Tungsten (music)

Last updated

A Tungsten or Tungs-Tone is a type of phonograph stylus. Constructed from tungsten wire, held in a metal shank, a tungsten stylus differs from a steel stylus in that it has a cylindrical rather than a conical shape, meaning that the cross-section of the stylus remains the same as the stylus wears down improving durability to several plays.

Typically, a new steel needle is required for every record played on an old acoustic phonograph. This is because the record contains abrasive material. In the first few silent tracks this abrasion hones the steel needle to a profile that tracks the grooves properly. The needle continues to wear as it plays the record, so that by the end its diameter has increased to the point where the sharp edges may damage the grooves on subsequent plays.

One famous brand of tungsten stylus was the Tungs-Tone stylus, manufactured by the Victor Talking Machine Company in the 1910s and 1920s.

See also

Related Research Articles

<span class="mw-page-title-main">Phonograph</span> Device for analogue recording of sound

A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of recorded sound. The sound vibration waveforms are recorded as corresponding physical deviations of a helical or spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm that produced sound waves coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.

<span class="mw-page-title-main">Phonograph cylinder</span> Medium for recording and reproducing sound

Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" in their heyday, a name which has been passed on to their disc-shaped successor, these hollow cylindrical objects have an audio recording engraved on the outside surface which can be reproduced when they are played on a mechanical cylinder phonograph. The first cylinders were wrapped with tin foil but the improved version made of wax was created a decade later, after which they were commercialized. In the 1910s, the competing disc record system triumphed in the marketplace to become the dominant commercial audio medium.

<span class="mw-page-title-main">Phonograph record</span> Disc-shaped analog sound storage medium

A phonograph record or a vinyl record is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph.

<span class="mw-page-title-main">Pathé Records</span> French record label

Pathé Records was an international record company and label and producer of phonographs, based in France, and active from the 1890s through the 1930s.

<span class="mw-page-title-main">Edison Records</span> Early record label

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important and successful company in the early recording industry.

<span class="mw-page-title-main">Edison Disc Record</span> Type of phonograph record produced by Edison Inc. from 1912 to 1929

The Edison Diamond Disc Record is a type of phonograph record marketed by Thomas A. Edison, Inc. on their Edison Record label from 1912 to 1929. They were named Diamond Discs because the matching Edison Disc Phonograph was fitted with a permanent conical diamond stylus for playing them. Diamond Discs were incompatible with lateral-groove disc record players, e.g. the Victor Victrola, the disposable steel needles of which would damage them while extracting hardly any sound. Uniquely, they are just under 14 in thick.

<span class="mw-page-title-main">Laser turntable</span> Turntable that plays records using laser beams

A laser turntable is a phonograph that plays standard LP records using laser beams as the pickup instead of using a stylus as in conventional turntables. Although these turntables use laser pickups, the same as Compact Disc players, the signal remains in the analog realm and is never digitized.

<span class="mw-page-title-main">Magnetic cartridge</span> Electromechanical transducer used in the playback of records

A magnetic cartridge, more commonly called a phonograph cartridge or phono cartridge or (colloquially) a pickup, is an electromechanical transducer that is used to play phonograph records on a turntable.

<span class="mw-page-title-main">Capacitance Electronic Disc</span> Analog video disc playback system

The Capacitance Electronic Disc (CED) is an analog video disc playback system developed by Radio Corporation of America (RCA), in which video and audio could be played back on a TV set using a special stylus and high-density groove system similar to phonograph records.

<span class="mw-page-title-main">Unusual types of gramophone records</span> Gramophone records with non standard features

The overwhelming majority of records manufactured have been of certain sizes, playback speeds, and appearance. However, since the commercial adoption of the gramophone record, a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.

<span class="mw-page-title-main">Wow (recording)</span> Pitch variation in audio

Wow is a relatively slow form of flutter that can affect gramophone records and tape recorders. For both, the collective expression wow and flutter is commonly used.

<span class="mw-page-title-main">Flexi disc</span> Thin flexible vinyl phonograph record

The flexi disc is a phonograph record made of a thin, flexible vinyl sheet with a molded-in spiral stylus groove, and is designed to be playable on a normal phonograph turntable.

A multisided record is a type of vinyl record that has more than one groove per side. This technique allows hidden tracks to be encoded on LPs, 45 rpms and 78 rpms. On a disc that has a multi-groove, whether the listener plays the main track or the hidden track depends on where the stylus is cued.

<span class="mw-page-title-main">LP record</span> Vinyl analog sound storage discs

The LP is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33+13 rpm; a 12- or 10-inch diameter; use of the "microgroove" groove specification; and a vinyl composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use today to refer to new records.

Marie Louise Killick was an English audio engineer who patented the truncated-tip sapphire stylus in 1945 for playing gramophone records. The tradename of her invention was Sapphox.

In the field of audio recording, an aluminum disc is a phonograph record made of bare aluminum, a medium introduced in the late 1920s for making one-off recordings. Although sometimes used for making amateur studio or home recordings or in coin-operated "record-your-voice" booths at fairs and arcades, during the first half of the 1930s bare aluminum discs were primarily used to record radio broadcasts for the private transcription disc archives of performers or sponsors.

<span class="mw-page-title-main">Vertical cut recording</span> Record groove with varying depth and constant separation between grooves

The vertical cut recording process is an early method of audio recording by which a stylus cuts a vertical groove into a phonograph record. This is in contrast to the lateral recording system which uses a stylus that cuts side-to-side across a record. The vertical recording process, also known as the hill and dale process, was used to record phonograph cylinder records as well as Edison Disc Records, Pathé disc records, and disc records made by numerous smaller companies. Vertical cut recording was also used as a means of copyright protection by the early Muzak 16-inch background music discs.

<span class="mw-page-title-main">Turntable anti-skating</span>

Turntable anti-skating is a feature used in phonograph turntables to prevent skating of the tonearm.

<span class="mw-page-title-main">Tefifon</span> German audio playback format

The Tefifon is an audio playback format, developed and manufactured in Germany, that utilizes cartridges loaded with an endlessly looped reel of plastic tape. It is somewhat similar to the later 4-track and 8-track magnetic audio tape cartridges, but with grooves engraved into the tape, like a phonograph record. The grooves were engraved in a helical fashion across the width of the tape, in a manner similar to Dictaphone's Dictabelt format. The grooves are read with a stylus and amplified pickup in the player's transport. A Tefifon cartridge, known as a "Tefi", can hold up to four hours of music; therefore, most releases for the format are usually compilations of popular hits or dance music, operas, and operettas. Tefifon players were not sold by television and radio dealers in Germany, but rather sold directly by special sales outlets affiliated with Tefi.

<span class="mw-page-title-main">Music technology (electric)</span> Musical instruments and recording devices that use electrical circuits

Electric music technology refers to musical instruments and recording devices that use electrical circuits, which are often combined with mechanical technologies. Examples of electric musical instruments include the electro-mechanical electric piano, the electric guitar, the electro-mechanical Hammond organ and the electric bass. All of these electric instruments do not produce a sound that is audible by the performer or audience in a performance setting unless they are connected to instrument amplifiers and loudspeaker cabinets, which made them sound loud enough for performers and the audience to hear. Amplifiers and loudspeakers are separate from the instrument in the case of the electric guitar, electric bass and some electric organs and most electric pianos. Some electric organs and electric pianos include the amplifier and speaker cabinet within the main housing for the instrument.

References