McGrath's painterly subjects often imply a moving vantage point and a windshield-like analogy between painting, surface and picture. His imagery evokes romantic road-trip, scenic overlooks, optical blind-spots, landscapes of "fly-over" country, nocturnes of Los Angeles and urban sprawl. The work seems to be depicted from the viewpoint of a car passenger, a tourist, a commuter, or a pedestrian. His work uses contradictory painting mannerisms filtered through landscape images of both an iconic cultural origin and a generic naturalism.
His work is included in the public collections including, The Metropolitan Museum of Art, New York, The Yale Gallery of Art, New Haven, The Wadsworth Atheneum, Hartford, CT, Nerman Museum of Contemporary Art, Overland Park, KS, The Art Bank Program, U.S. Department of State, Washington D.C., The Orlando Museum of Art, Orlando, FL, The Flint Institute of Arts, Flint, MI, and The Neuberger Museum of Art, Purchase College, Purchase, NY.
Albert Bierstadt was a German American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century.
Andrew Newell Wyeth was an American visual artist, primarily a realist painter, working predominantly in a regionalist style. He believed he was also an abstractionist, portraying subjects in a new, meaningful way. The son of N. C. Wyeth and father of Jamie Wyeth, he was one of the best-known U.S. artists of the middle 20th century. James H. Duff explores the art and lives of the three men in An American Vision: Three Generations of Wyeth Art. Raised with an appreciation of nature, Wyeth took walks that fired his imagination. Henry David Thoreau, Robert Frost, and King Vidor's The Big Parade (1925) inspired him intellectually and artistically. Wyeth featured in a documentary The Metaphor in which he discussed Vidor's influence on the creation of his works of art, like Winter 1946 and Portrait of Ralph Kline. Wyeth was also inspired by Winslow Homer and Renaissance artists.
Alexander Young Jackson LL. D. was a Canadian painter and a founding member of the Group of Seven. Jackson made a significant contribution to the development of art in Canada, and was instrumental in bringing together the artists of Montreal and Toronto. In addition to his work with the Group of Seven, his long career included serving as a war artist during World War I (1917–19) and teaching at the Banff School of Fine Arts, from 1943 to 1949. In his later years he was artist-in-residence at the McMichael Canadian Art Collection in Kleinburg, Ontario.
Willard Leroy Metcalf was an American painter born in Lowell, Massachusetts. He studied at the School of the Museum of Fine Arts, Boston, and later attended Académie Julian, Paris. After early figure-painting and illustration, he became prominent as a landscape painter. He was one of the Ten American Painters who in 1897 seceded from the Society of American Artists. For some years he was an instructor in the Women's Art School, Cooper Union, New York, and in the Art Students League, New York. In 1893 he became a member of the American Watercolor Society, New York. Generally associated with American Impressionism, he is also remembered for his New England landscapes and involvement with the Old Lyme Art Colony at Old Lyme, Connecticut and his influential years at the Cornish Art Colony.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds, as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Will Cotton is an American painter. His work primarily features landscapes composed of sweets, often inhabited by human subjects. Will Cotton lives and works in New York City.
The Yale University Art Gallery (YUAG) is an art museum in New Haven, Connecticut. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University. Although it embraces all cultures and periods, the gallery emphasizes early Italian Renaissance painting, African sculpture, and modern art. It is the oldest university art museum in the Western Hemisphere.
White Mountain art is the body of work created during the 19th century by over four hundred artists who painted landscape scenes of the White Mountains of New Hampshire in order to promote the region and, consequently, sell their works of art.
Tom Uttech is an American landscape painter and photographer. His inspiration has come from travels to northern Minnesota and the Quetico Provincial Park in Ontario.
Edward Henry Potthast was an American Impressionist painter. He is known for his paintings of people at leisure in Central Park, and on the beaches of New York and New England.
Robert Seldon Duncanson was a 19th-century American landscapist of European and African ancestry. Inspired by famous American landscape artists like Thomas Cole, Duncanson created renowned landscape paintings and is considered a second generation Hudson River School artist. Duncanson spent the majority of his career in Cincinnati, Ohio and helped develop the Ohio River Valley landscape tradition. As a free black man in antebellum America, Duncanson engaged the abolitionist community in America and England to support and promote his work. Duncanson is considered the first African-American artist to be internationally known. He operated in the cultural circles of Cincinnati, Detroit, Montreal, and London. The primary art historical debate centered on Duncanson concerns the role that contemporary racial issues played in his work. Some art historians, like Joseph D. Ketner, believe that Duncanson used racial metaphors in his artwork, while others, like Margaret Rose Vendryes, discourage viewers from approaching his art with a racialized perspective.
Rodney McMillian is an artist based in Los Angeles. McMillian is a Professor of Sculpture at the UCLA School of Arts and Architecture at the University of California, Los Angeles.
Leon Dabo was an American tonalist landscape artist best known for his paintings of New York State, particularly the Hudson Valley. His paintings were known for their feeling of spaciousness, with large areas of the canvas that had little but land, sea, or clouds. During his peak, he was considered a master of his art, earning praise from John Spargo, Bliss Carman, Benjamin De Casseres, Edwin Markham, and Anatole Le Braz. His brother, Scott Dabo, was also a noted painter.
Kenneth Hayes Miller was an American painter, printmaker, and teacher.
John Rogers Cox was an American painter from Terre Haute, Indiana. His style and subject matter align him with the Regionalist and Magic Realist landscape tradition.
The Actor is an oil-on-canvas painting by Spanish painter Pablo Picasso, created from 1904 to 1905. The painting dates from the artist's Rose Period. It is housed in the collection of the Metropolitan Museum of Art in New York City.
M. Knoedler & Co. was an art dealership in New York City founded in 1846. When it closed in 2011, amid lawsuits for fraud, it was one of the oldest commercial art galleries in the US, having been in operation for 165 years.
Reflections is an oil on canvas painting by American artist Arthur Dove from 1935, now in the Indianapolis Museum of Art, in Indianapolis, Indiana, US.
Lorenzo Scott is a contemporary American artist whose work gained prominence in the late 1980s.
Ian Christopher Scott was a New Zealand painter. His work was significant for pursuing an international scope and vision within a local context previously dominated by regionalist and national concerns. Over the course of his career he consistently sought to push his work towards new possibilities for painting, in the process moving between abstraction and representation, and using controversial themes and approaches, while maintaining a highly personal and recognisable style. His work spans a wide range of concerns including the New Zealand landscape, popular imagery, appropriation and art historical references. Scott's paintings are distinctive for their intensity of colour and light. His approach to painting is aligned with the modernist tradition, responding to the formal standards set by the American painters Morris Louis, Kenneth Noland and Jules Olitski.
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