Andy Warhol was an American artist, director and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertising that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental film Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).
Edward Durell Stone was a twentieth century American architect known for the formal, highly decorative buildings he designed in the 1950s and 1960s. His works include the Museum of Modern Art, in New York City, the United States Embassy in New Delhi, India, the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane cultural objects. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material.
Diane Arbus was an American photographer. Although Arbus's most famous subjects were outsiders such as transgender people, strippers, carnival performers, nudists, dwarves, and other marginalized people, she was equally drawn to subjects as ordinary as children, mothers, couples, old people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. In his 2003 New York Times Magazine article, "Arbus Reconsidered," Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveau riche, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, "Her memorable work, which she did, on the whole, not for hire but for herself, was all about heart—a ferocious, audacious heart. It transformed the art of photography, and it lent a fresh dignity to the forgotten and neglected people in whom she invested so much of herself."
Wayne Thiebaud is an American painter widely known for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figure paintings. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud uses heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.
Alexandra Elizabeth "Ally" Sheedy is an American actress and author. Following her film debut in 1983's Bad Boys, she became known as one of the Brat Pack group of actors in the films The Breakfast Club (1985) and St. Elmo's Fire (1985). She also acted in WarGames (1983) and Short Circuit (1986). For her performance in Lisa Cholodenko's High Art (1998), Sheedy won the Independent Spirit Award for Best Female Lead.
The New York School was an informal group of American poets, painters, dancers, and musicians active in the 1950s and 1960s in New York City. They often drew inspiration from surrealism and the contemporary avant-garde art movements, in particular action painting, abstract expressionism, jazz, improvisational theater, experimental music, and the interaction of friends in the New York City art world's vanguard circle.
Ramparts was a glossy illustrated American political and literary magazine, published from 1962 to 1975 and closely associated with the New Left political movement. Unlike most of the radical magazines of the day, Ramparts was expensively produced and graphically sophisticated.
New York is an American biweekly magazine concerned with life, culture, politics, and style generally, and with a particular emphasis on New York City. Founded by Milton Glaser and Clay Felker in 1968 as a competitor to The New Yorker, it was brasher and less polite, and established itself as a cradle of New Journalism. Over time, it became more national in scope, publishing many noteworthy articles on American culture by writers such as Tom Wolfe, Jimmy Breslin, Nora Ephron, John Heilemann, Frank Rich, and Rebecca Traister.
Elections in Bangladesh gives information on election and election results in Bangladesh.
Natalia Sergeevna Goncharova was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. She was a founding member of both the Jack of Diamonds, Moscow's first radical independent exhibiting group, and the art movement known as Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death.
Aperture magazine, based in New York City, is an international quarterly journal specializing in photography. Founded in 1952, Aperture magazine is the flagship publication of Aperture Foundation.
Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product such as a book, magazine, newspaper (tabloid), comic book, video game, DVD, CD, videotape, or music album. The art has a primarily commercial function, for instance to promote the product it is displayed on, but can also have an aesthetic function, and may be artistically connected to the product, such as with art by the creator of the product.
Artforum is an international monthly magazine specializing in contemporary art.
Calvin Tomkins is an author and art critic for The New Yorker magazine.
Russell Lynes was an American art historian, photographer, author and managing editor of Harper's Magazine.
Cycle World is a motorcycling magazine in the United States. It was founded in 1962 by Joe Parkhurst, who was inducted to the Motorcycle Hall of Fame as, "the person responsible for bringing a new era of objective journalism" to the US. As of 2001 Cycle World was the largest motorcycling magazine in the world. The magazine is headquartered in Irvine, California. Regular contributors include Peter Egan and Nick Ienatsch. Occasional contributors have included Hunter S. Thompson and professional riding coach Ken Hill.
Roberta Smith is co-chief art critic of The New York Times and a lecturer on contemporary art. She is the first woman to hold that position.
