899 – July 12, 1976), known professionally as James Wong Howe (Houghto), was a Chinese-born American cinematographer who worked on over 130 films. During the 1930s and 1940s, he was one of the most sought after cinematographers in Hollywood due to his innovative filming techniques. Howe was known as a master of the use of shadow and one of the first to use deep-focus cinematography, in which both foreground and distant planes remain in focus.
The Trail of the Lonesome Pine is a 1908 romance novel/western novel by John Fox, Jr. The novel became Fox's most successful, and was included among the top ten list of bestselling novels for 1908 and 1909. It has been adapted numerous times for both stage and screen.
The Trail of the Lonesome Pine is a 1936 American adventure romance western film based on the 1908 novel of the same name. The picture was directed by Henry Hathaway starring Fred MacMurray, Sylvia Sidney and Henry Fonda.
The Trail of the Lonesome Pine is a 1916 American silent drama film directed by Cecil B. DeMille, who also wrote the screenplay. Art direction for the film was done by Wilfred Buckland.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players–Lasky and distributed through Realart and Paramount Pictures.
The Cowboy and the Lady is a 1922 American silent Western film directed by Charles Maigne and starring Mary Miles Minter and Tom Moore. It was adapted by Julien Josephson from the 1908 play of the same name by Clyde Fitch, and was shot on location at Jackson Hole in Wyoming. As with many of Minter's features, it is thought to be a lost film.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes.
Moonlight and Honeysuckle is a 1921 American silent romantic comedy film directed by Joseph Henabery and starring Mary Miles Minter and Monte Blue. It was adapted by Barbara Kent from the 1919 stage play of the same name by George Scarborough. As with many of Minter's features, it is thought to be a lost film.
The Amazing Impostor is a 1919 American silent comedy film starring Mary Miles Minter and directed by Lloyd Ingraham. As with many of Minter's features, it is thought to be a lost film.
Don't Call Me Little Girl is a 1921 American silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. It was adapted by Edith Kennedy from the stage play "Jerry" by Catherine Chisholm Cushing. As with many of Minter's features, it is thought to be a lost film.
Her Winning Way is a silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. The screenplay was written by Douglas Z. Doty, based upon the novel Ann Annington by Edgar Jepson and the play Ann by Lechmere Worrall. As with many of Minter's features, it is thought to be a lost film.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
Drums of Fate is a 1923 American silent drama film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the novel "Sacrifice" by Stephen French Whitman. It was also referred to as "Drums of Destiny" in some promotional material. As with many of Minter's features, it is thought to be a lost film.
Jenny Be Good is a 1920 American silent romance drama film directed by William Desmond Taylor and starring Mary Miles Minter, based on a novel by Wilbur Finley Fauley and adapted for the screen by Julia Crawford Ivers. It is the last of Minter's films to also feature her older sister Margaret Shelby in a supporting role. As with many of Minter's features, it is believed to be a lost film.
A Cumberland Romance is a 1920 American silent drama film written and directed by Charles Maigne and starring Mary Miles Minter and Monte Blue, based on the 1899 novel A Mountain Europa by John Fox Jr. Maigne also wrote the screenplay. It is one of approximately a dozen of Minter's features still known to survive today.
Sweet Lavender is a 1920 American silent drama film directed by Paul Powell and starring Mary Miles Minter. The scenario was adapted by Beulah Marie Dix from the 1888 play of the same name by Arthur Wing Pinero. Like many of Minter's features, it is thought to be a lost film.
The Little Clown is a 1921 American silent comedy film directed by Thomas N. Heffron and starring Mary Miles Minter, adapted by Eugene B. Lewis from a comedy play by Avery Hopwood. It is one of approximately a dozen of Minter's films which still survive today. A copy of the film was found in the Dawson Film Find in 1978 - although other copies survived in various holdings - and a few brief frames from this copy can be seen in 2016 documentary Dawson City: Frozen Time.
Yvonne from Paris is a 1919 American silent comedy film directed by Emmett J. Flynn and starring Mary Miles Minter, Allan Forrest, and Vera Lewis. It was Minter's last film with the American Film Company; she signed a contract with Realart, part of Famous Players–Lasky, in June 1919.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.