Author | Christopher Vogler |
---|---|
Country | United States |
Language | English |
Genre | Non-fiction |
Publisher | Michael Wiese Productions |
Publication date | 2007 |
Media type | Paperback |
Pages | 407 |
ISBN | 978-1-932907-36-0 |
OCLC | 154677482 |
808.2/3 22 | |
LC Class | PN1996 .V64 2007 |
The Writer's Journey: Mythic Structure For Writers is a popular screenwriting textbook by writer Christopher Vogler, focusing on the theory that most stories can be boiled down to a series of narrative structures and character archetypes, described through mythological allegory. [1]
The book was very well received upon its release, and is often featured in recommended reading lists for student screenwriters. [2] [3] [4]
The book stems from a seven-page studio memo, "A Practical Guide to The Hero with a Thousand Faces". [5]
An earlier edition, The Writer's Journey: Mythic Structure for Storytellers and Screenwriters, was published in 1992. Vogler revised the book for the second release in 1998 and changed the title to The Writer's Journey: Mythic Structure for Writers. The third edition, published in 2007, included a new introduction, new artwork, and analysis of recent, popular motion pictures. In July 2020, the 25th Anniversary Edition will be published, which, according to the new edition's back cover, will include new sections and topics. [6]
The first part of the book describes eight major character archetypes in detail. [7] Those are:
The second part describes the twelve stages of the Hero's Journey. [7] The stages are:
A hero is a real person or a main fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. Like other formerly gender-specific terms, hero is often used to refer to any gender, though heroine only refers to women. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame. The antonym of hero is villain. Other terms associated with the concept of hero may include good guy or white hat.
High fantasy, or epic fantasy, is a subgenre of fantasy defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot. The term "high fantasy" was coined by Lloyd Alexander in a 1971 essay, "High Fantasy and Heroic Romance", which was originally given at the New England Round Table of Children's Librarians in October 1969.
Joseph John Campbell was an American writer. He was a professor of literature at Sarah Lawrence College who worked in comparative mythology and comparative religion. His work covers many aspects of the human experience. Campbell's best-known work is his book The Hero with a Thousand Faces (1949), in which he discusses his theory of the journey of the archetypal hero shared by world mythologies, termed the monomyth.
The concept of an archetype appears in areas relating to behavior, historical psychology, and literary analysis.
Tom Bombadil is a character in J. R. R. Tolkien's legendarium. He first appeared in print in a 1934 poem called "The Adventures of Tom Bombadil", which also included The Lord of the Rings characters Goldberry, Old Man Willow and the Barrow-wight, from whom Tom rescues the hobbits. They were not then explicitly part of the older legends that became The Silmarillion, and are not mentioned in The Hobbit.
Champions is a role-playing game published by Hero Games designed to simulate a superhero comic book world. It was originally created by George MacDonald and Steve Peterson in collaboration with Rob Bell, Bruce Harlick and Ray Greer. The latest edition of the game uses the sixth edition of the Hero System, as revised by Steve Long, and was written by Aaron Allston. It was released in early 2010.
The Hero with a Thousand Faces is a work of comparative mythology by Joseph Campbell, in which the author discusses his theory of the mythological structure of the journey of the archetypal hero found in world myths.
A story arc is the chronological construction of plot in a novel or story. It can also mean an extended or continuing storyline in episodic storytelling media such as television, comic books, comic strips, board games, video games, and films with each episode following a dramatic arc. On a television program, for example, the story would unfold over many episodes. In television, the use of the story arc is common in sitcoms, and even more so in soap operas. In a traditional Hollywood film, the story arc usually follows a three-act structure. Webcomics are more likely to use story arcs than newspaper comics, as most web comics have readable archives online that a newcomer to the strip can read in order to understand what is going on. Although story arcs have existed for decades, the term "story arc" was coined in 1988 in relation to the television series Wiseguy, and was quickly adapted for other uses.
Narrative structure is a literary element generally described as the structural framework that underlies the order and manner in which a narrative is presented to a reader, listener, or viewer. The narrative text structures are the plot and the setting.
In narratology and comparative mythology, the hero's journey, or the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.
Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession.
Kevin Grevioux is an American actor, screenwriter, director, and comic book writer. He is best known for his role as Raze in the Underworld film series, which he co-created, as well as his voicework in the cartoon Young Justice as the villain Black Beetle.
Michael Hauge is an American story consultant, author, and lecturer who works with writers and filmmakers on their screenplays, novels, movies, and television projects. He is on the board of directors of the American Screenwriters Association and the Advisory Board for Scriptwriter Magazine in London.
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes in the narrative, symbols, images, and character types in literary works. As an acknowledged form of literary criticism, it dates back to 1934 when Classical scholar Maud Bodkin published Archetypal Patterns in Poetry.
Daniel James Harmon is an American writer, producer, and actor. He is best known as the creator and producer of the NBC/Yahoo! Screen sitcom Community (2009–2015), creator and host of the comedy podcast Harmontown (2012–2019), co-creator of the Adult Swim animated sitcom Rick and Morty (2013–present) and its subsequent franchise along with Justin Roiland, and co-founder of the alternative television network and website Channel 101 along with Rob Schrab.
Christopher Vogler is a Hollywood development executive, screenwriter, author and educator, best known for working with Disney and his screenwriting guide, The Writer's Journey: Mythic Structure For Writers, from 2007.
The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung-influenced analysis of stories and their psychological meaning. Booker worked on the book for 34 years.
In narratology and comparative mythology, the Rank–Raglan mythotype is a set of narrative patterns proposed by psychoanalyst Otto Rank and later on amateur anthropologist Lord Raglan that lists different cross-cultural traits often found in the accounts of heroes, including mythical heroes.
Rebecca Roanhorse is an American science fiction and fantasy writer from New Mexico. She has written short stories and science fiction novels featuring Navajo characters. Her work has received Hugo and Nebula awards, among others.
Scholars including psychoanalysts have commented that J. R. R. Tolkien's Middle-earth stories of both Bilbo Baggins, protagonist of The Hobbit, and Frodo Baggins, protagonist of The Lord of the Rings, constitute psychological journeys. Bilbo returns from his journey to help recover the Dwarves' treasure from Smaug the dragon's lair in the Lonely Mountain changed, but wiser and more experienced. Frodo returns from his journey to destroy the One Ring in the fires of Mount Doom scarred by multiple weapons, and is unable to settle back into the normal life of his home, the Shire.