Formation | 1886 |
---|---|
Founder | John David Kelly, William Walker Alexander, Charles Macdonald Manly, and Alfred H. Howard |
Type | Arts association |
Legal status | Charity |
Purpose | mutual study from life, for picture composition classes and for outdoor sketching |
Headquarters | Toronto, Ont., Canada |
Region | Canada |
Official language | English, French |
The Toronto Art Students' League (TASL) or the Toronto Art League as it was called from 1899 on was an association of artists that existed from 1886 to 1904 and advocated drawing from the antique, and drawing and painting from life as a key to making art. [1] It was a way of circulating recent art developments such as the Arts & Crafts movement and Art Nouveau as well as serving as a training ground and as a way of providing encouragement and fellowship for younger artists. [2] [3] It met about once a week to produce drawings from life and its operative mottos were the disciplinary "Nulla Dies Sine Linea" and "Non Clamor Sed Amor". [4] [5]
The League followed examples such as the New York Art Students’ League ([NYASL), founded in 1875, and the Art Students’ League of Philadelphia, which was established in 1886 (Toronto Leaguers followed its founding closely). [5] Its formation was largely as a consequence of the inactivity of the Toronto School of Art. The League founders were John David Kelly, William Walker Alexander, Charles Macdonald Manly and Alfred H. Howard. William Daniel Blatchly was elected the first president of the League, [6] and Howard the first secretary. [7] It included in its membership printmakers such as John Wesley Cotton and Blatchly, as well as artist/illustrators John David Kelly, C. W. Jefferys and Fred Brigden among others. [5]
Women were admitted to membership in the League in 1890. [5] Members contributed to the League Calendars (1893-1904) [8] [9] which covered virtually all phases of Canadian life in its illustrations and are today considered a milestone in the history of graphic art in Canada. [10] The Toronto Art League Calendars were given their own show by the National Gallery of Canada in 2008 with sample pages from each calendar together with original drawings, curated by Charles C. Hill. [11]
Members of the League were also included in the League exhibitions, begun in 1899 [5] [12] and lasting until 1901. [13] Sketching trips were taken by League members as far away as the Niagara Peninsula, Muskoka, Quebec City, and the Richelieu River Valley. A feeling for Canadian art "was transmitted through the teaching of some of its members, such as Robert Holmes, Manly and J.E.H. MacDonald at the Central Ontario Art School (later the Ontario College of Art and Design), and in their work and that of others... as an influence on the students who succeeded us", said Jefferys who credits the League with being the origin of the Canadian Landscape School and thus, ultimately of the Group of Seven. [5]
By 1899 the active function of the League was largely absorbed by its offshoot, the Mahlstick Club, and the founding in 1903 of the Graphic Arts Club (GAC), with Jefferys acting as first president. The GAC became the Canadian Society of Graphic Art in 1924, and evolved into the establishment of the Canadian Society of Painter-Etchers and Engravers in 1916. [5]
Work by many of the League members can be found in '"The Ontario Collection" in the catalogue of its collection by Fern Bayer (FitzHenry and Whiteside, 1984) [14] or online in the Ontario Government art collection. [15] An extensive group of C. M. Manley drawings is in the collection of the Ontario College of Art and Design. [16]
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
Thoreau MacDonald was a Canadian illustrator, graphic and book designer, and artist.
George Agnew Reid who signed his name as G. A. Reid was a Canadian artist, painter, influential educator and administrator. He is best known as a genre painter, but his work encompassed the mural, and genre, figure, historical, portrait and landscape subjects.
Charles William Jefferys who signed his name C. W. Jefferys was an English-born Canadian artist, author and teacher best known for his historical illustrations.
Clarence Alphonse Gagnon, LL. D. was a French Canadian painter, draughtsman, engraver and illustrator. He is known for his landscape paintings of the Laurentians and the Charlevoix region of eastern Quebec.
Kathleen Jean Munn is recognized today as a pioneer of modern art in Canada, though she remained on the periphery of the Canadian art scene during her lifetime. She imagined conventional subjects in a radically new visual vocabulary as she combined the traditions of European art with modern art studies in New York. She stopped painting about 1939 and when she died in 1974 at age 87, she was unaware that her long-held hope for "a possible future for my work" was about to become reality.
The Society of Canadian Painter-Etchers and Engravers (CPE) was a non-profit organization of Canadian etchers and engravers.
Caroline Farncomb was a Canadian painter. She lived in London, Ontario where she was secretary of the Women's Art Association and donated work to start an art gallery, today the Museum London.
Georgiana Uhlyarik-Nicolae, also known as Georgiana Uhlyarik is a Romanian-born Canadian art curator, art historian, and teacher. She is currently the Fredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario (AGO). She has been part of the team or led teams that created numerous exhibitions, on subjects such as Betty Goodwin, Michael Snow, and Kathleen Munn among others and collaborated with art organizations such as the Tate Modern, and the Jewish Museum, New York.
Frederick Sproston Challener (1869–1959), who signed his name as F.S. Challener, was a Canadian painter of murals as well as an easel painter of oils and watercolours and a draftsman in black-and-white and pastel. He also did illustrations for books and commercial art. He "easily ranks with the first few mural decorators in Canada", wrote Newton MacTavish, author of The Fine Arts in Canada
Robert Burley is a Canadian photographer of architecture and the urban landscape. He is based in Toronto, Canada, and is a Fellow of the Royal Society of Canada.
Robert Holmes, was a Canadian naturalist painter and artist-illustrator.
Walter R. Duff is a Canadian graphic artist and painter who worked in oil and watercolour. His subjects include portraits, buildings, still life and landscapes.
Charles Macdonald Manly who signed his name C. M. Manly was a lithographer, painter, sketcher and educator in the early days of Canadian art.
William Daniel Blatchly who signed his name as W. D. Blatchly (1835–1903) was a British lithographer, painter and illustrator.
The ChromaZone/Chromatique Collective and gallery was founded in Toronto in 1981. It was a significant artist-run movement which acted as a spearhead for Toronto’s emerging visual art scene in the early eighties. The founders were Andy Fabo, Oliver Girling, Sybil Goldstein, Rae Johnson, H.P. Marti and Tony Wilson but concurrently, connected to the Collective were other artists such as Brian Burnett, Chrysanne Stathacos and many others.
Franklin Arbuckle was a Canadian illustrator, painter and educator who contributed more than 100 covers and many illustrations to Maclean's magazine in a 60-year career.
John Wesley Cotton was a printmaker and painter in the early years of the 20th century. He was known for his aquatints, etchings, and drypoints, and for introducing the colour aquatint process to Canada.
William Walker Alexander, who signed his work W. W. Alexander, was a printmaker and bookplate maker.
John David Kelly who signed his work J. D. Kelly was an "enormously popular" painter, printmaker and artist-illustrator known for the series of calendar illustrations he did for Confederation Life Association, depicting great moments in Canadian history. He researched his historical paintings with such accuracy that he has been described by the Toronto Globe & Mail as a reconstructor rather than a painter of historical scenes. His work “made history more real to hundreds and thousands of Canadians”.