This article needs additional citations for verification .(June 2023) |
Author | Lance Olsen |
---|---|
Country | United States |
Language | English |
Genre | Postmodern novel |
Publisher | &Now Books |
Publication date | February 15, 2016 |
Pages | 136 |
ISBN | 1941423930 |
There's No Place Like Time: A Retrospective is a limited-edition postmodern novel by Lance Olsen, published by &Now Books in 2016. [1]
There's No Place Like Time: A Retrospective masquerades as a catalogue for a real retrospective of experimental films by a non-existent videographer. Author Lance Olsen and his wife, videographer Andi Olsen, stage the fake retrospective in galleries in Europe and the U.S. The result is a three-dimensional text: a real place dedicated to an unreal career of an artist named Alana Olsen. From her videos and the texts surrounding them (including this catalogue/novel), the viewer/reader is invited to treat her like a fictional character, inferring her character, development, obsessions, and relationship with her daughter, Aila, who allegedly curates the exhibit, but is in fact another fictive character. The catalogue/novel is made up of critical and biographical essays, stills, and reminiscences about Alana's small body of work (fewer than 20 videos over five decades, some of which have gone missing) produced in relative anonymity, yet apparently a large influence on artists as varied as Lars von Trier, Douglas Gordon, and Martin Arnold.
Thematically, There's No Place Like Time, then, forms part of a larger conceptual art installation that investigates the difficulties inherent in identity and knowledge about the past.
Douglas Gordon is a Scottish artist. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. He lives and works in Berlin, Germany.
Gary Hill is an American artist who lives and works in Seattle, Washington. Often viewed as one of the foundational artists in video art, based on the single-channel work and video- and sound-based installations of the 1970s and 1980s, he in fact began working in metal sculpture in the late 1960s. Today he is best known for internationally exhibited installations and performance art, concerned as much with innovative language as with technology, and for continuing work in a broad range of media. His longtime work with intermedia explores an array of issues ranging from the physicality of language, synesthesia and perceptual conundrums to ontological space and viewer interactivity. The recipient of many awards, his influential work has been exhibited in most major contemporary art museums worldwide.
General Idea was a collective of three Canadian artists, Felix Partz, Jorge Zontal and AA Bronson, who were active from 1967 to 1994. As pioneers of early conceptual and media-based art, their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists.
Lance Olsen is an American writer known for his experimental, lyrical, fragmentary, cross-genre narratives that question the limits of historical knowledge.
Ann Hamilton is an American visual artist who emerged in the early 1980s known for her large-scale multimedia installations. After receiving her BFA in textile design from the University of Kansas in 1979, she lived in Banff, Alberta, and Montreal, Quebec, Canada before deciding to pursue an MFA in sculpture at Yale in 1983. From 1985 to 1991, she taught on the faculty of the University of California at Santa Barbara. Since 2001, Hamilton has served on the faculty of the Department of Art at the Ohio State University. She was appointed a Distinguished University Professor in 2011.
Lynn Hershman Leeson is a multimedia American artist and filmmaker. Her work combines art with social commentary, particularly on the relationship between people and technology. Leeson is a pioneer in new media, and her work with technology and in media-based practices helped legitimize digital art forms. Her interests include feminism, race, surveillance, and artificial intelligence and identity theft through algorithms and data tracking. She has been referred to as a "new media pioneer" for the prescient incorporation of new science and technologies in her work. She is based in San Francisco, California.
Mimmo Paladino is an Italian sculptor, painter and printmaker. He is a leading name in the Transvanguardia artistic movement and one of the many European artists to revive Expressionism in the 1980s.
Renée Green is an American artist, writer, and filmmaker. Her pluralistic practice spans a broad range of media including sculpture, architecture, photography, prints, video, film, websites, and sound, which normally converge in highly layered and complex installations. She works to draw on cultural anthropology as well as social history, making her works well-researched and many times involving collaborators. Some of the topics she has covered include Sarah Baartman, the African slave trade, and hip hop in Germany.
Barbara Ann Rosenthal is an American avant-garde artist, writer and performer. Rosenthal's existential themes have contributed to contemporary art and philosophy. Rosenthal's pseudonyms are "Homo Futurus," which was taken from the title of one of her books, and "Cassandra-on-the-Hudson," which alludes to "the dangerous world she envisions" while creating art in her studio and residence on the Hudson River in Greenwich Village, NYC. Rosenthal successfully trademarked "Homo Futurus" in 2022.
Esther Shalev-Gerz is a contemporary artist. She lives and works in Paris.
Nancy Buchanan is a Los Angeles-based artist best known for her work in installation, performance, and video art. She played a central role in the feminist art movement in Los Angeles in the 1970s. Her work has been exhibited widely and is collected by major museums including the Museum of Modern Art and the Centre Pompidou.
Claudia Hart is an artist and associate professor in the Department of Film, Video, New Media, Animation at the School of the Art Institute of Chicago, Chicago, Illinois. She has been active as an artist, curator and critic since 1988. She creates virtual representations that take the form of 3D imagery integrated into photography, animated loops and multi-channel animation installations.
Jan Frank is an American artist-curator based in Manhattan.
Magdalena Jetelová is a Czech installation artist and land artist, who has achieved international acclaim. Known mainly for her environmental installation works, Jetelová combines light, architecture, photography, sculpture, and installation to explore the relationship between humans, objects, and space. Her work has been exhibited in various prominent galleries internationally such as Museu d'Art Contemporani de Barcelona, Tate Gallery London, Museum of Modern Art, 21er Haus, and the Martin-Gropius-Bau. Her work is also in the collection of Hirschorn Museum, the Centre Pompidou, and the Museum Ludwig.
Monica Bonvicini is a German-Italian artist who works with installation, sculpture, video, photography and drawing mediums. Bonvicini describes her practice as an exploration of relationshsips between architecture and space, power, gender and sexuality.
Annie Martin is a Canadian artist who works with installation, audio, video and textiles. Her work has been exhibited throughout Canada and internationally. Martin lives in Lethbridge, Alberta where she teaches at the University of Lethbridge. She previously lived and worked in Montreal.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Mari Kim (Korean: 마리킴) is a South Korean contemporary artist from Seoul, South Korea. She is known for the big-eyed, cartoon-like female characters in her pop art paintings, called "eyedolls". Her work was popularly recognized after her 2011 collaboration with the K-pop girl group 2NE1, directing the animated music video for their single "Hate You". The single topped charts and the music video, with eyedoll action heroines portraying each of the four members, received over twenty million YouTube views.
Theories of Forgetting is a postmodern novel by Lance Olsen, published by Fiction Collective Two in 2014.
Lena Braun is a Berlin-based artist, curator and author. She works as a cross-genre artist in the fields of performance and visual arts, often addressing non-normative femininity and gender expression. The art spaces that she has curated since 1988 have earned her the reputation of being a "Grand Dame" of Berlin's art scene.