Tom Dowd & the Language of Music

Last updated
Tom Dowd & the Language of Music
Tom Dowd & the Language of Music.jpg
Directed byMark Moormann
Starring
Production
company
Release date
  • January 19, 2003 (2003-01-19)(US)
Running time
89 minutes
CountryUnited States

Tom Dowd & the Language of Music is a documentary about the life and work of music producer/recording engineer Tom Dowd released in 2003 and in theater in August 2004. [1] The documentary contains historical footage, vintage photographs and interviews with a list of musicians from the worlds of jazz, soul and classic rock provide insight into the life of Dowd. It was a 2005 Grammy Award nominee.[ citation needed ] The film is also stored in the Library of Congress. [2]

Contents

About

An engineer and producer for Atlantic Records, Dowd was responsible for some of the most influential R&B, rock, and jazz records in the 20th century. In his own words, Dowd tells how he went from working on the Manhattan Project as rising physicist, while still high school age, to recording some of the these records. Dowd's technical skills opened increased the prevalence of the recording studio for making music. The documentary tells how his use of the multitrack eight-track tape recorder at Atlantic Records in the late 1950s gave musicians and producers greater control over their productions and helped bring music recording from being monaural to stereo. His contributions made it possible to isolate musical sounds and then manipulate (mix) their parts in the recording process.

John Coltrane, Charlie Mingus, Aretha Franklin, Bobby Darin, The Drifters, Eric Clapton, Cream, the Allman Brothers are some of the artists interviewed in the documentary.

Filmmaker Mark Moormann premiered the documentary at the 2003 Sundance Film Festival and its international premiere was at the 2003 Toronto International Film Festival. Chris Blackwell's Palm Pictures has released the film in North America and the Caribbean and Lightning Entertainment is handling the foreign release of the film. Dowd died in 2002, shortly after this documentary was made.

Reception

Reception to the documentary at its time of release was positive. Variety, The Austin Chronicle, and Film Threat both gave positive reviews, though Variety noted the film "feels a little long." [3] [4] [5] Author Robert Gordon in the book Respect Yourself: Stax Records and the Soul Explosion called the film a "thrill for all fans of pop music since the early 1960s." [6] The film has also been recommended by authors to watch when learning about becoming an audio engineer. [7] [8]

Soundtrack

Derek And The Dominos

Cream

Jesse Jones Jr.

Eddie Condon

Eileen Barton

Cab Calloway

Joe Morris

Stick McGhee

Tito Puente

Columbia University Band

Big Joe Turner

Ruth Brown

Ray Charles

John Coltrane

Thelonious Monk

Ornette Coleman

Les Paul

The Coasters

Charles Mingus

The Drifters

Ben E. King

Bobby Darin

Booker T. & the M.G.'s

Rufus Thomas

Otis Redding

Aretha Franklin

The Allman Brothers Band

Lynyrd Skynyrd

The Goods

Tom Dowd

Wilson Pickett

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References

  1. Hansen, Liane (2004-08-15). "Tom Dowd: Fluent in 'The Language of Music'". NPR .
  2. Moormann, Mark (2003). "TOM DOWD & THE LANGUAGE OF MUSIC". Library of Congress . Retrieved 2024-05-26.
  3. Merrill, Tim (2004-08-13). "TOM DOWD & THE LANGUAGE OF MUSIC Reviews Film Threat" . Retrieved 2024-05-26.
  4. Rooney, David (2003-02-02). "Tom Dowd & The Language of Music". Variety. Retrieved 2024-05-26.
  5. Hernandez, Raoul (2004-04-05). "Movie Review: Tom Dowd & the Language of Music". Austin Chronicle. Retrieved 2024-05-26.
  6. Gordon, Robert (2015-02-03). Respect Yourself: Stax Records and the Soul Explosion. Bloomsbury Publishing USA. p. 404. ISBN   978-1-60819-416-2.
  7. Kesterson, Neil (2023-12-07). Push the Right Buttons: A Practical Guide to Becoming and Succeeding as an Audio Engineer and Producer. Dynamix Productions, Inc. p. 207. ISBN   979-8-9890351-0-6.
  8. Savage, Steve (2011-06-01). The Art of Digital Audio Recording: A Practical Guide for Home and Studio. Oxford University Press. ISBN   978-0-19-991050-2.