Tommaso de Aleni (early 16th century) (also called Il Fadino), was an Italian painter of the Renaissance period, active in his native Cremona. He was a pupil of Galeazzo Campi. He was also influenced by the works of Perugino. He painted for the church of San Domenico at Cremona, where he was employed with Campi. A Nativity (1515) formerly in the church of San Domenico, was moved to the town-hall of Cremona.
Cremona is a city and comune in northern Italy, situated in Lombardy, on the left bank of the Po river in the middle of the Pianura Padana. It is the capital of the province of Cremona and the seat of the local city and province governments. The city of Cremona is especially noted for its musical history and traditions, including some of the earliest and most renowned luthiers, such as Giuseppe Guarneri, Antonio Stradivari, Francesco Rugeri, Vincenzo Rugeri, and several members of the Amati family.
Giulio Campi was an Italian painter and architect. His brothers Vincenzo Campi and Antonio Campi were also renowned painters.
Girolamo Romani (Romanino) was an Italian High Renaissance painter active in the Veneto and Lombardy, near Brescia. His long career brought forth several different styles.
Antonio Campi was an Italian painter of the Renaissance.
Alessandro Tiarini was an Italian Baroque painter of the Bolognese School.
Galeazzo Campi was an Italian painter of the Renaissance from Cremona in Lombardy. He was a pupil of Boccaccio Boccaccini. His representation was rather rigid, but careful. His landscapes show influences of Perugino and Giovanni Bellini.
Lattanzio Gambara was an Italian painter, active in a Renaissance and Mannerist styles. It is likely that Gambara is the same 16th century painter referred to as Lattanzio Cremonese or Lattanzio da Cremona
Giuseppe Natali (1652–1722) was an Italian painter of the Baroque period, active mainly in Cremona and Lombardy.
Enea Salmeggia was an Italian painter of the late-Renaissance period, active mainly in his native city of Bergamo.
Giovanni Battista Trotti was an Italian painter of the late-Renaissance period, active mainly in Piacenza, Parma, and his native city of Cremona.
Antonio Beduschi was an Italian painter active in the early-Baroque period, mainly in his hometown of Cremona. He imitated the style of Antonio Campi. His sister, Angela Beduschi, was also a painter. In 1602, he painted the Martyrdom of St. Stephen and a Pietà for the church of San Sepolcro in Piacenza.
Giuseppe Nuvolone (1619–1703) was an Italian painter of the Baroque period, active mainly in Milan, Brescia, and Cremona. Born in San Gimignano. He was the brother of the painter Carlo Francesco Nuvolone and son and pupil of Panfilo. He painted St Dominic resurrecting the dead for the church of San Domenico in Cremona.
Luca Cattapani was an Italian painter of the late-Renaissance period, active in his native Cremona. He was born about the year 1570, and was a pupil of one of the Campi. He painted a Decollation of St. John for the church of San Donato at Cremona.
Vincenzo Campi was a 16th-century Italian painter working in Cremona during the Late Renaissance. Campi is best known as one of the first northern Italian artists to work in the Flemish style of realist genre painting.
Carlo Urbino (1525/30–1585) was an Italian painter of the Renaissance.
Galeazzo Ghidoni or Gidoni was an Italian painter.
Andrea Mainardi, also known as il Chiaveghino, was an Italian painter of the late-Renaissance period, active in Cremona.
Francesco Superti was an Italian painter.
Lorenzo Beci is an Italian painter of the Renaissance period, active in Cremona, region of Lombardy. His surname is also sometimes written as Becci, Berti, De Becis or De Bezy, Berci, or Bezzi.
Luca Cattapane was an Italian painter active during the late 16th century in Cremona. He was a follower of the Campi family in Cremona. He painted an altarpiece now in the church of Sant'Ilario, Cremona. In the church of San Pietro al Po, Cremona, he painted figures for the fresco of the Deposition of Christ by Lattanzio Gambara; and collaborated with Cristoforo Magnani, il Somenzo, Andrea Mainardi, il Malosso and Ermenegildo da Lodi in the fresco decoration of the nave.
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