Related Research Articles
Tunbridge Walks is a 1703 comedy play by the English writer Thomas Baker. It starred the droll actor William Pinkethman in a leading role. It is also known by the longer title Tunbridge Walks, or the Yeoman of Kent.
The Artifice is a 1722 comedy by the British writer Susanna Centlivre. It was her final play, returning to the more robust style of restoration comedy which was very uncommon by this era.
The Spartan Dame is a 1719 tragedy by the Irish writer Thomas Southerne. It was inspired by a story from Plutarch's Life of Aegis and was originally written as early 1687, but faced a long period of censorship and revision. The Drury Lane managers chose to revive it at a time of tension with the Stanhope-led government Whigs over licensing issues, and may have selected it because its plot subtly allowed them to demonstrate sympathy with the opposition Whigs led by Robert Walpole following the recent Whig Split.
The Briton is a 1722 tragedy by the British writer Ambrose Philips. The play is set in pre-Roman Celtic Britain.
Medea is a 1730 play by the British writer Charles Johnson. It is based on Medea from Greek mythology.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson.
The Modish Couple is a 1732 comedy play by the British writer James Miller, under the pen name Charles Boaden. A virtuous wife reforms her rakish husband.
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
The Humours of Oxford is a 1730 comedy play by the British writer James Miller. It was Miller's debut play, inspired by his time at Wadham College, and proved popular. The plot is set around Oxford University and portrays the academics as overindulging in port wine. William Hogarth designed the frontispiece of the published version of the play.
Love in a Riddle is a 1729 ballad opera by the British actor-manager Colley Cibber. It was part of a boom in ballad operas inspired by the enormous success of John Gay's The Beggar's Opera the previous year.
Love in a Forest is a 1723 comedy play by Charles Johnson. It is a substantial reworking of Shakespeare's As You Like It cutting out characters and passages, while borrowing from other Shakespeare plays amongst other things.
Hecuba is a 1726 tragedy by the British writer Richard West. It is named after Hecuba a figure in Greek Mythology from the time of the Trojan War.
The False Friend is a 1702 comedy play by the English writer John Vanbrugh. It was inspired by Francisco de Rojas Zorrilla's Spanish play La traición busca el castigo.
All for the Better is a 1702 comedy play by the English writer Francis Manning.
The Virgin Prophetess, or The Fate of Troy is a 1701 tragedy by Elkanah Settle featuring music by Gottfried Finger. It is a semi-opera with masque-like elements breaking up the scenes.
The Old Mode and the New is a 1703 comedy play by the English writer Thomas d'Urfey.
The Faithful Bride of Granada is a 1704 tragedy by the English writer William Taverner. It was the only tragedy by Tarverner, better known for his comedies.
The Man's Bewitched is a 1709 comedy play by the British writer Susanna Centlivre. It is known by the longer title The Man's Bewitch'd; or, The Devil to do about Her.
The Country Lasses: or, The Custom of the Manor is a 1715 comedy play by the British writer Charles Johnson.
The Victim is a 1714 tragedy by the British writer Charles Johnson.
References
- ↑ Burling p.133
